Get a Unigrip: Killcode Drummer Rob Noxious Talks About Growing Up in LA, Playing Drums in Front of 60,000 People, and Accidental Entrepreneurship
Rob Noxious joins host Holly Hughes to talk about his musical influences growing up in LA, making the move to Hollywood and launching a career in music. Rob also speaks on inventing Unigrips, a special grip for drumsticks, and the decade-plus journey it took him on. Finally, Rob speaks about balancing family life and music, as well as the need to stay fit to continue performing and recording.
How is playing drums to 60,000 people at a music festival easier than playing to ten people in a dive bar? How does a musician make it in the cut throat music industry, especially in Hollywood? Why is physical fitness key to longevity in music?
Our guest on today’s episode of The Holly Hughes Podcast gives answers to all three questions and many more. Rob Noxious is the drummer of Killcode, but has been a session and touring musician for most of his life.
Rob Noxious joins host Holly Hughes to talk about his musical influences growing up in LA, making the move to Hollywood and launching a career in music. Rob also speaks on inventing Unigrips, a special grip for drumsticks, and the decade-plus journey it took him on. Finally, Rob speaks about balancing family life and music, as well as the need to stay fit to continue performing and recording.
Find Killcode online at killcode.net, or on Instagram at @_killcode_.
See Beavis and Butthead roast Holly’s starter husband here.
Chapters
00:00 Introduction to a Rock God
02:54 The Early Days of Drumming
07:31 Influential Teachers and Musical Foundations
11:13 Navigating High School and Musical Identity
14:40 Moving to Hollywood: The Big Leap
18:11 Building a Music Career in Hollywood
22:56 Networking and Opportunities in the Music Scene
25:34 Family Life and Career Shifts
27:47 Inventing Unigrips: A Unique Journey
30:04 The Journey of Entrepreneurship and Music
35:56 Navigating the Music Industry and Copyrights
42:10 Balancing Family Life and Music Career
48:58 Experiences of Performing at Festivals
53:55 Physical Challenges of Being a Drummer
59:57 Final Thoughts and Personal Insights
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So welcome to the Holly Hughes
podcast.
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Today I have the one the only
rock God Rob Obnoxious of Kill
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Code and we are going to talk
all things long term rock'n'roll
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drummer career.
So thanks Rob for being on my
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show.
Of course, thank you for asking
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me.
I'm really happy to be here.
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I mean, I'm excited.
I'm excited.
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I think like we should tell
people that like we knew each
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other, like we grew up on the
same street from single digits.
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Yes, we sure did.
Like maybe 5 houses away or
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something like that.
My my best friend Johnny
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Esposito is really close with
your family and live right
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across the street.
So yes, we go way back.
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Yeah, I mean, that brings me to
my first image of you.
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Like besides being you always
had swag.
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Like even as a little kid you
like had swag.
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You were just like born with it.
What do they call it now, Riz?
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Whatever.
I'm I'm old.
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So I don't know either.
I don't know what the kids call
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it these days and I never would
have really been conscious of
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that.
But thank you, I guess.
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Really.
Yeah.
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Like, I know you, I don't my, my
idea of you is so different than
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your idea of you.
But I remember like the first
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time that I was aware that you
played music, that you were a
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drummer is like when you all
like, dressed up like Kiss.
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Oh, wow.
Yeah.
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Like our parents used to have
parties and stuff and we would.
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We would.
Yeah, I remember that vaguely.
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Sure.
I mean that.
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That's funny.
I mean, I also.
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I would guess you'd have to
remember I played in the school
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band and see me up there with
the big bench drum or something
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like that.
I do remember the KISS things,
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yes.
That was pretty funny.
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Yeah, that was pretty funny.
And we used to scream car
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because we played tennis in the
middle of the street or.
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Whatever.
We we played everything in the
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middle of the street.
Yeah, it's when Oaks Dr. Baby,
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that was a really great place to
grow up.
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It is you.
OK.
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So I don't want to jump ahead.
I want to kind of go
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chronologically with you.
So I can't remember a time you
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weren't a musician.
When did you actually start
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playing drums?
I'm going to say somewhere
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around 2nd grade when you
everybody has to, like if you
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want to be in a school band and
whatnot, you have to pick an
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instrument.
I had picked drums.
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I was studying at that point
with Mr. Colabello at Fort
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Salonga Elementary School was,
by the way.
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I see him still all the time, if
you remember.
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Yeah, he's still not in town,
but like, I go to lunch with him
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here and there.
Great guy.
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One of my, you know, one of the
main reasons I excelled in in
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music, let alone drums, is
because I had such great
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teachers and he was the we'll
get into that later.
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I mean, he was the foundation of
that.
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You know, he directed me to the
next, you know, private teacher,
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whatever.
But I mean, I was playing guitar
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as well and I was taking lessons
from a guy up the road on Twin
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Oaks Drive, but more up towards
like where Tommy McCabe lives,
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if you remember and.
With like Section 3 section.
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Three, yeah, whatever it was,
but it was right by Heather
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Drive, if you remember that.
But yeah, so I was pretty damn
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good at that as well.
And I do remember both of them
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ironically at the same time.
And I again, I, we were in
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elementary school, they both, I
run and they didn't know each
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other, but they both came to me
and they said, you know, you're
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really, really good at both.
You know, you should seriously
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pick one that you just
concentrate on and kick ass and
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focus on entirely.
It doesn't mean you can't do the
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other as fun and, and whatever.
And honestly, you bring up Kiss
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like I picked drums because I
thought Peter Criss, the drummer
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of Kiss, was the coolest guy in
the in the band.
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So I was like, all right, I'll,
I'll, I'll go with, with drums.
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And, and that's when I just
focused mainly on drums always
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and still do play guitar pretty
well actually.
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Yeah.
Enough to write music and, and
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help with things like that.
With, with a lot of the bands I
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work with in their arrangements
and stuff like that.
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I can, it's mainly by ear at
this point, but I'm pretty damn
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good at it.
But still, I'm I'm a drummer,
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you know, I'm better at drums,
that's for sure.
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Yeah, I was out to dinner the
other night and I could tell
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there was like a couple on a
first date and the guy was
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clearly a drummer because his
feet were moving at different
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rhythms and his hand was
twitching.
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I was like, oh, he's nervous,
but that guy's a drummer.
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Yeah, Well, that's a, it's a,
it's a habit.
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I don't do it as much, but even
through elementary school,
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junior high, high school, I
would like you, you can
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literally practice as a drummer
sitting at a desk because it's
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all coordination.
You know, they call it
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independence.
You got two hands, you got 3,
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two feet and you want to do 4
different things at one time.
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So that's what they call
independence.
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But like you can practice all
that stuff sitting at a desk.
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So used to drive my teachers
crazy because that's what I was
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doing all day.
No doubt.
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Do you think you could actually
teach someone that if they have
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no rhythm?
Absolutely.
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I've, I mean, look, I've taught
little kids that you don't know
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if they have rhythm yet or not.
First thing is finding if
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they're really interested
because you know, you don't want
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their parents spending money if
they're not really interested.
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And you can tell within the
first three lessons if they go
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home and, and they learn what
they're doing.
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But nowadays, unlike how I was
taught, well, maybe not unlike,
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I really only know how to teach
the way I was.
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And again, Tom Colabello was
amazing.
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So like you would learn how to
read music, real simple stuff at
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first.
And he would always intertwine
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it like to the drum set.
Again, remember we're learning
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on a snare drum and, and, and
for starts.
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But he would always take those
quarter notes, which is the
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simplest of things.
And then the 8th notes is the
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next thing.
And he would find a popular song
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and he would write it out and
say sit at the drum set, do
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those quarter notes on your
foot, do this on your snare,
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blah, blah, blah.
Next thing you know, you're
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playing like Led Zeppelin and
you're like, holy shit, I'm
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really good at this.
And it gets the kid, especially
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me.
It gets you very intrigued.
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So you want to, you want to
practice?
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You want Excel?
Because I'm already playing.
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It gave you the win.
It gave you the win.
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Right, So Fast forward down the
road, like the reason I can do
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some of the things I do today,
which like show up and play with
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people that I don't know and and
just know a million songs.
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It's because I can see it all on
paper in my head and it and it
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was all based on Mrs. Bittner
and stuff like that.
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It's just really.
You can see it in your head.
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As it's like I mean I I can.
Like it's up there.
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Yeah, like I can read charts,
but like, I and you could write
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them out and I could use them,
but I don't, you know, I get
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caught.
Like I'll get calls these days
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to fill in for a lot of cover
bands.
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Like I was telling you when we
spoke.
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And, you know, it doesn't matter
what reputation I have at this
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point, which is like, this guy
can show up and do it.
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They can't believe that you can
until you do it.
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And I mean, I know thousands of
songs, you know, just from
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driving around with our parents
in the car and listening to all
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that stuff we did growing up.
Yeah.
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Like, that's why I say I can see
it on paper because in my head,
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because if I if I can't
understand something, that's
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when I'll have to go to YouTube
or something.
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And, and but most of it all
flows.
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It's all pop music and it's it's
structured simple enough that
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like if you know the theory it's
a rock beat or it's a disco beat
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and you know the difference of
those.
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It's really just first chorus,
just that doesn't tempo and
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that's it.
You just made me think, what was
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that movie about the drummer?
And it was a jazz beat.
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It was like a it.
Wasn't it came out not too long
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ago?
Yeah, yeah, yeah.
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What the hell was it called?
Great movie.
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Yeah.
I should have looked that.
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I can't believe.
That one of my favorite moves.
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What the hell was it called?
Yeah.
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But again, he basically abused
the crap.
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Yes, yes, the teacher was.
The teacher was like a drill
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Sergeant.
What the hell was it called?
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I've seen it in a million.
Times find it, I'm going to look
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because drumming movie.
Oh my God.
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It's funny.
I'm upset.
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Me.
I met that, that gentleman, the
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actor, the teacher at an airport
once when we were flying to
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Mexico.
He was on the same flight.
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Whiplash.
Whiplash.
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Exactly.
Great movie.
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Were you ever in an environment
like that?
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Like so you're pretty laid back.
You know, growing up around you,
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I would say you were always
popular, right?
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Easy laid back, had your swag
right like that was like what I
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like saw of you.
You never seemed unsure, but the
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other day you like even said
that you didn't feel any of
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that.
Well.
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You didn't always feel like you
fit in either.
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Yeah, well, see, so I was also
like an athlete, if you
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remember.
I'm like, it was pretty easy.
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I remember football.
It was very easy for me to get
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through the high school thing.
I'm like a lot of people, you'll
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always hear the stereotypical
bullies and this, that thing.
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I had an older brother and I had
an older sister.
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Jeannie wasn't too far off.
She was only three years older
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than me and everybody knew I,
you know, basically older
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brothers stuff.
You know, they don't nobody mess
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with me, so I can't.
It wasn't an uncomfortable thing
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like people picked on me.
But like when we started getting
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into high school and I started
dating like Carrie, you know,
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all the all the jocks and stuff,
you know, hated the fact that I
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was, you know, and I was a good
enough athlete, somebody.
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Still talking about it.
There's someone still talking
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about it.
I'm like, let it go, man.
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It was high school.
Oh yeah, and they still do, you
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know.
But anyway, I guess the point
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I'm making is I was always
accepted with the with the
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athletic thing and then I had my
brothers and sisters, so nobody
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picked on me, even if they just
were jealous of some for some
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reason.
But as far as a musician goes, I
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just never felt accepted in this
town because everybody just
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feels like, you know, you're not
going to go anywhere with it.
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I mean, don't get me wrong, you
knew my parents.
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My parents were very supportive,
but even my mom, who's the most
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supportive one at all, even with
my hair and in like high school
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and stuff, she always make me
have at least that stupid, you
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know, like mullet cut where at
least the top of it was kind of
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short and she would never let.
And she's like, you're not
210
00:10:22,520 --> 00:10:25,240
playing on stages yet.
So I don't want to hear it
211
00:10:25,240 --> 00:10:27,400
because you got to kind of have
like a short hair.
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00:10:27,640 --> 00:10:30,320
And my father was more like,
yeah, short hair, short hair,
213
00:10:30,400 --> 00:10:32,800
you know what I mean?
But at the end of the day, they
214
00:10:32,800 --> 00:10:34,520
always really supported what
they did.
215
00:10:34,840 --> 00:10:37,880
And after high school, they sent
me, you know, I went to, I went
216
00:10:37,880 --> 00:10:43,400
to one year of Community College
at Suffolk out here and I was a
217
00:10:43,400 --> 00:10:47,600
music major.
I had one English class and all
218
00:10:47,600 --> 00:10:52,200
music classes and I chose not to
even go to English and got an
219
00:10:52,200 --> 00:10:54,440
incomplete.
So I was really a part time
220
00:10:54,440 --> 00:10:57,880
student.
But I found this school in
221
00:10:57,880 --> 00:11:02,320
Hollywood that was just, it was
a complete drum school.
222
00:11:02,320 --> 00:11:04,280
It was a tech school.
And you went there and, like,
223
00:11:04,680 --> 00:11:08,720
the teachers there were like,
very famous and it was obvious,
224
00:11:08,720 --> 00:11:10,840
like, yeah, I want to go there.
So even my father at that point,
225
00:11:10,840 --> 00:11:15,000
he's like, OK, it's a year
school, there's no dorms, we'll
226
00:11:15,000 --> 00:11:17,120
pay your rent, we'll get you out
there, whatever.
227
00:11:17,120 --> 00:11:19,640
But after that year, you're on
your own if you want to stay
228
00:11:19,640 --> 00:11:22,480
there or you come home and you
get a real job, whatever.
229
00:11:22,840 --> 00:11:26,240
So obviously, I had within a
year, met enough people.
230
00:11:26,240 --> 00:11:30,040
I started getting worked, like
in the film industry and TV
231
00:11:30,040 --> 00:11:32,280
industry and stuff at the
studios in Hollywood.
232
00:11:32,600 --> 00:11:34,480
And again, that's just all from
networking.
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00:11:35,080 --> 00:11:38,800
So I stayed and you know, that
school, I met a lot of people
234
00:11:38,800 --> 00:11:41,960
and I was able to get a lot of
work right out of right.
235
00:11:42,040 --> 00:11:45,480
We're talking when I'm 19 years
old, you know, in Hollywood,
236
00:11:45,600 --> 00:11:48,480
living on my own.
And I stayed and it's.
237
00:11:49,080 --> 00:11:52,280
Insane.
Wait, especially wait Hollywood
238
00:11:52,280 --> 00:11:54,880
then isn't it's not like what
it.
239
00:11:54,880 --> 00:11:57,640
Is yeah, it was 1989.
It was pretty crazy.
240
00:11:57,640 --> 00:12:00,360
Like, you know, in other words,
I used to say, you know, we had.
241
00:12:00,360 --> 00:12:02,840
Friends So wait, did you land in
actually Hollywood?
242
00:12:02,840 --> 00:12:05,080
Were you in like, what's what
part of town were you?
243
00:12:05,080 --> 00:12:06,920
Well, right.
And it's funny, I I've just
244
00:12:07,080 --> 00:12:10,200
played in Hollywood recently.
I was able to go back and we did
245
00:12:10,200 --> 00:12:14,080
a pretty decent show in the
heart of Hollywood and I went to
246
00:12:14,080 --> 00:12:18,760
visit my very first apartment.
So if you're familiar, obviously
247
00:12:18,760 --> 00:12:22,200
you are.
I lived Franklin and Gower
248
00:12:22,480 --> 00:12:24,240
basically when I first moved
there.
249
00:12:24,680 --> 00:12:29,160
Yeah, 6000 Franklin was my my
first apartment shut, so I just
250
00:12:29,160 --> 00:12:31,280
got a whole bunch of pictures
right out in front of it.
251
00:12:31,320 --> 00:12:34,680
And my school was like Mcadden
and Hollywood Blvd.
252
00:12:34,680 --> 00:12:38,160
So I would walk Hollywood Blvd.
every day and back to go to that
253
00:12:38,160 --> 00:12:42,400
school.
OK, so if people don't know LA,
254
00:12:42,760 --> 00:12:47,880
it's like he is literally in the
middle of the middle of
255
00:12:47,880 --> 00:12:51,560
Hollywood back in the day.
So when I I mean, I moved out
256
00:12:51,560 --> 00:12:54,120
there, I was 22.
So you had a couple of years on
257
00:12:54,120 --> 00:12:55,920
me, right?
I think I was 20.
258
00:12:56,120 --> 00:12:59,360
Yeah, 22.
And I started working at Shannon
259
00:12:59,360 --> 00:13:01,280
Clear Films.
That was on Hollywood and Vine,
260
00:13:01,280 --> 00:13:03,640
which I thought was right near
the frolic room.
261
00:13:03,640 --> 00:13:06,000
It was right by.
I love the Frolic Records, but
262
00:13:06,080 --> 00:13:08,840
Frolic Room was my favorite,
craziest little place in the
263
00:13:08,840 --> 00:13:12,080
world.
Little die, but back in the day,
264
00:13:12,080 --> 00:13:16,320
like Hollywood was, I don't I
mean L as got a whole different
265
00:13:16,320 --> 00:13:22,560
thing, but the early 90s in Lai
mean it was a moment like a lot
266
00:13:22,600 --> 00:13:26,840
of part of town has.
Yeah, a lot of fun, a lot of
267
00:13:26,840 --> 00:13:29,080
different stuff.
So many bars to play at the
268
00:13:29,080 --> 00:13:30,760
time.
I think that's one of the hard
269
00:13:30,760 --> 00:13:34,480
things is like after living
there for so long, like being
270
00:13:34,480 --> 00:13:37,240
able to go hear live music was
so easy.
271
00:13:37,360 --> 00:13:40,120
You could go to 1000 places in
whatever part of town you were
272
00:13:40,120 --> 00:13:42,240
in.
Yeah, it was crazy.
273
00:13:42,240 --> 00:13:44,680
And that's all.
Like, that wasn't West
274
00:13:44,680 --> 00:13:46,600
Hollywood.
It wasn't the Sunset Strip.
275
00:13:47,120 --> 00:13:51,360
As time went on and my lease
would come up, I'd start
276
00:13:51,360 --> 00:13:55,320
gradually moving more towards,
well, like the person went to
277
00:13:55,320 --> 00:13:57,160
Las Palmas then like Buena
Vista.
278
00:13:57,160 --> 00:13:59,080
Next thing you know, I'm like
living down on this on the
279
00:13:59,080 --> 00:14:01,760
strip.
And I did get to play, you know,
280
00:14:01,760 --> 00:14:04,680
at that point, like the whiskey
and the Roxy and all that stuff.
281
00:14:04,680 --> 00:14:07,480
So I, I can say I did all, I
used to hang out at the Rainbow
282
00:14:07,560 --> 00:14:09,720
all the time.
I basically lived there.
283
00:14:10,240 --> 00:14:13,160
I mean, it was a.
It was a fun time.
284
00:14:13,400 --> 00:14:16,440
I can't like, so when I was in
production, right, I was working
285
00:14:16,440 --> 00:14:19,960
14/16/20 out like I was working.
So I everyone's like, didn't you
286
00:14:19,960 --> 00:14:21,880
party?
I'm like man, I was working.
287
00:14:21,880 --> 00:14:23,160
Yeah, you didn't really have
your own.
288
00:14:23,360 --> 00:14:25,080
Set.
Yeah, you didn't really have
289
00:14:25,080 --> 00:14:25,240
time.
I.
290
00:14:25,240 --> 00:14:26,800
Didn't get to have the fun like
that.
291
00:14:26,800 --> 00:14:28,560
I don't.
I don't know if I was even that
292
00:14:28,560 --> 00:14:31,240
fun.
I mean, but at that point I was,
293
00:14:31,520 --> 00:14:34,720
I was working at a place called
Hollywood Center Studios, which
294
00:14:34,720 --> 00:14:39,160
was like right at Las Palmas and
Santa Monica Blvd.
295
00:14:40,520 --> 00:14:43,680
You know, they had shot all
kinds of things there back in
296
00:14:43,680 --> 00:14:46,880
the day and, and like Jeopardy
was on my lot and all that
297
00:14:46,880 --> 00:14:49,840
stuff, but they were part of
KTLA at that point also.
298
00:14:49,960 --> 00:14:54,120
So I worked at KTLA Television a
lot, a lot and, and also at
299
00:14:54,200 --> 00:14:57,680
Hollywood Center Studios.
But I worked for, you know, the,
300
00:14:58,440 --> 00:15:03,560
I worked for the studios.
I didn't work like on the films
301
00:15:03,720 --> 00:15:05,200
as far as like getting right
like.
302
00:15:05,320 --> 00:15:07,840
But as time went on, I met all
those people and that's what I
303
00:15:07,840 --> 00:15:11,320
started falling into, was
getting picked up to work a film
304
00:15:11,320 --> 00:15:15,400
or a commercial or or whatnot.
I met a lot of line thinking
305
00:15:15,440 --> 00:15:17,800
that and stuff like that.
Yeah, that's what I ended up
306
00:15:17,800 --> 00:15:18,960
doing.
So I had left.
307
00:15:18,960 --> 00:15:20,400
I was like, this is not why I'm
here.
308
00:15:20,800 --> 00:15:23,120
I do not want to be doing this.
I want to be creative.
309
00:15:23,200 --> 00:15:26,400
Yeah, it's all freelancing.
One nightmare after another all
310
00:15:26,400 --> 00:15:28,160
day.
Long I would pick up jobs like
311
00:15:28,240 --> 00:15:31,640
in the art department on, on
like Schwarzenegger movies.
312
00:15:31,640 --> 00:15:33,200
And the next thing you know, I'm
a grip.
313
00:15:33,960 --> 00:15:36,520
I know some people won't even
understand what we're talking
314
00:15:36,520 --> 00:15:38,920
about, but like, you know, you
know how those things are.
315
00:15:38,920 --> 00:15:41,800
Like there's an air conditioner
and it needs to be moved.
316
00:15:41,800 --> 00:15:43,680
There's 20,000 people looking at
it.
317
00:15:43,680 --> 00:15:45,920
They know it needs to be moved,
but can't move it until the
318
00:15:45,920 --> 00:15:47,640
grips come.
The grips have to move it.
319
00:15:47,880 --> 00:15:51,280
It's like ridiculous.
But that that's, that's the
320
00:15:51,280 --> 00:15:53,480
world we lived in.
So I was very fortunate.
321
00:15:53,480 --> 00:15:55,880
There's so many good old jokes
about grips, I don't think
322
00:15:55,880 --> 00:15:57,720
they're like acceptable
nowadays.
323
00:15:57,880 --> 00:16:02,960
Like, probably not.
OK, so you're doing you're,
324
00:16:02,960 --> 00:16:06,920
you're like day playing and
you're, you're like working on
325
00:16:06,920 --> 00:16:11,240
stuff, which is really cool.
So how do you like start moving
326
00:16:11,240 --> 00:16:14,600
into building your career as a
musician?
327
00:16:14,720 --> 00:16:16,960
Where did you ever do like
session work there?
328
00:16:17,080 --> 00:16:21,560
Oh yeah, yeah, absolutely.
And still do again, it's all
329
00:16:21,760 --> 00:16:27,560
it's all who you know, I I used
to set.
330
00:16:27,720 --> 00:16:32,080
So if you go back to the way Mr.
Colabella taught me, and then he
331
00:16:32,080 --> 00:16:34,640
had me go to this lady, Anne
Peterson in junior high.
332
00:16:34,640 --> 00:16:37,480
And then I had this guy Murray
who lived in like high school.
333
00:16:38,360 --> 00:16:41,800
And I kind of had a little band
out here when I moved out there.
334
00:16:41,800 --> 00:16:47,600
And I went to that school.
I, I could, the way the school
335
00:16:47,600 --> 00:16:51,320
was structured was you punch in
and you had 24 hours to punch
336
00:16:51,320 --> 00:16:53,080
out.
If as long as you did that you
337
00:16:53,080 --> 00:16:59,400
were, you were an absent #1 #2
you had five main classes, one
338
00:16:59,400 --> 00:17:02,800
of them each day of the week,
whether it was reading, jazz,
339
00:17:03,840 --> 00:17:07,440
Latin, odd meter, whatever they
may be.
340
00:17:07,440 --> 00:17:10,000
And then you had what was called
a reading class that was 1/2
341
00:17:10,000 --> 00:17:11,680
hour.
So one class was an hour, one
342
00:17:11,680 --> 00:17:15,280
class was 1/2 hour, but you had
full, you could go into the
343
00:17:15,280 --> 00:17:17,960
school anytime you wanted.
You could rehearse in the rooms.
344
00:17:17,960 --> 00:17:20,720
You put bands together.
You had to do like live playing
345
00:17:20,720 --> 00:17:22,760
things for credits each 10
weeks.
346
00:17:23,520 --> 00:17:28,400
My point is every three weeks
before the end of a phase, they
347
00:17:28,400 --> 00:17:30,440
would give you what's on your
final.
348
00:17:31,520 --> 00:17:34,960
So like I could read my way
through this whole thing and
349
00:17:34,960 --> 00:17:37,920
instead of going to these
classes, I went to all these
350
00:17:37,920 --> 00:17:41,160
open workshops that had like
real famous people that were
351
00:17:41,160 --> 00:17:44,240
just sitting in a room that are
there to either help you what
352
00:17:44,240 --> 00:17:48,000
your tests or just talk business
with them and become friendly
353
00:17:48,000 --> 00:17:50,560
with a lot of these people.
Next thing you know, I'm jamming
354
00:17:50,560 --> 00:17:52,960
with some of them.
And by the time that school
355
00:17:52,960 --> 00:17:55,720
ended, I was getting work with
like people like Billy Sheehan,
356
00:17:56,560 --> 00:17:58,760
who I don't know if you know who
he is, but he played with David
357
00:17:58,760 --> 00:18:00,520
Lee Roth.
He's like a monster bass player.
358
00:18:01,760 --> 00:18:03,160
There was a guy named Tim
Bogart.
359
00:18:03,720 --> 00:18:07,440
Like it was all referrals.
But because of what I showed
360
00:18:07,440 --> 00:18:10,880
them and just got along with
them, I was getting session work
361
00:18:10,880 --> 00:18:15,760
and I I started my own band and
the band I started actually had
362
00:18:15,760 --> 00:18:18,160
a record deal.
When there were record deals, it
363
00:18:18,160 --> 00:18:20,600
was like 1990.
We were signed to.
364
00:18:22,240 --> 00:18:23,360
What the heck was the name of
it?
365
00:18:23,560 --> 00:18:26,400
It was Madonna's record label.
She's just unopened it.
366
00:18:28,360 --> 00:18:30,680
We recorded an album and the
whole thing, and then we got
367
00:18:30,680 --> 00:18:33,040
dropped like everybody else.
But that's when I was playing
368
00:18:33,040 --> 00:18:35,280
like the Roxy.
And then I got in another band
369
00:18:35,280 --> 00:18:38,360
and and they were more like
alternative and we wound up
370
00:18:38,840 --> 00:18:40,600
going to Europe and stuff like
that.
371
00:18:40,600 --> 00:18:42,880
So I really can't explain how it
happened.
372
00:18:42,880 --> 00:18:45,320
It was like a whirlwind, but
like everything just started
373
00:18:45,320 --> 00:18:47,160
happening at once.
And when I was home, I would
374
00:18:47,160 --> 00:18:49,880
work.
One of the guys I was playing
375
00:18:49,880 --> 00:18:53,280
with worked with me and
basically was my manager at the
376
00:18:53,400 --> 00:18:56,560
Hollywood Center studio.
So like if we were home, he gave
377
00:18:56,560 --> 00:18:58,400
me hours.
If we were not there, we were
378
00:18:58,400 --> 00:18:59,800
both not there.
You know what I mean?
379
00:18:59,800 --> 00:19:02,720
So I didn't have a care in the
world that, you know, I didn't
380
00:19:02,720 --> 00:19:04,840
have any kids.
I didn't have anything like
381
00:19:04,840 --> 00:19:07,000
that.
So it was just like go wherever.
382
00:19:07,000 --> 00:19:12,200
It was almost like being a gypsy
and home base was Hollywood, you
383
00:19:12,200 --> 00:19:13,920
know what I mean?
But that's how I got it.
384
00:19:13,960 --> 00:19:15,480
I.
Think it's like, well you're
385
00:19:15,480 --> 00:19:18,520
very easy to get along with so
you like you have that right so
386
00:19:18,520 --> 00:19:21,640
you meet people whatever, but
you were in a good place at the
387
00:19:21,640 --> 00:19:27,400
right time in like a magical
kind of like the music then
388
00:19:27,440 --> 00:19:30,440
right there was like so many
different genres that.
389
00:19:30,440 --> 00:19:34,200
Yeah, like grunge was about to
come out, the hair metal.
390
00:19:34,200 --> 00:19:36,960
I think the point I was trying
to make with some, most of the
391
00:19:36,960 --> 00:19:41,160
guys I went to school with, you
had a drum lab too, and you can
392
00:19:41,160 --> 00:19:43,720
be there 24 hours.
These guys would like they
393
00:19:43,720 --> 00:19:48,920
wouldn't go out a lot up against
I need to practice me.
394
00:19:48,960 --> 00:19:52,040
I was like, I can read my way
through this crap already.
395
00:19:52,040 --> 00:19:55,160
I want to go meet rock stars.
I want to mingle.
396
00:19:55,160 --> 00:19:58,600
And I didn't realize from a
business perspective at the
397
00:19:58,600 --> 00:20:01,920
time, it was called networking.
I thought I was just partying,
398
00:20:02,400 --> 00:20:05,120
you know what I mean?
But I were, I were.
399
00:20:05,280 --> 00:20:06,040
Partying.
Come on.
400
00:20:06,120 --> 00:20:10,120
Right.
But like, during that partying,
401
00:20:10,160 --> 00:20:13,400
I rubbed elbows with some really
killer people that I still talk
402
00:20:13,400 --> 00:20:16,680
to today and have thrown me some
crazy work both in the movie
403
00:20:16,680 --> 00:20:19,160
industry and in the music
industry, you know?
404
00:20:19,640 --> 00:20:21,840
I love that.
I can't believe we didn't know
405
00:20:21,840 --> 00:20:22,680
that we were both.
Out.
406
00:20:22,680 --> 00:20:26,240
No, we didn't.
We didn't for so many years like
407
00:20:26,240 --> 00:20:27,480
it.
That blew me away.
408
00:20:28,000 --> 00:20:31,520
That that, that upsets me
actually, because we would have
409
00:20:31,520 --> 00:20:34,880
had a lot of fun.
Yeah, you would have pulled me
410
00:20:34,880 --> 00:20:36,040
out.
He'd been like, you know, you're
411
00:20:36,040 --> 00:20:38,680
working too hard, come here.
I would have done anything for
412
00:20:38,720 --> 00:20:39,480
some of.
That, yeah.
413
00:20:39,480 --> 00:20:41,800
And who knows when you wrapped
one thing you might have, we
414
00:20:41,880 --> 00:20:44,160
might have wound up working
together at times too, because
415
00:20:44,160 --> 00:20:47,720
that's just how that all worked.
I'm I'm pretty sure that's how
416
00:20:47,720 --> 00:20:50,440
it still works, but you know, it
is what it is.
417
00:20:50,640 --> 00:20:52,960
Oh, for sure it.
Was a big time in my life.
418
00:20:53,080 --> 00:20:56,960
And, you know, some days I go, I
look at all the people we grew
419
00:20:56,960 --> 00:21:00,600
up with and, you know, they got
married young and, and they
420
00:21:00,600 --> 00:21:04,360
started there, you know, I can't
even explain it.
421
00:21:04,360 --> 00:21:06,880
They did everything right.
In other words, you know, and
422
00:21:06,880 --> 00:21:10,120
like there was a good 15 years,
I didn't do any of that stuff.
423
00:21:11,000 --> 00:21:13,920
But at the end of the day, now
they look at me like, oh man, I
424
00:21:13,920 --> 00:21:17,800
wish I had your wife, you know,
and they're, they're old and,
425
00:21:17,840 --> 00:21:21,640
and, you know, bored.
I think, I don't ever think.
426
00:21:21,640 --> 00:21:23,560
I think that was part of my
thing, why I didn't fit in.
427
00:21:23,560 --> 00:21:25,440
I'm like, why is that the only
way to do it?
428
00:21:25,440 --> 00:21:28,880
That's not like obviously there
was the pressure to do good.
429
00:21:28,880 --> 00:21:32,240
That was like the pressure of
like what I felt in my house.
430
00:21:32,240 --> 00:21:33,840
You have to do better than we
did.
431
00:21:33,840 --> 00:21:36,160
You have to do better, right?
That was like the culture inside
432
00:21:36,160 --> 00:21:40,080
the house.
But I think like, you know, I
433
00:21:40,080 --> 00:21:43,200
live in the South now and people
get married really young now and
434
00:21:43,200 --> 00:21:46,960
they have babies really young.
And I'm like, or hear me out,
435
00:21:48,080 --> 00:21:51,600
you go figure out who you are.
You go explore the world, make
436
00:21:51,600 --> 00:21:56,880
some mistakes, fail, try again,
Go see the world while you only
437
00:21:57,080 --> 00:21:59,760
don't really have any
responsibility and then.
438
00:21:59,840 --> 00:22:02,440
That's exactly.
Then you still had kids way
439
00:22:02,440 --> 00:22:05,160
before me though.
Like, yeah, I'm just saying for
440
00:22:05,160 --> 00:22:08,200
a guy who lived a rock'n'roll
lifestyle, you, you have a big
441
00:22:08,200 --> 00:22:10,320
family.
I did, and that started it when
442
00:22:10,320 --> 00:22:14,760
I was 30, you know, which
compared to who we grew up with,
443
00:22:14,840 --> 00:22:18,560
that's late, you know, But it
was a little too early for me as
444
00:22:18,560 --> 00:22:21,200
well.
You know, Look, I wouldn't trade
445
00:22:21,200 --> 00:22:24,320
it for the world.
I love my daughters, but you
446
00:22:24,320 --> 00:22:28,520
know, it didn't, it definitely
put a, it definitely put a stop
447
00:22:28,520 --> 00:22:30,200
to what I was doing for a little
while.
448
00:22:30,600 --> 00:22:33,280
You know, I had to recalculate.
I was telling you like there was
449
00:22:33,280 --> 00:22:37,680
a period there where technically
I, I quit playing professionally
450
00:22:37,680 --> 00:22:40,800
and I started my own drumstick
business and I had a day job.
451
00:22:41,960 --> 00:22:45,840
There was just no time to commit
to being in, in, in the
452
00:22:45,840 --> 00:22:50,400
rock'n'roll scene.
So they had that whole thing and
453
00:22:51,080 --> 00:22:55,400
somehow I wound up inventing
like these grips for drumsticks
454
00:22:55,400 --> 00:22:58,640
and you know, I was able to get
it off the ground.
455
00:22:58,640 --> 00:23:02,680
I was selling the stuff
globally, big orders to like
456
00:23:03,920 --> 00:23:06,480
South Korea, Europe, stuff like
that.
457
00:23:06,720 --> 00:23:08,880
And back then it was before
YouTube and stuff.
458
00:23:08,880 --> 00:23:12,560
It was really no way to market
it the way you could market
459
00:23:12,560 --> 00:23:16,440
today.
So it was all trade shows and
460
00:23:16,440 --> 00:23:21,160
again, meeting people.
I met a ton of drummers because
461
00:23:21,760 --> 00:23:26,400
I was endorsing some pretty big,
you know, stars and stuff like
462
00:23:26,680 --> 00:23:28,880
Tim Mcgraw's drummer and stuff
like that.
463
00:23:30,360 --> 00:23:34,240
And that all went away when my
partner just wasn't doing
464
00:23:34,240 --> 00:23:37,200
anything and I was doing
everything, you know, I got
465
00:23:37,200 --> 00:23:39,040
tired of doing everything for
half the money.
466
00:23:39,560 --> 00:23:43,120
I tried to take the company
alone when I moved back to New
467
00:23:43,120 --> 00:23:46,800
York when it was just too much
to do.
468
00:23:47,040 --> 00:23:50,360
And I went back to play because
I kind of needed money, you
469
00:23:50,360 --> 00:23:54,000
know, And that's when I started
playing again.
470
00:23:54,120 --> 00:23:58,480
And the second, the second leg
of my career, I remember the.
471
00:23:58,600 --> 00:24:01,720
Name it was called unigrams.
I just love it like unigrams.
472
00:24:02,160 --> 00:24:04,680
We might have to resurrect it.
You're, you know, you see you.
473
00:24:04,760 --> 00:24:05,240
Got time.
Now.
474
00:24:05,240 --> 00:24:07,880
That's a funny thing is I still
have a basement full of these
475
00:24:07,880 --> 00:24:11,480
things and I can't personally
play around drumstick ever
476
00:24:11,480 --> 00:24:13,400
again.
And I have.
477
00:24:13,760 --> 00:24:15,640
I'm the only one who has them at
this point.
478
00:24:15,920 --> 00:24:18,760
But yeah, I was selling them.
Sam Ash, Guitar Center.
479
00:24:18,960 --> 00:24:23,040
We were all over the place.
So you know that that, that
480
00:24:23,040 --> 00:24:26,520
that's an odd story, but like
the way that all came to be, and
481
00:24:26,520 --> 00:24:28,440
this is pretty funny.
You talk about thinking
482
00:24:28,440 --> 00:24:30,840
out-of-the-box and how you can
make shit happen.
483
00:24:32,400 --> 00:24:36,560
I had a buddy who was a drummer
out there, which I had a million
484
00:24:36,560 --> 00:24:38,160
of them.
He had a cleaning company.
485
00:24:38,160 --> 00:24:42,760
You know, he, he, he cleaned
some like movie.
486
00:24:43,000 --> 00:24:47,440
He cleaned carpets and floors
and he had some, you know, one
487
00:24:47,440 --> 00:24:53,320
of his clients was each movie
star, a guy from The Godfather,
488
00:24:53,920 --> 00:24:56,960
Marlon Brando used to play chess
with Marlon Brando, right?
489
00:24:57,280 --> 00:24:59,400
So he had accounts like that.
And then he also had like
490
00:24:59,400 --> 00:25:02,280
corporate accounts.
And he had this thing was like a
491
00:25:02,280 --> 00:25:04,760
bartering system.
Like you, you wouldn't like me
492
00:25:04,760 --> 00:25:08,880
and you barter per SE, but you
would go clean somebody's limos
493
00:25:08,880 --> 00:25:11,480
or something.
And then like if you wanted to
494
00:25:11,640 --> 00:25:14,600
use the barter system, if they
were within it, you could use it
495
00:25:14,600 --> 00:25:17,680
for something else.
Make a Long story short, I had a
496
00:25:17,680 --> 00:25:22,880
dream and, and it was when we
were really young, like I
497
00:25:22,880 --> 00:25:24,920
could've, I don't even know it
was a dream.
498
00:25:24,920 --> 00:25:26,840
I could've swore I seen one of
these things.
499
00:25:26,840 --> 00:25:31,880
And basically when I moved to
Hollywood, there MTV started
500
00:25:31,880 --> 00:25:35,840
doing like that unplugged show
where all the bands would come
501
00:25:35,840 --> 00:25:40,040
on and play like acoustic and
there with Promark drumsticks
502
00:25:40,040 --> 00:25:41,720
made.
This thing is called the hot
503
00:25:41,720 --> 00:25:44,080
Rod.
And the it's all, it's a bunch
504
00:25:44,080 --> 00:25:48,600
of it's a bunch of dowels like
little say bamboo.
505
00:25:48,640 --> 00:25:51,720
They're not bamboo, but say
Birch sticks and they're shrink
506
00:25:51,720 --> 00:25:54,920
wrapped together.
And the way they form it causes
507
00:25:54,920 --> 00:26:00,000
a hexa grip which like kind of
fits right in the digits of your
508
00:26:00,000 --> 00:26:03,000
finger.
Way before that I could have
509
00:26:03,000 --> 00:26:06,520
swore I saw one growing up like,
but it was a, it was a yellow
510
00:26:06,520 --> 00:26:10,120
grip that you put on a stick.
So now you could play it loud.
511
00:26:11,240 --> 00:26:15,520
I, I did like patent searches at
the time and I had to, we had to
512
00:26:15,520 --> 00:26:19,200
get a lawyer, which will, the
whole barter thing will come
513
00:26:19,200 --> 00:26:20,760
into play.
This is why I haven't had the
514
00:26:20,760 --> 00:26:24,240
partner in the 1st place.
And I kept telling I'm like,
515
00:26:25,200 --> 00:26:26,800
there's no way it's that it's
out there.
516
00:26:26,800 --> 00:26:29,840
I saw it like 1520 years ago
when I was a kid.
517
00:26:30,080 --> 00:26:32,720
And sure enough, there wasn't.
So she's like, let's go for a
518
00:26:32,720 --> 00:26:36,200
patent.
So we bartered this, this woman
519
00:26:36,200 --> 00:26:39,960
to do like a $23,000 patent,
which we would never going to
520
00:26:39,960 --> 00:26:43,160
clean those carpets and, and
floors to ever pay that back.
521
00:26:43,480 --> 00:26:47,280
But sure enough, we got the
patent, and that's how that
522
00:26:47,280 --> 00:26:50,000
whole damn thing started.
I love that.
523
00:26:50,040 --> 00:26:53,000
Yep, that's how it all started.
Yeah.
524
00:26:53,000 --> 00:26:56,560
Like you can't, you can't really
put a business plan like that
525
00:26:56,560 --> 00:27:00,400
together.
All you can do is take advantage
526
00:27:00,400 --> 00:27:03,160
and make moves on opportunities
that are in front of you.
527
00:27:03,600 --> 00:27:05,440
You know what I mean?
And that's how that all came to
528
00:27:05,440 --> 00:27:07,120
be.
And honestly, he was the one
529
00:27:07,120 --> 00:27:11,520
like, hey, you can get a patent,
BI got AI, got a lawyer that can
530
00:27:11,520 --> 00:27:15,040
help us.
So down the road, I I wound up
531
00:27:15,120 --> 00:27:17,360
having a couple of other patents
on a couple of products.
532
00:27:17,720 --> 00:27:21,240
I won't go into too much detail,
but I wrote the patents myself
533
00:27:22,160 --> 00:27:24,880
because I, I saw how she did it
and whatever.
534
00:27:24,880 --> 00:27:26,120
I didn't have to pay all that
money.
535
00:27:26,120 --> 00:27:27,960
All I had to do was pay the
filing fees.
536
00:27:29,440 --> 00:27:32,880
So that company was a, you know,
we were in existence for a good
537
00:27:32,880 --> 00:27:35,360
1015 years.
We used to do all the NAMM shows
538
00:27:35,360 --> 00:27:38,640
and stuff and it was a really
cool period of my life.
539
00:27:39,080 --> 00:27:41,960
But you were always making
music, so I want to talk about
540
00:27:41,960 --> 00:27:44,280
like, do you?
I'm assuming you write your own
541
00:27:44,280 --> 00:27:46,760
music too.
I have.
542
00:27:46,760 --> 00:27:50,280
It depends on the situation.
Like I always tell myself I'm
543
00:27:50,280 --> 00:27:53,480
still sitting on like a whole
bunch of music that I wrote on
544
00:27:53,480 --> 00:27:56,360
my own that's never been used
with any of the projects I've
545
00:27:56,360 --> 00:27:59,960
been involved in and whatever.
And one of these days I'm going
546
00:27:59,960 --> 00:28:02,120
to get in the studio and I'm
going to make my own album.
547
00:28:02,840 --> 00:28:05,320
And I'll get a bunch of guest
players that people I know that
548
00:28:05,320 --> 00:28:08,520
are somewhat famous to like be
sing on this song and play
549
00:28:08,520 --> 00:28:14,560
guitar in this song.
But yeah, my whole thing is I
550
00:28:14,560 --> 00:28:17,720
learned at that point when I got
out of of the Unigroup thing
551
00:28:17,720 --> 00:28:22,960
that AI need to make some cash.
So I need to take advantage of
552
00:28:22,960 --> 00:28:27,000
the fact that I can play almost
anything and play in cover bands
553
00:28:27,120 --> 00:28:29,240
because cover bands get cash and
they go home.
554
00:28:29,440 --> 00:28:33,080
They don't go on a bus and don't
come home for three months and
555
00:28:33,080 --> 00:28:35,560
then wait for checks or things
like that.
556
00:28:36,320 --> 00:28:40,800
But I always had to have this
creative side to me, so always
557
00:28:40,800 --> 00:28:42,840
needed to be involved in like an
original ban.
558
00:28:42,840 --> 00:28:46,440
And when I moved back, I mean, I
was in several of them, like I
559
00:28:46,440 --> 00:28:49,240
explained in in Hollywood, and
some of them were successful,
560
00:28:49,240 --> 00:28:52,320
but it was a whole different
business then business totally
561
00:28:52,320 --> 00:28:57,360
changed when I came back here.
I needed to have both avenues.
562
00:28:57,960 --> 00:29:01,520
So this is probably to time it
stamp it.
563
00:29:01,840 --> 00:29:05,440
My world, I'm not my world.
My space was the thing.
564
00:29:05,680 --> 00:29:09,320
It wasn't even Facebook yet.
And there was a band forming
565
00:29:09,320 --> 00:29:12,560
that was in a couple of
different pretty well known
566
00:29:12,560 --> 00:29:16,280
bands from the New York scene.
And those bands fell apart and
567
00:29:16,280 --> 00:29:18,560
it was a band forming and they
were looking to get a drummer.
568
00:29:18,560 --> 00:29:21,680
So they weren't a band yet.
They didn't even have a name.
569
00:29:21,920 --> 00:29:23,880
But I recognize who they came
from.
570
00:29:24,080 --> 00:29:26,760
And my whole thing was at that
point, I need a cover band to
571
00:29:26,760 --> 00:29:30,480
make some money and I need to
have my creative outlet.
572
00:29:30,480 --> 00:29:34,400
And at the same time, these guys
look like will at least get to
573
00:29:34,400 --> 00:29:37,520
play some of the big rooms in
the city and I'll get noticed
574
00:29:37,520 --> 00:29:40,840
and spin that off into another
big game just while I'm trying
575
00:29:40,840 --> 00:29:43,720
to get my, you know, being from
here, you would think it would
576
00:29:43,720 --> 00:29:46,880
be easy to move back.
But I moved out there at a time
577
00:29:46,880 --> 00:29:51,200
where I was so young still, I
didn't do anything with anybody
578
00:29:51,200 --> 00:29:52,840
out here.
Nobody knew who the fuck I was,
579
00:29:53,160 --> 00:29:55,160
you know what I mean?
So I needed that.
580
00:29:55,160 --> 00:29:59,440
And in all reality, and we put
together, that's when Kill Code
581
00:29:59,440 --> 00:30:03,240
was formed.
And it it, it's just is, it's
582
00:30:03,240 --> 00:30:06,160
five guys that had no business
meeting each other.
583
00:30:06,160 --> 00:30:08,920
And we did.
And we wound up just kicking ass
584
00:30:08,920 --> 00:30:10,560
right out of the gate.
We all had really good
585
00:30:10,560 --> 00:30:13,960
connections.
Some of our big first shows were
586
00:30:13,960 --> 00:30:17,160
like at the Rhode Island, like
Dunkin' Donuts Arena, like
587
00:30:17,160 --> 00:30:19,360
opening for Godsmack and stuff
like that.
588
00:30:19,680 --> 00:30:20,840
It was ridiculous.
That's.
589
00:30:21,360 --> 00:30:25,200
Insane and every opportunity
that we ever got, we showed up
590
00:30:25,200 --> 00:30:27,880
and we kicked ass.
So we doubled our fan base.
591
00:30:27,880 --> 00:30:30,400
All the opportunities we wound
up getting down the road in
592
00:30:30,400 --> 00:30:33,440
Europe and all that.
All those big festivals, most of
593
00:30:33,440 --> 00:30:36,960
them were to strangers, but then
we kicked butt and everybody
594
00:30:36,960 --> 00:30:39,200
liked us some.
But yes, that's all original and
595
00:30:39,200 --> 00:30:42,160
we all write the music together
and you know, we would get in a
596
00:30:42,160 --> 00:30:46,000
room and, and this guy would
have, there's no like equation
597
00:30:46,000 --> 00:30:47,560
to it.
But if somebody would have an
598
00:30:47,560 --> 00:30:49,360
idea and then we just start
playing and all of a sudden
599
00:30:49,360 --> 00:30:52,320
becomes a song.
Sometimes I help with lyrics,
600
00:30:52,320 --> 00:30:56,040
sometimes I don't have to.
It all depends on it.
601
00:30:56,040 --> 00:30:59,360
But together we write really
well without each other.
602
00:31:00,080 --> 00:31:04,040
It's not the same, you know.
So knock on wood, that's, that's
603
00:31:04,040 --> 00:31:06,520
been my bread and butter.
We've, we've been able to land
604
00:31:06,520 --> 00:31:09,840
some and here's where the where
the money is.
605
00:31:09,840 --> 00:31:12,840
All the nowadays is all in
publishing and we've been able
606
00:31:12,840 --> 00:31:18,400
to get some TV spots and some
good movie spots and stuff like
607
00:31:18,400 --> 00:31:18,840
that.
So.
608
00:31:19,360 --> 00:31:21,720
That's cool.
Like so if people aren't
609
00:31:21,720 --> 00:31:24,800
familiar with killcode, I can
tell you like your music is
610
00:31:24,800 --> 00:31:26,880
like, you know, it's rock, it's
met.
611
00:31:26,880 --> 00:31:28,880
It's like hard right?
But then you also have Skitch
612
00:31:28,880 --> 00:31:30,840
and then you have the wrong
side, which is chill.
613
00:31:30,840 --> 00:31:32,440
Wow, you know you did your
homework.
614
00:31:32,480 --> 00:31:34,360
Yeah, you did your homework.
So right.
615
00:31:34,360 --> 00:31:38,640
Yeah, the name, the name
Killcode itself sounds a lot
616
00:31:38,640 --> 00:31:43,680
heavier than the band is, but
yeah, so Sketch is funny.
617
00:31:43,680 --> 00:31:47,000
You bring up Sketch Sketch.
That song actually was the first
618
00:31:47,000 --> 00:31:49,960
song we ever got in ATV show.
So I still get a little bit of
619
00:31:49,960 --> 00:31:52,440
checks from that song.
And then we have beautiful songs
620
00:31:52,440 --> 00:31:55,600
like the Wrong Side.
See, there's no rhyme or reason
621
00:31:55,600 --> 00:31:56,800
to it.
You would think The Wrong Side
622
00:31:56,800 --> 00:31:58,400
would be making me tons of
money.
623
00:31:58,400 --> 00:32:01,800
It's not Sketches, you know.
And then we have another song,
624
00:32:01,800 --> 00:32:05,440
Bleed, that just came out in the
new Schwarzenegger.
625
00:32:05,800 --> 00:32:10,000
No Stallone movie, it's called.
The movie is called Armor.
626
00:32:10,280 --> 00:32:13,200
The movie is called Armor.
Yeah, it came out in like
627
00:32:13,200 --> 00:32:14,760
November.
So there's probably already
628
00:32:14,760 --> 00:32:19,160
right to to streaming, but I'm
already seeing checks for that.
629
00:32:19,480 --> 00:32:22,640
So you just, you never know.
You know what, we we never wrote
630
00:32:22,640 --> 00:32:25,040
anything like this is one we
want to send to a movie.
631
00:32:25,040 --> 00:32:28,240
Like we just have a publishing
company and they pitch all our
632
00:32:28,240 --> 00:32:31,240
shit, you know what I mean?
And they find placement for it.
633
00:32:32,640 --> 00:32:34,480
So how do you not get screwed by
that?
634
00:32:34,960 --> 00:32:39,200
Like honestly, right was like,
because a lot of people sign
635
00:32:39,200 --> 00:32:44,120
that, like new artists nowadays,
I'm watching because of TV shows
636
00:32:44,120 --> 00:32:49,960
or they'll hit a viral moment on
social media and and I always
637
00:32:49,960 --> 00:32:52,240
leave in the comments, keep your
rights.
638
00:32:52,240 --> 00:32:56,480
Like, yes, give those away.
But that's a hard thing for
639
00:32:56,480 --> 00:32:59,720
people to be like not get sucked
into.
640
00:32:59,760 --> 00:33:02,400
So how did you all keep your
head straight with that?
641
00:33:02,400 --> 00:33:06,560
Like well, we didn't sucked in
the way the business was
642
00:33:06,560 --> 00:33:09,160
changing and it was changing so
fast and I'll be honest, which
643
00:33:09,200 --> 00:33:12,160
is the way the business has
changed like since kill code
644
00:33:12,160 --> 00:33:15,120
formed say this guy like 1516
years.
645
00:33:15,120 --> 00:33:18,280
It's a the friggin business
already has changed like 3 times
646
00:33:19,360 --> 00:33:22,720
yes, no matter how the business
changes, you have to keep your
647
00:33:22,720 --> 00:33:25,960
right.
So you have to copyright your
648
00:33:25,960 --> 00:33:29,760
stuff on your own.
Don't let a label get involved
649
00:33:29,760 --> 00:33:32,280
in any of that.
Every time you release a piece
650
00:33:32,280 --> 00:33:35,920
of music, you make sure that you
guys, in our case is five ways.
651
00:33:36,080 --> 00:33:41,280
Our names are on it and now that
just to not to beat a horse,
652
00:33:41,280 --> 00:33:42,800
but.
Like, do you all split it even
653
00:33:42,800 --> 00:33:44,280
or is it like the person who
wrote this?
654
00:33:44,320 --> 00:33:48,880
Like, yeah.
No, we're all 555 ways, 20% so
655
00:33:48,880 --> 00:33:49,920
love.
It.
656
00:33:50,440 --> 00:33:53,560
Then the streaming thing came in
where nobody was buying
657
00:33:53,560 --> 00:33:56,840
downloads and you can stream
shit and now they've made it
658
00:33:56,840 --> 00:33:59,120
where you do get paid for
streaming.
659
00:33:59,560 --> 00:34:02,400
So like YouTube, Spotify, all
that stuff.
660
00:34:04,080 --> 00:34:06,320
YouTube is basically like ATV
channel now.
661
00:34:06,320 --> 00:34:10,719
So if your if your songs hit a
certain amount of spins, they
662
00:34:10,719 --> 00:34:12,440
start throwing advertisements on
it.
663
00:34:12,639 --> 00:34:14,920
And sure, people can skip the
advert, but once you start
664
00:34:14,920 --> 00:34:18,360
seeing that, that means you're
generating money, you know?
665
00:34:18,480 --> 00:34:21,080
So it's all based on how many
subscribers we have, which by
666
00:34:21,080 --> 00:34:25,719
the way, everybody please sign
up for Kill Code Band at
667
00:34:25,719 --> 00:34:29,199
YouTube, because we really don't
have a lot of people on there.
668
00:34:29,199 --> 00:34:31,000
It's crazy.
We got a million fans and people
669
00:34:31,000 --> 00:34:32,520
just don't hit that subscribe
button.
670
00:34:32,880 --> 00:34:37,880
But yeah, you get money for the
amount of people you have on
671
00:34:37,880 --> 00:34:40,520
there and then the amount of
hours of spins are, and then
672
00:34:40,560 --> 00:34:43,000
each individual thing.
And the same thing with like
673
00:34:43,000 --> 00:34:46,520
Spotify and stuff like that.
So we do see incremental checks.
674
00:34:46,520 --> 00:34:49,440
But it's funny, if I showed you
like my quarterly things like,
675
00:34:49,600 --> 00:34:52,520
you know, you get $0.10 for this
song from this amount of spins
676
00:34:52,520 --> 00:34:55,960
and but it adds up.
You know, the TV shows and the
677
00:34:55,960 --> 00:35:00,000
movies are the other other big
things you know and see.
678
00:35:00,360 --> 00:35:02,600
They do it, People ask.
Me about my book, they're like
679
00:35:02,600 --> 00:35:04,040
how much money you making on
that book?
680
00:35:04,040 --> 00:35:06,760
I'm like baby, like an e-book.
You get like a fraction of a
681
00:35:06,760 --> 00:35:08,200
penny.
Right, right.
682
00:35:08,200 --> 00:35:11,920
So, so in my case, like that's
why I say the money's more with
683
00:35:11,920 --> 00:35:15,600
the TV and stuff because we have
a publishing company.
684
00:35:15,680 --> 00:35:18,920
He pitches our stuff.
If he lands somebody who wants
685
00:35:18,920 --> 00:35:22,720
it, you basically a get a sign
on fee.
686
00:35:22,880 --> 00:35:27,040
So you get money up front for
them to use your music #1 #2
687
00:35:27,320 --> 00:35:31,600
then it starts being put it into
the theater or whatever it may
688
00:35:31,600 --> 00:35:34,400
be on TV and then you'll start
seeing it goes to Hulu or
689
00:35:34,400 --> 00:35:36,480
whatever.
So your statements say like, you
690
00:35:36,480 --> 00:35:40,440
know, the The Rookie is one of
the shows we're on and now it's
691
00:35:40,440 --> 00:35:42,120
to be aired on Hulu and
whatever.
692
00:35:42,120 --> 00:35:46,480
So like this month, this many
spins on on Hulu or Netflix or
693
00:35:46,480 --> 00:35:47,840
whatever, and that's where we
go.
694
00:35:47,920 --> 00:35:50,240
But you get money up front
putting it in there.
695
00:35:50,240 --> 00:35:52,160
Now you have to protect your
publishing.
696
00:35:52,360 --> 00:35:57,040
We pay the publicist probably
10% to land it.
697
00:35:58,080 --> 00:36:00,360
So he gets 10% of our sign on
fee.
698
00:36:00,720 --> 00:36:05,880
And then you know, we, I don't
think he gets 10% of the royalty
699
00:36:05,880 --> 00:36:07,840
stuff.
He basically just gets to sign
700
00:36:07,840 --> 00:36:10,640
on.
But it's all, it's like anything
701
00:36:10,640 --> 00:36:12,480
else.
It's all, it's all how you sign
702
00:36:12,480 --> 00:36:14,680
the deal.
If he puts in that deal, he's
703
00:36:14,680 --> 00:36:17,760
taking 50% of it and you take
it, you're giving him 50% of.
704
00:36:17,920 --> 00:36:20,760
It yeah, you gotta be tough.
You gotta know how to say no.
705
00:36:21,120 --> 00:36:23,240
Yeah, during those things,
'cause it's so excited.
706
00:36:23,240 --> 00:36:24,920
You're like, Oh my God, I'm
discovered.
707
00:36:24,920 --> 00:36:26,880
I I know.
It's like when people are like,
708
00:36:26,880 --> 00:36:31,200
hey, can you work for free?
No, I mean, I could, but I'm not
709
00:36:31,200 --> 00:36:33,200
going to, right.
Thanks for asking.
710
00:36:33,240 --> 00:36:35,800
It's like, yeah, don't ask
artists to work for free.
711
00:36:35,800 --> 00:36:38,440
It's a lot of work, man.
We know it's not right.
712
00:36:38,600 --> 00:36:40,680
Like I think I was thinking of
Nabster.
713
00:36:40,680 --> 00:36:44,040
I think Nabster changed a.
Lot that started it right and so
714
00:36:44,040 --> 00:36:47,880
that was the beginning of people
being able to stream and listen
715
00:36:47,880 --> 00:36:52,720
to your stuff without having to
purchase it and thankfully down
716
00:36:52,720 --> 00:36:55,720
the road somebody changed
something in in Congress or
717
00:36:55,720 --> 00:36:58,920
whatever and you do get paid for
streaming now but the streaming
718
00:36:58,920 --> 00:37:02,640
platforms were smart and they
went out and just like ATV
719
00:37:02,640 --> 00:37:05,800
station they get people to pay
for advertisement.
720
00:37:06,160 --> 00:37:09,120
So that's why like, you know, if
if you start seeing
721
00:37:09,120 --> 00:37:13,480
advertisements on your stuff on
YouTube, that means you're
722
00:37:13,480 --> 00:37:15,640
starting to generate some sort
of money, you know?
723
00:37:15,960 --> 00:37:21,240
So like, how did you do love
like family and music?
724
00:37:21,240 --> 00:37:25,200
Like, I know you sacrifice some
of the music to like be the man
725
00:37:25,200 --> 00:37:27,720
like his.
No one could like ever say that
726
00:37:27,720 --> 00:37:29,240
you're not like, you're not a
Mensch, right?
727
00:37:29,240 --> 00:37:30,680
Like you're such, you're a good
man.
728
00:37:30,680 --> 00:37:33,360
So like, how did that like, feel
for you?
729
00:37:33,360 --> 00:37:36,360
Like that balancing routine
being like, you know, I have to
730
00:37:36,360 --> 00:37:40,240
be responsible.
So I can't quite do this part of
731
00:37:40,240 --> 00:37:43,280
the business anymore.
This is a, this is, yeah, this
732
00:37:43,280 --> 00:37:46,200
is a great conversation because
it's going to bleed into what we
733
00:37:46,200 --> 00:37:49,960
were just discussing.
So again, I really only have
734
00:37:49,960 --> 00:37:54,960
success and know what not to do
based on the states.
735
00:37:55,840 --> 00:37:59,480
So I had mentioned when I
started having the kids, I had
736
00:37:59,480 --> 00:38:02,000
to like I fell into this
situation.
737
00:38:02,000 --> 00:38:03,440
I was going to start my own
company.
738
00:38:04,680 --> 00:38:10,000
I couldn't do a band or or be a
musician out at night, put the
739
00:38:10,000 --> 00:38:13,360
extra time after my day job into
all three things.
740
00:38:13,360 --> 00:38:16,680
So like, I had a day job which I
had to keep for, you know,
741
00:38:16,680 --> 00:38:20,880
insurance and stuff for the kids
and I had chose to start my own
742
00:38:20,880 --> 00:38:24,800
business with my extra time.
I got hurt on my day job.
743
00:38:24,960 --> 00:38:28,920
I wound up getting workers comp
at a killer time because I was
744
00:38:28,920 --> 00:38:33,600
able to take that time and
really get the business moving.
745
00:38:35,440 --> 00:38:38,600
And then it got to the point,
like during that time, I would
746
00:38:38,600 --> 00:38:42,640
get a lot of people asking me,
you want to work, you want to
747
00:38:42,640 --> 00:38:45,280
play this, you want to do this
gig, you want to do this album,
748
00:38:45,280 --> 00:38:49,120
you want to do this.
And I got really good at saying
749
00:38:49,120 --> 00:38:51,840
no because honestly, I had to
say no, I don't have the time.
750
00:38:51,840 --> 00:38:53,640
And I'm not the type of guy
who's going to take somebody
751
00:38:53,640 --> 00:38:57,760
along and say I have the time
and then do it half assed when
752
00:38:57,760 --> 00:39:00,480
you say no.
Like we were just talking about
753
00:39:00,560 --> 00:39:03,600
all of a sudden my rates went up
because people would come back,
754
00:39:03,600 --> 00:39:08,800
Oh, what if we pay you more?
And believe me in that, in that
755
00:39:08,800 --> 00:39:13,880
in that time where I said no,
there's probably a few things I
756
00:39:13,880 --> 00:39:16,040
probably shouldn't have said no
to that will create
757
00:39:16,040 --> 00:39:19,280
opportunities.
Do we want to bring up puddle of
758
00:39:19,280 --> 00:39:20,480
mud?
Because, you know, this is like,
759
00:39:20,800 --> 00:39:24,040
I'm like, I'm like.
Well, yeah, you didn't do that.
760
00:39:24,040 --> 00:39:26,160
That's one of them.
It was during that time.
761
00:39:26,200 --> 00:39:31,720
And the guy's name from Puddle
Of Mudd is Wes.
762
00:39:32,400 --> 00:39:35,040
So Wes is just, Wes is just some
other guy.
763
00:39:35,040 --> 00:39:37,480
Everybody knows that.
I don't know him, but he's got a
764
00:39:37,480 --> 00:39:40,840
band and he got signed by
capital or whatever it was and
765
00:39:40,840 --> 00:39:43,960
they need a drummer and he's got
$1,000,000 deal.
766
00:39:43,960 --> 00:39:46,720
And you know they'll pay you
this much to go in and do the
767
00:39:46,720 --> 00:39:47,960
album.
And again, there's so many
768
00:39:47,960 --> 00:39:52,680
people at that point.
This is like 2001 something,
769
00:39:52,680 --> 00:39:56,160
2002 people just getting screwed
by the record label.
770
00:39:56,160 --> 00:39:57,360
So I didn't even want to hear
that.
771
00:39:57,640 --> 00:40:01,240
And I said if I would record the
album, I remember saying, but I
772
00:40:01,240 --> 00:40:05,560
want like $5000 and I don't want
anything to do with the future
773
00:40:05,680 --> 00:40:07,440
because there ain't going to be
no future.
774
00:40:07,680 --> 00:40:10,000
You know what I mean?
So they were like, now we want a
775
00:40:10,000 --> 00:40:11,520
guy to come in and be the
drummer.
776
00:40:11,520 --> 00:40:14,000
It's that type of band.
I said I understand, so I'll
777
00:40:14,000 --> 00:40:16,720
pass.
And we all know what happened
778
00:40:16,920 --> 00:40:18,720
with Puddle Of Mudd.
They became a huge band.
779
00:40:18,720 --> 00:40:22,240
So like, I was very confident
that I made the right decision.
780
00:40:22,240 --> 00:40:25,280
But you know, at the time it was
the right decision because I
781
00:40:25,280 --> 00:40:28,400
probably couldn't have gone on a
bus and gone anywhere.
782
00:40:29,840 --> 00:40:34,400
So you know that that like I
said, most cases saying no help
783
00:40:34,400 --> 00:40:36,600
me.
But in that case I probably lost
784
00:40:36,920 --> 00:40:40,000
a decent amount of money.
And even today now, with all the
785
00:40:40,000 --> 00:40:42,640
streams of their music and
stuff, if I was the guy in those
786
00:40:42,640 --> 00:40:45,920
videos, I'd be getting some
really good checks, but I don't.
787
00:40:46,000 --> 00:40:47,960
Know but you you you had a good
life so.
788
00:40:48,040 --> 00:40:50,120
Yeah, I just.
Remember hearing that I was
789
00:40:50,120 --> 00:40:51,440
like, what?
You didn't go to polo mud?
790
00:40:51,440 --> 00:40:53,000
What are you thinking?
I don't regret it.
791
00:40:53,040 --> 00:40:57,440
I at the same time around that
time I ghost drummed on a whole
792
00:40:57,560 --> 00:41:01,240
bunch of really popular.
So then I got I got paid fat
793
00:41:01,240 --> 00:41:04,600
money like just to be the ghost
drummer and walk away, sign the
794
00:41:04,600 --> 00:41:07,640
contract and never say I was
their drummer for like 20 years
795
00:41:07,640 --> 00:41:10,440
or whatever.
So like for?
796
00:41:10,600 --> 00:41:12,440
I really can't.
Interested in doing that.
797
00:41:12,440 --> 00:41:14,800
Like what kind of money is that?
Like if you don't want to say,
798
00:41:14,800 --> 00:41:18,520
you could just give me like.
Well, at that point, so this
799
00:41:18,520 --> 00:41:23,520
one, this one band who like they
were, they were frigging huge
800
00:41:24,560 --> 00:41:26,560
youngsters.
They were way younger than us
801
00:41:26,560 --> 00:41:30,960
even at the time and now they're
already you.
802
00:41:30,960 --> 00:41:33,720
You can put them in the category
of the washed up but comes out
803
00:41:33,720 --> 00:41:36,960
once in a while and still sells
out like really big theaters and
804
00:41:36,960 --> 00:41:39,200
stuff.
They have 1,000,000 of streams
805
00:41:39,200 --> 00:41:44,480
on their videos and stuff.
At the time they really only it
806
00:41:44,480 --> 00:41:49,360
was only really a question of
like 3 songs that they needed
807
00:41:49,360 --> 00:41:52,480
done that the young drummer was
like believe his kids better
808
00:41:52,480 --> 00:41:54,560
than me.
He's a Psycho drummer, but he
809
00:41:54,560 --> 00:41:58,720
wasn't inclined to really play
into a clique and the style they
810
00:41:58,720 --> 00:42:02,480
wanted for that, those
particular songs.
811
00:42:02,720 --> 00:42:06,200
And I had met that producer of
the album playing with this
812
00:42:06,200 --> 00:42:11,120
other Psycho band called So So
Human that the drum stuff in it
813
00:42:11,120 --> 00:42:12,920
was incredible.
It was like, and that's pretty
814
00:42:12,920 --> 00:42:16,280
much the the gig that broke me
out of retirement because when I
815
00:42:16,280 --> 00:42:20,600
had Unigrip, I was trying to get
every one of my endorsers to go
816
00:42:20,600 --> 00:42:23,320
audition for this band.
I, it's like a like a record
817
00:42:23,320 --> 00:42:25,840
label.
I would get a million bands that
818
00:42:25,840 --> 00:42:28,560
would send me stuff.
And I was blown away by the
819
00:42:28,560 --> 00:42:30,880
talent in this band and the
songs in this band.
820
00:42:31,120 --> 00:42:34,280
And I would go to some of my
biggest players like Nick Menza
821
00:42:34,280 --> 00:42:37,840
from Megadeth and Bless the
Soul, he's not with us anymore.
822
00:42:38,040 --> 00:42:40,680
But like he's like, I don't even
know I could play this stuff.
823
00:42:40,680 --> 00:42:41,640
I don't know.
I'm too old.
824
00:42:41,680 --> 00:42:45,320
I don't want to do it.
So like, I wound up just going
825
00:42:45,320 --> 00:42:49,320
down to the auditions, you know,
just to see if I can pull it off
826
00:42:49,800 --> 00:42:53,000
and I've got the gig, you know?
So next thing you know, I'm like
827
00:42:53,080 --> 00:42:56,840
on AI was on a bus with these
guys and open it up for bands
828
00:42:56,840 --> 00:43:02,040
like Mudvayne and whatnot.
So that producer who I recorded
829
00:43:02,040 --> 00:43:06,200
some songs with for their album
wound up the, the producer for
830
00:43:06,200 --> 00:43:08,000
this, this band that I'm
Speaking of.
831
00:43:08,360 --> 00:43:11,920
And he was the one who was
obviously hitting the wall time
832
00:43:11,920 --> 00:43:14,320
wise and money wise with the
young drummer.
833
00:43:14,760 --> 00:43:16,040
And he knew I could play to a
click.
834
00:43:16,040 --> 00:43:19,080
He knew I could do that style.
It's just again, it all lined
835
00:43:19,080 --> 00:43:20,560
up.
So he's like, would you come
836
00:43:20,560 --> 00:43:24,480
down?
And I negotiated $1000 a song,
837
00:43:24,960 --> 00:43:26,360
you know, And that's, that's
what I got.
838
00:43:27,280 --> 00:43:34,520
So I I made $3000 to record 3 of
their biggest songs and you
839
00:43:34,520 --> 00:43:38,400
know, if I was that drummer I'd
probably have about $3,000,000
840
00:43:38,440 --> 00:43:41,480
you know what I mean?
But it is what?
841
00:43:41,480 --> 00:43:42,760
It is.
So if you do that, do you not
842
00:43:42,760 --> 00:43:44,480
get a part of the back end
because you're?
843
00:43:44,480 --> 00:43:46,280
Not no.
Well, again, it's all it's all
844
00:43:46,320 --> 00:43:49,080
it's all what you signed.
And it's funny you say that
845
00:43:49,080 --> 00:43:52,280
because it's, you know, the 20
year mark had come up and, and
846
00:43:52,280 --> 00:43:55,000
they wanted me to resign it
because they were going back on
847
00:43:55,000 --> 00:44:00,480
the road like a reunion thing.
And, and I did resign it for
848
00:44:00,480 --> 00:44:02,800
another five years.
But I'm getting ready to
849
00:44:03,360 --> 00:44:07,240
renegotiate that because I want
a piece of the spins and I want
850
00:44:07,240 --> 00:44:09,880
backpack.
So I'm talking with a lawyer
851
00:44:10,800 --> 00:44:12,280
now.
They may tell me to go scratch.
852
00:44:12,280 --> 00:44:14,560
We don't care anymore.
You can tell everybody it was
853
00:44:14,560 --> 00:44:17,280
you or they could cut me in on
that.
854
00:44:17,960 --> 00:44:20,160
I mean, I would imagine.
Dealing and it just makes sense
855
00:44:20,160 --> 00:44:22,240
to cut you in at this point,
doesn't it?
856
00:44:22,280 --> 00:44:22,960
It really.
Does it?
857
00:44:23,080 --> 00:44:25,560
Might I mean not that.
Anyone in the industry does
858
00:44:25,560 --> 00:44:26,040
that.
I won't.
859
00:44:26,040 --> 00:44:29,240
Get another lump sum of money
I'll just start getting points
860
00:44:29,240 --> 00:44:33,000
on that on that on the spins and
all that stuff just pretty well
861
00:44:33,000 --> 00:44:37,720
I'll tell you I'll tell you
offline who they are and I
862
00:44:37,800 --> 00:44:39,440
there's.
Been AI think I remember who it
863
00:44:39,440 --> 00:44:41,640
is actually.
There's been a couple of other
864
00:44:41,640 --> 00:44:43,920
ones because of thanks to that
producer.
865
00:44:44,160 --> 00:44:47,960
You know, I can't really mention
their names either.
866
00:44:47,960 --> 00:44:51,600
They weren't as as poppy and as
big as these guys became, but
867
00:44:51,600 --> 00:44:54,560
they're pretty damn popular and
they're pretty good, good bands.
868
00:44:55,120 --> 00:44:57,560
And I made the same amount of
money about, you know, that
869
00:44:57,560 --> 00:45:00,720
became my rate at the time.
But this is like 20 something
870
00:45:00,720 --> 00:45:03,400
years ago.
So I mean, now that rate would
871
00:45:03,400 --> 00:45:08,200
probably be 7 to 10 grand a song
for a situation.
872
00:45:08,200 --> 00:45:10,880
I was like add a zero man, you
would need to add a 0.
873
00:45:11,520 --> 00:45:14,640
You gotta remember at that.
Time like to play if there's a
874
00:45:14,640 --> 00:45:18,040
big money then so what's it like
to play a festival?
875
00:45:18,040 --> 00:45:20,880
I always wondered what it's like
on stage compared to like being
876
00:45:20,880 --> 00:45:22,160
out there.
It's a pisser.
877
00:45:22,280 --> 00:45:23,680
So many people are coming and
going.
878
00:45:23,680 --> 00:45:25,680
It's a pisser.
So it's like, first of all,
879
00:45:25,960 --> 00:45:27,760
forever.
First of all, you're playing
880
00:45:27,760 --> 00:45:31,400
with bands that you idolize and
you can't even believe like,
881
00:45:31,400 --> 00:45:34,000
especially when you're in
Europe, you're playing with
882
00:45:34,000 --> 00:45:37,040
bands you haven't even thought
of, but you saw as a little kid
883
00:45:37,040 --> 00:45:38,960
at the Coliseum and stuff like
that.
884
00:45:39,400 --> 00:45:42,760
Because they're still big out
there and they're the main ones.
885
00:45:42,760 --> 00:45:45,000
I mean, look, we toured with
Twisted Sister when we were
886
00:45:45,000 --> 00:45:47,880
little kids watching MTV.
Like who wasn't waiting for D
887
00:45:47,920 --> 00:45:51,440
sider to come on TV?
You know, now I know these guys.
888
00:45:52,720 --> 00:45:57,560
But so as far as playing in
front of all that many people,
889
00:45:57,720 --> 00:46:01,560
I'd say the biggest show that I
can recall we did was in Mexico
890
00:46:01,560 --> 00:46:05,280
City, honestly.
And it was like 60,000 people
891
00:46:05,760 --> 00:46:11,880
and we were kind of early on in
the night, not way early, but by
892
00:46:11,880 --> 00:46:15,400
the time, by the time the main
bands went on, the last bands
893
00:46:15,400 --> 00:46:19,400
went on like Rammstein and
stuff, it was 85,000 people I
894
00:46:19,400 --> 00:46:21,600
think was the Max.
So we play in front of like
895
00:46:21,600 --> 00:46:23,920
60,000 people.
It's not even real.
896
00:46:24,040 --> 00:46:26,240
You know, they have the jumbo
charms, you're on the jumbo
897
00:46:26,240 --> 00:46:28,440
charms.
You see all these people.
898
00:46:28,800 --> 00:46:31,360
I tell you, it's more nerve
wracking playing in front of 10
899
00:46:31,360 --> 00:46:34,800
people in a little room because
they you can't really
900
00:46:34,800 --> 00:46:37,480
communicate with these people.
It's so massive.
901
00:46:38,520 --> 00:46:41,320
It's it and it's fun.
Like you just bouncing around,
902
00:46:41,320 --> 00:46:44,480
watching other bands, staying in
hotels.
903
00:46:45,800 --> 00:46:47,920
It's you meet a lot of cool
people.
904
00:46:47,920 --> 00:46:49,880
I've made a lot of friends all
over the world.
905
00:46:49,880 --> 00:46:52,760
And, and you know, we've been
fortunate to go back to Germany
906
00:46:52,760 --> 00:46:57,880
several times and the UK several
times and Switzerland and out
907
00:46:57,880 --> 00:47:01,040
there it's kind of small.
So you meet people like in Spain
908
00:47:01,720 --> 00:47:03,760
that are from Germany and vice
versa.
909
00:47:03,760 --> 00:47:05,920
Whatever.
So now I've got a lot of really,
910
00:47:05,920 --> 00:47:09,880
really great friends and, and
good relationships of people
911
00:47:09,880 --> 00:47:12,600
that they're not just, you know,
they're not just fans.
912
00:47:12,600 --> 00:47:14,560
They started out as fans, but
they become friends.
913
00:47:15,240 --> 00:47:18,040
The big thing about Kilco, it's,
it's a big family.
914
00:47:18,040 --> 00:47:21,640
You know, we, we, we love them
just as much as they love us.
915
00:47:21,640 --> 00:47:26,240
So, you know, we hang out with
them, you know, we walk around
916
00:47:26,240 --> 00:47:28,840
the campgrounds because most of
those things are, they camp for
917
00:47:28,840 --> 00:47:32,560
three days.
We'll go walk around and drink
918
00:47:32,560 --> 00:47:33,840
with them at their tents and
shit.
919
00:47:33,840 --> 00:47:36,800
And that goes a long way, man.
People are like, oh, those are
920
00:47:36,800 --> 00:47:37,920
those guys.
They hung out with us.
921
00:47:37,920 --> 00:47:39,720
We've gotta get over and see.
You know, they come to your
922
00:47:39,720 --> 00:47:41,720
merch booth, they buy all your
stuff.
923
00:47:41,720 --> 00:47:44,960
So it's a lot of fun to answer
that.
924
00:47:44,960 --> 00:47:47,360
Do you make good money as a
musician with merch?
925
00:47:47,400 --> 00:47:49,120
Like do you guys get a good part
of that?
926
00:47:49,120 --> 00:47:52,640
Like we, we can we we you make
your most.
927
00:47:52,640 --> 00:47:55,520
Yeah, for the most part we
control all our merch and all
928
00:47:55,520 --> 00:47:58,360
our publishing.
But when you do festivals like
929
00:47:58,360 --> 00:48:02,760
that, you, you can't run your
own merch table, kind of like
930
00:48:03,000 --> 00:48:06,840
even some of the smaller places
out here, like even the Coliseum
931
00:48:06,840 --> 00:48:10,840
or Jones Beach or whatever, the
venue gets a piece of it because
932
00:48:11,000 --> 00:48:13,680
they're running your merch.
So you count it off, you give it
933
00:48:13,680 --> 00:48:16,440
to them, their people run it.
And at the end of the night,
934
00:48:16,440 --> 00:48:19,440
they take their piece like 15%
and you get the right, but it's
935
00:48:19,440 --> 00:48:21,520
still less.
It's good money, yeah.
936
00:48:21,880 --> 00:48:24,960
Like I'm still trying to imagine
like being on a stage with like
937
00:48:24,960 --> 00:48:29,320
60,000 people in front of me.
I I don't I know you looked at
938
00:48:29,320 --> 00:48:33,680
some videos and stuff.
This is 1 video of us before we
939
00:48:33,680 --> 00:48:37,040
go on on that in that show in in
Mexico City and we're standing
940
00:48:37,040 --> 00:48:39,480
backstage waiting to be
announced and we're looking out
941
00:48:39,480 --> 00:48:42,920
like this is fucked up.
Like do you see how many fucking
942
00:48:42,920 --> 00:48:45,840
people are out there?
Are they even gonna like us?
943
00:48:46,000 --> 00:48:48,000
You know, like it's, it's pretty
crazy.
944
00:48:48,000 --> 00:48:50,680
But like, I'll tell you what,
it's like you remember when you
945
00:48:50,680 --> 00:48:51,120
were.
Kidding.
946
00:48:51,120 --> 00:48:53,280
Do you feel safer because you're
behind the drums?
947
00:48:53,280 --> 00:48:56,000
Like, you know, you're like,
you're kind of back in that or.
948
00:48:56,040 --> 00:48:57,480
I guess is it?
Just as.
949
00:48:57,520 --> 00:48:59,760
Intense, I guess, but the
adrenaline starts going and
950
00:48:59,760 --> 00:49:02,200
stuff and you just, you just do.
You're saying, you know, And
951
00:49:02,200 --> 00:49:05,320
like I said, it's not like
playing in front of 10 people
952
00:49:05,320 --> 00:49:07,000
where they're staring at you
watching every note.
953
00:49:07,000 --> 00:49:08,800
Yo, you made a mistake or
something like that.
954
00:49:08,800 --> 00:49:12,040
It's just a free for all.
It's, it's, it's, I tell you,
955
00:49:12,040 --> 00:49:16,280
the feeling is kind of like it's
like when we were kids and you
956
00:49:16,280 --> 00:49:18,400
went to like great adventure or
something and you went on the
957
00:49:18,400 --> 00:49:20,960
best roller coaster you ever
went on and you'd like went in
958
00:49:20,960 --> 00:49:23,560
the loop, the loops and you come
off with this adrenaline high.
959
00:49:23,840 --> 00:49:27,320
That's what it feels like.
It's like I'm I'm.
960
00:49:27,480 --> 00:49:30,040
Gonna guess it's better than.
That yeah, it might be.
961
00:49:30,040 --> 00:49:32,360
I mean, it's just like, did that
happen like that?
962
00:49:32,360 --> 00:49:35,400
That was just insane.
And they're screaming back at
963
00:49:35,400 --> 00:49:38,720
you like we always have this
thing, 'cause honestly, my
964
00:49:38,720 --> 00:49:42,440
singer Tommy, he comes from like
a hip hop background, so he
965
00:49:42,480 --> 00:49:44,560
loves hip hop.
He used to be a break dancer and
966
00:49:44,560 --> 00:49:48,320
all this stuff.
Nobody he came up with this
967
00:49:48,320 --> 00:49:50,720
little, he came up with this
little kitchy thing we used to
968
00:49:50,720 --> 00:49:52,960
do in New York City a lot.
And he said, when I say kill,
969
00:49:52,960 --> 00:49:56,920
you say code kill and everybody
goes code and like you do it in
970
00:49:56,920 --> 00:49:59,280
front and they all they don't
even know who you are and but
971
00:49:59,280 --> 00:50:00,880
they love interacting and doing
it.
972
00:50:01,080 --> 00:50:04,040
She has 60,000 people yelling
told it's like it's pretty
973
00:50:04,040 --> 00:50:05,560
fucked crazy.
It feels good that.
974
00:50:05,640 --> 00:50:08,160
Is awesome, I'm no doubt all
right.
975
00:50:08,160 --> 00:50:11,520
So going from feeling good to
like knowing that we're now past
976
00:50:11,520 --> 00:50:16,920
or in our middle age, how do you
physically manage like touring
977
00:50:16,920 --> 00:50:19,320
and how do you physically handle
being a drummer?
978
00:50:19,320 --> 00:50:22,240
Because that is all your body
going.
979
00:50:22,240 --> 00:50:26,480
Like I know, I know how much PGI
require.
980
00:50:26,960 --> 00:50:30,080
Like, you know, just getting out
of bed, I'm like every part of
981
00:50:30,080 --> 00:50:32,520
me cracks.
I've got 1000 old injuries from
982
00:50:32,520 --> 00:50:36,520
dancing.
So you still are super active as
983
00:50:36,520 --> 00:50:39,040
a drummer.
So what do you have to do to
984
00:50:39,040 --> 00:50:41,480
take care of yourself physically
to keep going?
985
00:50:43,240 --> 00:50:45,880
Good question.
I mean, I've been better at it
986
00:50:46,000 --> 00:50:48,240
at times.
There's definitely you should be
987
00:50:48,360 --> 00:50:50,400
staying in shape.
I mean, what I do is pretty
988
00:50:50,400 --> 00:50:53,560
vigorous, especially in, in
front of those big crowds.
989
00:50:54,440 --> 00:50:58,000
But I mean, like it all depends.
Like we're, we've been
990
00:50:58,000 --> 00:51:00,200
fortunate.
We've never really been that
991
00:51:00,200 --> 00:51:05,480
band that gets in a van and, or
a bus even and towards 50 cities
992
00:51:05,480 --> 00:51:07,600
and it gets exhausted.
You get sick of each other and
993
00:51:07,600 --> 00:51:10,320
whatever.
We do a lot of what's called fly
994
00:51:10,320 --> 00:51:13,760
dates where we'll fly like 1
summer we flew to Germany, I
995
00:51:13,760 --> 00:51:17,480
mean to it to, to Europe 7
different Times Now.
996
00:51:17,480 --> 00:51:20,800
We could have stayed out there
for two months and just did it.
997
00:51:20,800 --> 00:51:23,480
But like for festivals, pay for
the flight.
998
00:51:23,480 --> 00:51:27,320
So we'll fly out for like 3-4
days, play a huge show and if I
999
00:51:27,320 --> 00:51:31,040
had a festival, fly home,
recoup, go back out ten days
1000
00:51:31,040 --> 00:51:34,360
later, do it again.
But either way, it's exhausting
1001
00:51:34,360 --> 00:51:36,200
and you have to, you have to
stay safe.
1002
00:51:36,200 --> 00:51:38,880
So like, do I work out?
I don't work out like a muscle
1003
00:51:38,880 --> 00:51:43,120
guy, but like I I do a lot of
running for cardio.
1004
00:51:43,680 --> 00:51:46,560
For me it's more stamina.
As I've gotten older, I
1005
00:51:46,560 --> 00:51:48,560
definitely have like arthritis
in my hips.
1006
00:51:48,560 --> 00:51:51,480
I have like arthritis in my
ankles and stuff like that.
1007
00:51:52,040 --> 00:51:54,800
I feel fine when I start moving.
It doesn't really bother me when
1008
00:51:54,800 --> 00:51:58,720
I'm playing, but the next day I
feel like an old man because you
1009
00:51:58,800 --> 00:52:02,560
overexert yourself when you're
in front of all those people and
1010
00:52:02,560 --> 00:52:05,400
you forget how old you're.
So I always say like, OK, I'll
1011
00:52:05,400 --> 00:52:07,520
be right back.
I got to go act like a 16 year
1012
00:52:07,520 --> 00:52:10,120
old for about an hour and I'll
I'll see you after the show.
1013
00:52:10,640 --> 00:52:12,040
But that's pretty much what
you're doing.
1014
00:52:12,040 --> 00:52:15,760
And your body doesn't heal.
You know, the way it used to,
1015
00:52:15,760 --> 00:52:18,760
like you used to go workout and
you'd feel sore for a day if you
1016
00:52:18,760 --> 00:52:20,400
did your chest and then it goes
away.
1017
00:52:20,440 --> 00:52:22,360
Now it's more like two or three
days.
1018
00:52:22,440 --> 00:52:25,680
Is that that is certain.
So when you're not active, you
1019
00:52:25,680 --> 00:52:27,280
got to kind of stay on top of
your stuff.
1020
00:52:27,560 --> 00:52:32,480
I, I, I eat a lot healthier.
I'm a lot more conscious of that
1021
00:52:32,480 --> 00:52:36,640
stuff.
I do take some supplements, but
1022
00:52:36,640 --> 00:52:40,560
nothing crazy.
That's, that's it.
1023
00:52:41,680 --> 00:52:46,720
I drink a lot of coffee.
Do you have like a biggest fear
1024
00:52:46,720 --> 00:52:52,280
of like, of not being able to
like, play like, like?
1025
00:52:52,280 --> 00:52:55,000
I think if I were you, I'd be
worried about getting arthritis
1026
00:52:55,000 --> 00:52:58,160
in my hands.
Yeah, fortunately, none in my
1027
00:52:58,160 --> 00:53:01,400
hands, a lot in my hips starting
to get in, in my feet.
1028
00:53:01,400 --> 00:53:05,480
Of course, there's some stuff
with my arms at night, they'll
1029
00:53:05,480 --> 00:53:08,240
go numb and stuff like that.
This is all wear and tear.
1030
00:53:08,480 --> 00:53:10,440
I mean, my fingers, like they're
bent.
1031
00:53:11,360 --> 00:53:13,880
They don't even like, they're
not even straight anymore, but
1032
00:53:13,880 --> 00:53:16,400
they don't hurt.
Mine are mine are bent and I
1033
00:53:16,440 --> 00:53:17,440
don't do that.
I don't know.
1034
00:53:19,400 --> 00:53:22,680
But yeah, but.
You're telling me I'm a secret
1035
00:53:22,720 --> 00:53:24,200
drummer or musician?
I just never.
1036
00:53:24,240 --> 00:53:30,800
I do fear it and that's why like
as time goes on, I don't fear
1037
00:53:30,800 --> 00:53:34,040
that I couldn't make money
playing my drums for the rest of
1038
00:53:34,040 --> 00:53:36,840
my life.
But at certain levels, no.
1039
00:53:37,000 --> 00:53:40,440
Like, like I could probably do
what I'm doing with Kilco for
1040
00:53:40,560 --> 00:53:43,440
some time still.
But if you asked me to join like
1041
00:53:43,480 --> 00:53:47,320
Metallica right now, I don't
know if I could physically pull
1042
00:53:47,320 --> 00:53:52,200
off at 4:00 with Metallica,
probably be hurting pretty bad.
1043
00:53:52,400 --> 00:53:54,800
So I don't think I would even
consider taking it.
1044
00:53:55,200 --> 00:53:57,400
But yeah.
And as they get older and older,
1045
00:53:57,400 --> 00:54:00,680
I would probably tone down those
type of big events and just do
1046
00:54:00,680 --> 00:54:04,440
the smaller tanks, you know?
And unlike an athlete, I should,
1047
00:54:04,880 --> 00:54:08,440
I should be able to do it for a
long time, you know, it's not
1048
00:54:08,440 --> 00:54:10,160
like I'm a football player, you
know?
1049
00:54:10,520 --> 00:54:13,520
So are you going to be touring
anytime soon, like in winter or
1050
00:54:13,520 --> 00:54:15,600
anything?
Where are my?
1051
00:54:15,600 --> 00:54:16,920
Plans.
Or you know, it's too soon to
1052
00:54:16,920 --> 00:54:20,160
know.
Next summer we will have a lot
1053
00:54:20,160 --> 00:54:24,760
more stuff back in Europe.
It's odd because like we've had
1054
00:54:24,760 --> 00:54:28,000
more success with Kilcode
overseas, like in the States
1055
00:54:28,000 --> 00:54:31,280
after all this time, we've yet
to really done like the
1056
00:54:31,280 --> 00:54:33,680
Southeast.
You know, we've done California,
1057
00:54:33,680 --> 00:54:38,600
we've done South Dakota, we've
done we even go to Puerto Rico
1058
00:54:38,600 --> 00:54:42,680
quite often.
So it's not that we don't have
1059
00:54:42,680 --> 00:54:45,400
fan bases down there.
It's just the money that's been
1060
00:54:45,400 --> 00:54:48,000
offered has never really been
appeasing to go.
1061
00:54:49,120 --> 00:54:53,520
But tour wise, like I think it's
it's next summer mainly is going
1062
00:54:53,520 --> 00:54:58,480
to be Europe again, then maybe a
few Mexico things that I know of
1063
00:54:58,480 --> 00:55:02,560
coming up in, in the winter time
like in November, stuff like
1064
00:55:02,560 --> 00:55:04,880
that.
And it'll be announced when when
1065
00:55:04,880 --> 00:55:08,840
it's all you know said and done,
but can't really say that yet.
1066
00:55:09,000 --> 00:55:10,280
I love that.
Oh my God.
1067
00:55:10,280 --> 00:55:11,720
I just thought it was something
really funny.
1068
00:55:12,320 --> 00:55:15,200
So we all know I had a starter
marriage, which is what I call
1069
00:55:15,200 --> 00:55:17,240
my first husband.
He was a starter marriage.
1070
00:55:17,760 --> 00:55:22,120
But one of my my crowning
achievements or revenge thing
1071
00:55:22,120 --> 00:55:26,200
was I was working with MTV Films
and it was like when Beavis and
1072
00:55:26,200 --> 00:55:28,400
Butthead existed.
Another thing that couldn't
1073
00:55:28,400 --> 00:55:30,480
probably exist in today's world.
Loved that.
1074
00:55:30,560 --> 00:55:39,920
Show but he he was a in in the
art department on come on feel
1075
00:55:39,920 --> 00:55:43,400
the noise and their actor didn't
show up that day.
1076
00:55:43,400 --> 00:55:47,680
So he ended up my starter
husband sort of marriage.
1077
00:55:47,720 --> 00:55:50,320
He ended up being in the video.
He's the guy, get shook on the
1078
00:55:50,320 --> 00:55:52,240
bed and then be.
The Quiet Riot.
1079
00:55:52,320 --> 00:55:56,400
Video yeah, yeah.
And Beavis and Butt Head.
1080
00:55:57,440 --> 00:56:00,920
Yeah, they, they rag on him.
So everyone knew at MTV that I
1081
00:56:00,920 --> 00:56:04,040
was getting divorced and he was
unpleasant at best.
1082
00:56:04,040 --> 00:56:06,360
That's like, he was a total
anyway.
1083
00:56:06,520 --> 00:56:09,600
But, you know, I liked broken
people then.
1084
00:56:09,600 --> 00:56:13,520
So anyway, so there's this whole
video and they gave it to me
1085
00:56:13,520 --> 00:56:16,160
like I used to have it, like on
tape, but it's Beavis and
1086
00:56:16,160 --> 00:56:19,120
Butthead making fun of him.
They're like, oh, look at that
1087
00:56:19,120 --> 00:56:20,680
idiot.
Just make, look at.
1088
00:56:20,680 --> 00:56:22,600
He's such an ass anyway.
And I was like my crowning
1089
00:56:22,600 --> 00:56:25,920
achievement of my time at MTV
Films.
1090
00:56:25,960 --> 00:56:28,920
But anyway, yeah.
I mean, now I'll.
1091
00:56:28,960 --> 00:56:30,440
Find it.
I'm sure it's on YouTube.
1092
00:56:30,440 --> 00:56:34,080
YouTube and.
Find this video Yeah.
1093
00:56:34,240 --> 00:56:37,880
We'll have to.
So we will definitely leave the
1094
00:56:38,560 --> 00:56:43,200
killcode Spotify stuff here.
So, you know, that's important
1095
00:56:43,200 --> 00:56:44,800
and where they can find you on
YouTube.
1096
00:56:45,040 --> 00:56:46,800
So thank you, Rob, so much for
being here.
1097
00:56:46,880 --> 00:56:50,040
We know this is how I like to
end on my podcast, which is my
1098
00:56:50,040 --> 00:56:52,680
favorite question.
Drum roll.
1099
00:56:53,080 --> 00:56:54,800
Come on, give me my drum roll.
You're the drummer.
1100
00:56:55,760 --> 00:56:59,400
Thank you.
If you came with a warning
1101
00:56:59,400 --> 00:57:02,280
label, what would it be?
Oh, I like that.
1102
00:57:03,600 --> 00:57:06,240
Well, let's see, can I have a
couple of warning labels?
1103
00:57:06,800 --> 00:57:09,640
Can I go for it Let?
Me think all right, well, I
1104
00:57:09,640 --> 00:57:14,120
would first try saying and this
is goes on in life a lot like
1105
00:57:14,120 --> 00:57:20,360
don't mistake I guess my
kindness being humbleness and a
1106
00:57:20,360 --> 00:57:23,560
silly sense of humor for
weakness at any point in time.
1107
00:57:24,800 --> 00:57:29,640
Don't mistake me not jumping
into a conversation and being a
1108
00:57:29,640 --> 00:57:33,480
good listener for like not
already knowing what to do.
1109
00:57:33,480 --> 00:57:38,080
I like to listen to people and,
and let them kind of in, in a
1110
00:57:38,080 --> 00:57:40,880
way it's a good thing because I,
I guess it's really not a
1111
00:57:40,880 --> 00:57:42,600
warning.
It's, it's kind of like I'm my,
1112
00:57:42,600 --> 00:57:45,080
I'm man enough to want to hear
everybody else's.
1113
00:57:45,080 --> 00:57:47,120
Even though I may know and have
experience.
1114
00:57:47,120 --> 00:57:50,960
I, I like listening to other
people's point of views because
1115
00:57:50,960 --> 00:57:55,000
they might be smarter than me.
And the only other one was,
1116
00:57:55,000 --> 00:57:59,080
which I was given by a bunch of
people aside from this crazy
1117
00:57:59,080 --> 00:58:03,200
nickname of mine.
They all say I'm 140 lbs of
1118
00:58:03,200 --> 00:58:05,680
sheer terror.
So that's my warning, right?
1119
00:58:07,440 --> 00:58:09,960
I like that.
Yeah, that one is definitely
1120
00:58:09,960 --> 00:58:12,080
true.
Yeah, you're totally true.
1121
00:58:12,640 --> 00:58:14,960
I love that.
It's so good to connect with.
1122
00:58:15,000 --> 00:58:17,040
You, Oh my God, yes, it was so
good.
1123
00:58:17,040 --> 00:58:20,400
We have to we have to stay in
touch and I can't wait.
1124
00:58:20,520 --> 00:58:22,920
I can't wait to to see you
again.
1125
00:58:22,920 --> 00:58:25,200
And it was really good.
I'm so happy you called me and
1126
00:58:25,400 --> 00:58:28,480
best of luck with your podcast
and any way I can help let me
1127
00:58:28,560 --> 00:58:28,640
know.