Welcome to The Holly Hughes Podcast Inspiring Stories of Creativity, Passion, and Purpose from Global Artists!
Sept. 30, 2025

Not by Accident: Samantha Dunn Speaks on Journalism, Writing, and Teaching the Next Generation of Creatives

Not by Accident: Samantha Dunn Speaks on Journalism, Writing, and Teaching the Next Generation of Creatives

Coming from a background in writing rooted in journalism, Samantha Dunn always writes with the idea that someone, somewhere will read what she’s writing. From that foundation, Samantha has authored numerous books, short stories, essays and memoirs, including Faith in Carlos Gomez: A Memoir of Salsa, Sex and Salvation. She is now the editor of Coast Magazine, based in Southern California, and also teaches at Chapman University.

Samantha and Holly talk about their creative processes, the influence of journalism on her writing, her love of horses, and living with Parkinsons.

Writer, author and educator Samantha Dunn joins host Holly Hughes on today’s episode of The Holly Hughes Podcast.

Coming from a background in writing rooted in journalism, Samantha Dunn always writes with the idea that someone, somewhere will read what she’s writing. From that foundation, Samantha has authored numerous books, short stories, essays and memoirs, including Faith in Carlos Gomez: A Memoir of Salsa, Sex and Salvation. She is now the editor of Coast Magazine, based in Southern California, and also teaches at Chapman University.

Samantha and Holly talk about their creative processes, the influence of journalism on her writing, her love of horses, and living with Parkinsons.

Find Samantha online at samanthadunnwriter.com.

Chapters

00:00 Introduction and Setting the Scene

03:03 The Creative Journey and Writing Process

06:00 The Role of Personal Narrative in Writing

08:59 Navigating the Challenges of Writing and Journalism

12:08 The Impact of Social Media on Storytelling

15:08 Defining Success and the Creative Identity

17:55 Finding Your Voice and Overcoming Obstacles

21:00 The Journey to Los Angeles and Personal Growth

23:31 Dancing Through Life

25:49 Creative Vulnerability and Transparency

27:06 Managing Challenging Personalities

29:06 The Burden of Teaching

30:31 Kintsugi - A Japanese art form using gold to repair broken pottery

32:22 The Art of Memoir

34:52 Cataloging Life Experiences

38:39 Facing Chronic Illness

40:08 Connection with Horses

46:38 Life-Changing Accidents

48:07 The Beauty of Scars and Friendship

49:04 The Art of Memoir: Truth vs. Fiction

50:11 Memory and Its Intricacies

52:30 Foundational Memories and Their Impact

54:44 Writing About Personal Experiences

57:19 The Process of Writing and Reflection

01:00:01 Transforming Material: From Memoir to Essays

01:02:34 The Challenge of Finding a Home for Writing

01:06:51 Embracing the Past: The Trailer Life

01:11:19 Caution: Frequent Stops Ahead

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Welcome to the Holly Hughes
podcast Today.

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I'm very excited, exceedingly
excited, which I've realized I

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say that every time, but really
I've only reached out to people

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that I want to talk to.
That's a really good thing about

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having your own podcast.
You can like reach out to your

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dream people and have
conversations.

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So I have the Samantha done
today and I'm going to hold up

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all the books not by accident
memoir, faith in Carlos Gomez,

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which is one of my favorite
lines that she quotes about

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herself in this one.
And then I I really wanted to be

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in this when you put this
together, which is women on the

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edge.
But I'm going to read a little

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bit about who your your fancy
part is your fanciness ready.

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Samantha Dunn Oh yeah.
And failing Paris, which I don't

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own.
I don't know why.

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Samantha Dunn is the senior
editor of premium content at the

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Southern California News Group.
She produces the companies

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bimonthly magazine Premium as
well as virtual programs

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including Bookish with Author
interviews which you should go

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watch because they're amazing.
She clearly has written multiple

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books, Failing Paris, not by
accident, reconstructing A

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careless life and faith in
Carlos Gomez.

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She also teaches.
And we can go on and on.

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I mean, I actually printed notes
and it's half a page of her

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credits, but let's just say
she's a badass.

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She's super creative, and I
can't wait to talk to her.

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So hi, Sam.
Good morning.

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Welcome, Californians, to North
Carolina.

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How are you today?
Oh, Holly, I am so happy to see

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your beautiful face and I'm so
thrilled that you invited me on.

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Oh, it's just such a it's just a
kick to see you.

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I know we we have a lot.
I have so much I want to say

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first of all, like I have many
memories of you and you write

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memoir and essay, which is my
favorite stuff to write

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actually.
So you also had a quote but I

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don't know if you quoted someone
else.

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And I literally had this up on
the wall behind my computer for

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many like maybe 8 years before I
moved and it was writing is an

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act of attrition.
Do not a trice.

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Do you even remember saying
that?

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I I don't, but that does sound
like that sounds like Sam

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Original.
It doesn't sound polished enough

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for a Vivian Gornick quote or
something else that I usually.

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I was like, did I even say those
words?

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Right?
But like I kept that forever

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because writing can be so
exhausting, especially when

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you're mining your life.
So is that like something that

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is like good to hear again and
remind yourself, or do you like

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say these amazing things and
then forget them because they

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just happen so easily for you?
I love, I love hearing that.

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I love.
I love that that spoke to you.

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And it's a good reminder for me
because, yeah.

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Because it's about just keeping
on.

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It's not about success, you
know, having other people tell

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you you're successful.
It's just about keeping on in

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the process.
So thank you for that reminder.

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Of course, of course I was very
happy when I got to ask you for

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more things of yours to read.
There's, there's something in

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your writing.
See, I mean, I get emotional.

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I'm going to get emotional.
Aw, babe.

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Seriously.
And it's because you write like

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this is going to sound weird,
but you write like a writer.

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And I started this podcast to
have conversations because I

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could talk for hours with my
critique partner.

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We can, you know, like RIP
things apart and rebuild them

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and wonder why that's popular or
not popular or criticize our own

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work endlessly, obviously.
And we each have a different

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goal and a definition of
success.

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But for me, there is skill in
writing, right?

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And for me, when I read your
work, you balance the emotional

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with structure in a way that I
like the structure.

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Oh, thank you.
I appreciate that.

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Like, do you like, is that easy
for you?

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Because in memoir, I don't like
for any listeners, I don't know

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if you write it, there's plenty
of rules and plenty of no rules,

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right?
That's the fun part of memoir.

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But when you don't give like, I
don't know how to explain it

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like facts along with the
emotion.

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Right contact.
Is a dump like emotional dump or

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too much structure and I don't
care.

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So how how is your process in
being creative?

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Like how do you manage that?
I think you just asked me, is

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writing easy for me?
And of course, writing is so

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fucked easy for me, Holly, as it
is for everyone.

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It's like, isn't that the point?
It's just like so wonderfully

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easy.
No, it's like pulling your own

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teeth with a with a plier all
the time.

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What I think.
First of all, thank you for

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those compliments.
I really appreciate that.

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My school of of writing was is
is was continues to be

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journalism, right.
So it's different than coming

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from the very precious
environment of academia, perhaps

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where you're looking, I don't
know uniquely at the ideas or

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what.
I don't even know how to say

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that correctly.
What I'm trying to get at is in

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journalism there's always a
sense of audience.

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So I have been trained from the
minute of my first anything that

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someone is going to read this.
It's not just for me.

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We can go back and talk about
how I had to develop that sense.

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There's always wait, no, I want
you to say that again because I

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think that is something I needed
to hear today.

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I don't even know what I just
said.

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You just.
Said that like I always had.

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I always knew that my writing
was for someone else.

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Yes.
I mean, my idea was always to

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communicate something to
somebody, whether it was just

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whether it was just an SOS that
someone would read about my life

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or communicate something or
persuade or seduce or convince.

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There was always that sense in
me that that it was

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communicating to somebody else.
And so if there's structure

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inherent in what I write, it's
always based in that.

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Does that make sense?
Yeah, but it's almost.

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Your structure is like a hug.
Yeah, I know, I know.

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I'm really not this nice all the
time, by the way, but it is.

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But here's the thing, because I
went to school to be a

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journalist.
I went to school to study

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journalism.
I.

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I did not know that about you.
Yeah, I know I did.

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I wanted to be a journalist and
my teachers did not like me.

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They didn't like me.
I even I had interviewed another

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author and an editor, Betsy
Thorpe.

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She'll be in the series, but she
has these distinct memories of

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people telling her that they
liked her work.

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I have no memory of that.
So I was at I went to school,

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College in DC and I wanted to be
a journalism, but I also loved

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Andy Rooney.
I loved how he told story right?

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And I was like, why can't I do
that?

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And they're like, you're in a
political environment.

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Yeah.
And this is what you have to

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write and then.
And you're a girl and you're and

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they.
And they were like, and maybe

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you should just get into lit and
the way my teacher would say it

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and ignited a big fuck you and
me, which often leads me to

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start things.
So I think like for me, what I

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have problems with, let's just
call it social media news at the

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point is like, I remember having
to interview three people on

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this side of an argument.
Three people on that side be

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able to source it, research what
they were saying and then

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present information, right.
So.

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Good old days.
Yes, believe it or not, that

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kind of journalism does still
exist.

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It just gets reduced to the six
second.

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Yeah, well, the six second meme,
you know, like I think we're

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just all writing for memes now.
It's it's just drives me insane

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anyway.
I agree.

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I agree, but.
So I think that's part of like

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rereading your work is that like
it's home to me, their

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structure.
And yet, you know, you do what a

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memoirs memoirs does or an
essayist, right, is that you

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share these incredibly personal
truths within that, I don't

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know.
It's it's like it's a magic art

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form.
Like I've been looking for

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literary magazines lately and
they're getting smaller and

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smaller or places that will
accept even essays like where I

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used to sell all the time,
right?

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I had one editor.
She's like, I love your voice.

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But she got moved around so
much.

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I think she just quit too.
So it's kind of fascinating to

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be able to tell story in a world
where everyone has the tiniest,

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yeah, like, attention to the
span right now.

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It's interesting though, because
I feel that more and more the

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personal narrative is at the
forefront of what people

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consume.
And that can be, that can be

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very good because we attach to
people's stories.

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We don't attach to people's
information.

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So that's important.
But so many people are just

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strip mining their life for
their reels, for their TikTok

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audience.
I just, I Megan Dom, I, I don't

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know whether she's been on your
show yet, but I'm sure you're

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going to invite her.
She has a book out now called

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The Catastrophe Hour where she
very beautifully explores this

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question of has the personal
become too personal?

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And is are are we, are we at the
end of our interest in personal

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narrative?
I don't think we are, but the

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way she explores the question is
very interesting just because

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there's it's so ubiquitous
across I.

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Love that.
I also think there's

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performative and the not
performative.

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Yes, absolutely.
Right.

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I'm gonna be talking to some
content creators because they

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really see the world.
Interestingly, where I see the

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world like, you know, I stare at
clouds all the time, like you

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would think I'm high.
By the way, I don't do any drugs

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because I can see dead people,
so I don't need anything to lay.

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I was going to say you you were
just naturally on psilocybum.

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Your brain is just naturally
wired in a certain way.

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I had a client offer me that.
I was like, yeah, no, I don't, I

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don't.
Need.

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I don't need it.
Would you like some of my brain

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juice?
Because that's.

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People ask, ask, ask me to like,
Gee, have you ever gone in

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Ashkawanda?
Whatever.

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No, not.
That's what I take it from.

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Ayahuasca.
Ayahuasca.

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No.
Why would I do that?

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Why would I ever do that?
Without it, no.

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I don't even see anything and I
would never ever do that.

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I don't even know why people
people are.

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People are paying big bucks to
go shit themselves in a Hut in

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Peru.
Puke.

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And puke, it's like, yeah, go,
yeah, whatever floats your boat,

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people, whatever you need to do
to feel.

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Like, I'm happy to help you
explore your truth and if you

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have to get high to find that
truth, I find that fascinating

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too.
But you know, I have issues with

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people with addiction.
I have daddy issues.

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So.
But that will be my memoir

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00:11:33,560 --> 00:11:34,840
eventually.
Yes, please.

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00:11:35,960 --> 00:11:37,440
I want to know.
OK, so I have too many

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00:11:37,440 --> 00:11:40,320
questions.
I have I have no order cuz my

211
00:11:40,320 --> 00:11:41,760
order jumps.
So whatever.

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00:11:41,960 --> 00:11:45,000
You are creative.
You write about your young life

213
00:11:45,000 --> 00:11:47,720
often, right?
And growing up where you did and

214
00:11:47,720 --> 00:11:51,200
how you did.
Did you always know you were

215
00:11:51,200 --> 00:11:53,760
going to be a writer?
Like, is it like I'm going to be

216
00:11:53,760 --> 00:11:58,840
a creative person?
Like there's oh, sorry, sorry.

217
00:11:58,840 --> 00:12:03,920
I'm just just when I did the
question did, did you say you

218
00:12:03,920 --> 00:12:05,400
were going to be a creative
person?

219
00:12:05,600 --> 00:12:10,680
Honey, where I am from, that is
a luxury that's not afforded to

220
00:12:10,680 --> 00:12:13,240
people.
That's being a creative person

221
00:12:13,240 --> 00:12:17,240
is for trust fund babies in New
York City and boys and prep

222
00:12:17,240 --> 00:12:20,200
schools and in Connecticut, you
know what I mean?

223
00:12:20,200 --> 00:12:23,960
That's that's those people get
to be creative.

224
00:12:23,960 --> 00:12:27,000
We have to make a living where
we're where I'm from.

225
00:12:27,440 --> 00:12:31,320
And so the idea of being
creative to say that you're

226
00:12:31,320 --> 00:12:35,400
going to be a creative and make
a living and it would be, how

227
00:12:35,400 --> 00:12:38,040
dare you?
Who do you think you are?

228
00:12:39,360 --> 00:12:40,960
Oh, I know that saying.
Who do?

229
00:12:41,080 --> 00:12:44,000
You think you are that you could
ever do that.

230
00:12:44,000 --> 00:12:47,200
I mean, look at, look at the
trailer you live in, look at,

231
00:12:47,560 --> 00:12:51,400
look at the highway that goes to
nowhere.

232
00:12:51,400 --> 00:12:54,840
Look at, look at these things
and tell me you're going to be

233
00:12:54,840 --> 00:12:55,880
creative.
How are you?

234
00:12:56,040 --> 00:12:58,080
How are you going to put a roof
over your head?

235
00:12:58,080 --> 00:12:59,760
How are you going to put food in
your belly?

236
00:13:00,560 --> 00:13:06,160
And so the way that I knew that
I could write, I, I, I only ever

237
00:13:06,160 --> 00:13:08,800
wanted to do 2 things.
I wanted to be a veterinarian at

238
00:13:08,800 --> 00:13:14,160
one point when I was like 6, of
course, but that, that was too

239
00:13:14,160 --> 00:13:17,440
much math.
I quickly assessed and also too.

240
00:13:18,040 --> 00:13:21,680
I wasn't, I wasn't.
I always say good math in the

241
00:13:21,680 --> 00:13:23,960
morning.
I do my yeah, I do my bills in

242
00:13:23,960 --> 00:13:25,840
the morning because after 11:00
too much.

243
00:13:26,000 --> 00:13:29,240
Math, it's just too much math.
And I, I couldn't, I couldn't

244
00:13:29,240 --> 00:13:31,320
handle the dying, the dying
animals.

245
00:13:31,400 --> 00:13:34,280
I couldn't do that, at least not
at six anyway.

246
00:13:34,920 --> 00:13:39,200
So writer, I knew that I wanted
to write and the only way that

247
00:13:39,200 --> 00:13:42,760
anyone was ever a writer in
places where I'm from is that

248
00:13:42,760 --> 00:13:44,640
you're, you work at the local
newspaper.

249
00:13:45,280 --> 00:13:49,040
And that's, that was my goal and
that's what I achieved because

250
00:13:49,040 --> 00:13:53,320
that was what was available to
me.

251
00:13:53,440 --> 00:13:58,840
I secretly maybe dreamed that I
could do something else, but I

252
00:13:58,840 --> 00:14:07,640
didn't actually hope that much
or actualize that dream until I

253
00:14:07,640 --> 00:14:11,640
got to Los Angeles.
Until I was in my 20s, really.

254
00:14:12,800 --> 00:14:13,720
OK.
Two things.

255
00:14:13,720 --> 00:14:15,080
Did I confuse you?
OK.

256
00:14:15,240 --> 00:14:17,280
No, I'm, I'm here with you.
I'm.

257
00:14:17,280 --> 00:14:21,320
I'm fully here with you.
I I want to know how you got to

258
00:14:21,320 --> 00:14:22,960
Lai want you to share that
story.

259
00:14:22,960 --> 00:14:26,280
But the other question I have
is, do you think if you and I

260
00:14:26,280 --> 00:14:32,160
were not in our awesome 50s like
we are now, if we were young now

261
00:14:32,160 --> 00:14:36,400
and there are so many avenues to
be creative, would we have

262
00:14:36,400 --> 00:14:40,040
thought?
Like I wonder sometimes if I had

263
00:14:40,720 --> 00:14:43,440
this many options, which is kind
of like going to Costco without

264
00:14:43,440 --> 00:14:46,200
a list, which overwhelms me and
doesn't work for me at all.

265
00:14:46,200 --> 00:14:49,520
Like I have a list.
I go in wine, salmon, lamb

266
00:14:49,520 --> 00:14:51,880
chops, like I pretty much get
the same things every time,

267
00:14:52,040 --> 00:14:54,080
toilet paper.
But if I go in without

268
00:14:54,080 --> 00:14:56,880
something, I'm like, it's I'm
over stimulated.

269
00:14:57,280 --> 00:15:00,160
Like if you were young now and
you could do 1000 things like,

270
00:15:00,560 --> 00:15:05,800
you know, button poetry or
spoken word, or like if you

271
00:15:05,800 --> 00:15:11,360
could like become a performance
artist who did dressage and, you

272
00:15:11,360 --> 00:15:15,680
know, receded a fucking essay, I
could totally see you doing

273
00:15:15,680 --> 00:15:16,640
that.
Like I want you.

274
00:15:16,720 --> 00:15:19,080
I could actually, I could
actually see myself do that.

275
00:15:19,080 --> 00:15:23,120
Thank you for that imagery.
No, you know, let's be real, the

276
00:15:23,120 --> 00:15:27,040
finances would still be the
question if I it would, it would

277
00:15:27,040 --> 00:15:30,440
not only be about possibility,
which I think is great, which I

278
00:15:30,440 --> 00:15:32,880
think is amazing.
Everything you've just laid out,

279
00:15:33,160 --> 00:15:37,480
you don't, you don't have to go
to New York or Los Angeles

280
00:15:37,520 --> 00:15:39,880
anymore to make something happen
in your life.

281
00:15:39,880 --> 00:15:43,160
You can do it from anywhere,
which is fabulous and exciting.

282
00:15:43,800 --> 00:15:46,760
But there's still the question
of how are you going to feed

283
00:15:46,760 --> 00:15:48,680
yourself and put a roof over
your head?

284
00:15:49,000 --> 00:15:53,640
And that that to me, finances
and and social class were the

285
00:15:53,640 --> 00:15:56,240
defining aspects of my.
I think those are two.

286
00:15:56,240 --> 00:15:59,160
Questions that are are missing
from a lot of people nowadays.

287
00:15:59,920 --> 00:16:03,520
Interesting, like food and
shelter.

288
00:16:03,520 --> 00:16:06,400
No meaning like, yeah, no.
Like who's going to help me?

289
00:16:06,400 --> 00:16:09,440
How do I get it myself?
I don't know.

290
00:16:09,480 --> 00:16:12,000
That people are thinking, how do
I do this myself?

291
00:16:12,720 --> 00:16:15,800
That is so interesting, I've
never even considered that

292
00:16:16,040 --> 00:16:19,960
because that is just the only
thing I ever think about like

293
00:16:20,960 --> 00:16:22,680
that's.
Like how you were brought up,

294
00:16:22,680 --> 00:16:24,960
right?
Like I had my, my father is like

295
00:16:24,960 --> 00:16:27,760
first or second generation
American, right?

296
00:16:27,760 --> 00:16:31,400
Grew up really poor, grew up
really hungry and abuse, right?

297
00:16:31,400 --> 00:16:36,360
Like, so for me growing up, it
was like you do better, you get

298
00:16:36,360 --> 00:16:40,600
an education and you do better.
I thought my dad is a chemical

299
00:16:40,600 --> 00:16:41,840
engineer.
I thought I was going to be

300
00:16:41,840 --> 00:16:44,400
that.
You thought you were going to

301
00:16:45,080 --> 00:16:46,360
wow.
I know.

302
00:16:46,360 --> 00:16:48,440
Wait, I'm really good at
science.

303
00:16:48,560 --> 00:16:49,920
I'm strange.
I have this.

304
00:16:50,360 --> 00:16:53,040
I am.
I'm really because it's tactile.

305
00:16:54,000 --> 00:16:55,160
That's.
So interesting.

306
00:16:55,360 --> 00:16:57,080
I'm dyslexic.
This is like my favorite story.

307
00:16:57,080 --> 00:16:59,120
But regardless, like I have
this.

308
00:16:59,240 --> 00:17:03,160
I took an exam when I left
entertainment, I was like, well,

309
00:17:03,160 --> 00:17:05,640
if I'm going to leave film and
TV and this is what I've been

310
00:17:05,640 --> 00:17:08,119
for 18 years, like what am I
like?

311
00:17:08,119 --> 00:17:10,640
What do I do?
I'm not a good enough writer to

312
00:17:10,640 --> 00:17:11,760
do anything with.
Yeah.

313
00:17:11,760 --> 00:17:13,839
What are my aptitudes?
Yeah.

314
00:17:14,079 --> 00:17:17,800
I would have really been good at
forestry was like my top score.

315
00:17:17,800 --> 00:17:20,520
And I was like, you know what, I
would because I love being

316
00:17:20,520 --> 00:17:22,680
outside, but I'm also a city
girl.

317
00:17:22,680 --> 00:17:26,520
Like, I'm just contradictions
over and over and over again.

318
00:17:26,520 --> 00:17:29,920
I was like, she's like, you have
a very scientific mind.

319
00:17:29,920 --> 00:17:32,480
And I was like, I grew up with
an engineer.

320
00:17:33,000 --> 00:17:34,560
Yeah.
Like, how do you fix it?

321
00:17:35,280 --> 00:17:37,360
Also, if you're a survivor, how
do you fix it?

322
00:17:38,360 --> 00:17:41,320
Oh, there's that.
Yes, absolutely.

323
00:17:42,080 --> 00:17:47,960
OK, so interesting in LA.
How did there's always a man?

324
00:17:48,320 --> 00:17:50,840
It's always related to a man,
right?

325
00:17:50,840 --> 00:17:55,160
Or at least for me, it's like,
so do you want the full story or

326
00:17:55,160 --> 00:17:56,840
the abbreviated story?
You.

327
00:17:56,840 --> 00:17:58,840
Can give me the abbreviated one
cuz I have like a page and a

328
00:17:58,840 --> 00:18:04,040
half of stuff I wanna play.
All right, so I I had AI had a

329
00:18:04,040 --> 00:18:09,360
boyfriend now boyfriend, future
ex-husband who said, hey, babe,

330
00:18:09,360 --> 00:18:13,200
I got yeah, I got AI got a gig
with chick Korea in LA.

331
00:18:13,200 --> 00:18:14,440
Do you want to go for a couple
months?

332
00:18:14,440 --> 00:18:16,520
I was like not doing anything
else.

333
00:18:16,640 --> 00:18:18,000
Sure, I'll go for a couple
months.

334
00:18:18,000 --> 00:18:20,600
That was 1989.
Do you think I've left Los

335
00:18:20,600 --> 00:18:22,720
Angeles since 1989?
I mean, I've traveled.

336
00:18:23,960 --> 00:18:30,040
That's what happened dum dum and
and complications ensued.

337
00:18:31,320 --> 00:18:33,920
And there we go, that's the
story.

338
00:18:34,960 --> 00:18:37,000
I like that.
I want you to do my favorite

339
00:18:37,000 --> 00:18:39,800
quote from your book about
making me a sandwich from Faith

340
00:18:39,800 --> 00:18:44,520
and Carlos Glass.
You can really.

341
00:18:44,520 --> 00:18:49,520
Because I have this memory, so
people in the podcast who maybe

342
00:18:49,520 --> 00:18:52,200
are just listening to this one.
So I worked in film and TV for

343
00:18:52,200 --> 00:18:56,800
18 years, moved across the
country to North Carolina, and

344
00:18:57,400 --> 00:19:00,200
decided that I'm going to
finally give my voice a chance

345
00:19:00,200 --> 00:19:03,880
and own my own creativity, which
was big and scary and strange.

346
00:19:04,200 --> 00:19:05,760
I'd done enough therapy, blah,
blah, blah.

347
00:19:05,760 --> 00:19:11,440
And I took a bunch of classes at
UCLA writers extensions because

348
00:19:11,440 --> 00:19:14,720
I wanted to write and I knew I
had lost it, right?

349
00:19:14,720 --> 00:19:18,960
And I had no self-confidence.
I, I had a really verbally and

350
00:19:19,840 --> 00:19:22,000
horrible abusive first marriage,
right?

351
00:19:22,000 --> 00:19:24,880
So it's just what I knew coming
from an alcoholic father.

352
00:19:25,080 --> 00:19:27,160
So there I was trying to like
unpack it all.

353
00:19:27,160 --> 00:19:30,560
And, and I had this desire to be
a writer.

354
00:19:31,080 --> 00:19:35,960
Always, always, always, always
was a storyteller and I just I

355
00:19:35,960 --> 00:19:39,680
walked into I took Rob Roberge
was the first class I took.

356
00:19:39,760 --> 00:19:43,520
Oh Rob, what a kick.
Dude, he clicked his pen.

357
00:19:44,720 --> 00:19:47,520
The whole class I was like, I'm
going to lose my mind, I'm going

358
00:19:47,520 --> 00:19:49,880
to lose my mind and I was like
the worst one in the room.

359
00:19:50,040 --> 00:19:52,040
I.
Was he on his meds at that time

360
00:19:52,040 --> 00:19:57,360
or do we know?
By the way, everyone in TV Land

361
00:19:57,360 --> 00:19:59,920
out there, Rob Roberge is an
incredible writer.

362
00:19:59,920 --> 00:20:02,320
If you get a chance, read his
memoir, Liar.

363
00:20:02,680 --> 00:20:05,160
Yes, it's written in second
person.

364
00:20:05,160 --> 00:20:08,000
It's so compelling.
He's just, he's just an

365
00:20:08,000 --> 00:20:09,800
incredible talent.
Which is also compelling because

366
00:20:09,800 --> 00:20:12,480
I've been to his house and met
her and met them and like, you

367
00:20:12,480 --> 00:20:15,520
know, knowing.
His wife's Gina Francello, Yeah.

368
00:20:16,720 --> 00:20:21,400
So anyway, he used to click his
pen and I was like, I can't,

369
00:20:21,400 --> 00:20:25,320
please, I can't because also I
had worked 1213 hours, right?

370
00:20:25,320 --> 00:20:28,680
And like kind of snuck off to
like write and he'd be like

371
00:20:28,680 --> 00:20:30,840
this.
I'm like, and I knew I was the

372
00:20:30,840 --> 00:20:33,760
worst one in the room.
Like it was like so blatantly I

373
00:20:33,760 --> 00:20:37,320
couldn't write like the stone
fell up.

374
00:20:37,400 --> 00:20:39,840
It was just awful.
Anyway, I just kept going

375
00:20:39,840 --> 00:20:41,560
because I was like, well, I can
get better.

376
00:20:41,880 --> 00:20:44,200
I guess my thing about myself is
I'll just get better.

377
00:20:44,920 --> 00:20:49,360
I eventually end up in one of
your rooms and there's there's

378
00:20:49,360 --> 00:20:52,240
two favorite things about it.
First of all, I don't know if

379
00:20:52,240 --> 00:20:55,600
this is Rachel Resnick who like
told me about you or you told me

380
00:20:55,600 --> 00:20:57,680
about Rachel.
I can't remember either.

381
00:20:57,840 --> 00:20:59,360
Either one is possible.
Either way, it could have

382
00:20:59,360 --> 00:21:03,040
happened either way.
But you were very into salsa

383
00:21:03,040 --> 00:21:04,720
dancing and I am a dancer,
right?

384
00:21:04,720 --> 00:21:08,160
I still dance all the time.
So I see your, I see your clips

385
00:21:08,160 --> 00:21:10,160
on Instagram.
I love them.

386
00:21:10,520 --> 00:21:12,600
I I tear myself apart when I
watch them.

387
00:21:12,720 --> 00:21:16,680
So I am like, Oh my God.
So there you are.

388
00:21:16,680 --> 00:21:19,120
I talking about salsa.
I'm like, yes, queen, do it

389
00:21:19,120 --> 00:21:21,000
right.
You're there and you're into it

390
00:21:21,200 --> 00:21:25,440
and you're like, so, so much
smarter than me, is what I keep

391
00:21:25,440 --> 00:21:27,560
thinking, right?
I was like, oh, look at you go

392
00:21:28,160 --> 00:21:31,480
and then there was like a room
and then you were talking about

393
00:21:31,480 --> 00:21:36,040
like making scenes better and
and you do his accent, right.

394
00:21:36,040 --> 00:21:39,080
You did his accent like you know
you have to say the line.

395
00:21:39,720 --> 00:21:43,600
I I can't, I can't do that.
It's politically incorrect.

396
00:21:43,600 --> 00:21:45,840
I can't, I can't do, I can't do
that anymore.

397
00:21:45,840 --> 00:21:46,960
You.
Can say the line.

398
00:21:47,600 --> 00:21:50,600
He said I don't even it's been
27 years.

399
00:21:50,600 --> 00:21:55,200
After you make after, after we
make mad, passionate, whatever.

400
00:21:55,200 --> 00:21:58,520
Imagine those days, he said.
He looks at me and I think he's

401
00:21:58,520 --> 00:22:01,360
going to tell me he loves me.
He says, you know what I want to

402
00:22:01,360 --> 00:22:05,040
do?
I want to fuck you, and then I

403
00:22:05,040 --> 00:22:08,760
want you to make me a sandwich.
See, it's true story.

404
00:22:09,320 --> 00:22:11,640
He actually said that I can't.
I can't not.

405
00:22:12,600 --> 00:22:14,320
I he actually said I had AI had.
A It was so.

406
00:22:14,440 --> 00:22:18,400
It was so really.
Yeah, picked him up from the

407
00:22:18,400 --> 00:22:23,120
airport after he went to a
wedding, came home, he me naked

408
00:22:23,120 --> 00:22:24,320
in his bed.
He's like, we're done.

409
00:22:26,840 --> 00:22:29,560
OK.
Yeah, that was a bad breakup.

410
00:22:29,600 --> 00:22:32,520
Anyway, I love this line.
Right.

411
00:22:32,520 --> 00:22:35,240
Like, that is my line.
And then you had us do, like, an

412
00:22:35,240 --> 00:22:38,480
exercise where everyone in the
room, who by the way, again

413
00:22:38,480 --> 00:22:41,160
were, had been writing much
longer than me.

414
00:22:41,160 --> 00:22:44,200
I was still very much a novice
at learning how to write again.

415
00:22:45,040 --> 00:22:47,800
And you ask everyone to write a
word down.

416
00:22:48,040 --> 00:22:49,840
I forget.
Write a word, some random word

417
00:22:49,840 --> 00:22:54,280
and then pass it to the left.
And this bitch next to me wrote

418
00:22:54,280 --> 00:22:55,920
a word.
I don't, I don't, I don't even

419
00:22:55,920 --> 00:22:58,960
know what the word was.
I didn't know what the word was.

420
00:22:58,960 --> 00:23:02,560
I was like, you're such a
condescending little bitch.

421
00:23:02,760 --> 00:23:05,160
Like she did it on purpose.
It was like.

422
00:23:05,160 --> 00:23:06,840
Of course she did so.
Smart.

423
00:23:06,840 --> 00:23:10,880
I am the smart one, yeah.
And I remember just owning.

424
00:23:10,880 --> 00:23:13,720
I'm like, I don't even know what
this means, so I can't write

425
00:23:13,720 --> 00:23:16,480
with it.
And I was like sweating

426
00:23:16,480 --> 00:23:18,640
profusely, but I was like, I'm
just gonna own it.

427
00:23:18,640 --> 00:23:21,080
Like what is that?
OK, let me just.

428
00:23:21,080 --> 00:23:23,960
Space like.
Let me just say that about you.

429
00:23:24,120 --> 00:23:29,200
I love you are always so
transparent and so and so

430
00:23:29,200 --> 00:23:31,360
willing.
I love that about you.

431
00:23:31,360 --> 00:23:33,440
That is like one of your
superpowers, Holly.

432
00:23:33,440 --> 00:23:34,360
It really is.
Oh, you.

433
00:23:34,800 --> 00:23:36,000
Make me cry.
Thank.

434
00:23:36,000 --> 00:23:37,360
You.
No, it's really true.

435
00:23:38,000 --> 00:23:39,520
I've always remembered that
about you.

436
00:23:40,160 --> 00:23:41,520
I was good.
That was one of my questions.

437
00:23:41,520 --> 00:23:44,480
What do you remember about me?
The other memory that I have of

438
00:23:44,480 --> 00:23:47,680
you that I really like, I think
it was at Rachel's book signing.

439
00:23:48,160 --> 00:23:50,320
Were we both pregnant at the
same time?

440
00:23:50,640 --> 00:23:54,160
I it could be our kid.
How old is Is your daughter 16?

441
00:23:54,240 --> 00:23:57,000
17.
Oh, so no, we weren't at the

442
00:23:57,000 --> 00:23:58,320
same time.
So you.

443
00:23:58,440 --> 00:24:00,800
Were digging around and I had
just given birth.

444
00:24:01,200 --> 00:24:04,040
Oh, OK, that makes sense.
You were like, surprised.

445
00:24:04,040 --> 00:24:06,560
I thought it was metaphor.
I was like you said that to me

446
00:24:06,560 --> 00:24:08,720
in line too.
I did.

447
00:24:09,040 --> 00:24:13,080
I went in to have a true story.
I went in to have AI, went in to

448
00:24:13,080 --> 00:24:16,800
have a hysterectomy and found
out I was pregnant at 42.

449
00:24:17,440 --> 00:24:19,840
Yeah, go figure.
Anyway.

450
00:24:21,240 --> 00:24:21,720
See.
Sorry.

451
00:24:23,120 --> 00:24:25,800
OK, wait, I'm gonna go jump.
So anyway, you're in a class and

452
00:24:25,800 --> 00:24:28,120
you teach and you're doing these
things and you have your books.

453
00:24:28,240 --> 00:24:30,640
What do you do to manage the one
person?

454
00:24:30,640 --> 00:24:32,080
Cuz you know, there's always
one.

455
00:24:32,320 --> 00:24:34,400
I have done a lot of workshops
myself.

456
00:24:34,600 --> 00:24:37,960
There's always one.
How do you manage the one?

457
00:24:39,720 --> 00:24:42,880
That is a good question.
I don't know that I have a have

458
00:24:42,880 --> 00:24:47,320
a conscious strategy because
that one person always has

459
00:24:47,320 --> 00:24:50,280
different types of needs.
Sometimes it's the look at me

460
00:24:50,280 --> 00:24:55,920
person, sometimes it's the I'm
depressive and suicidal and I'm

461
00:24:55,920 --> 00:24:58,480
manipulating people with my
depression person.

462
00:25:00,080 --> 00:25:02,760
Oh my God, I wasn't you.
You named that.

463
00:25:02,760 --> 00:25:06,560
That was good.
Sometimes it feels that way.

464
00:25:06,560 --> 00:25:09,800
It's like I'm, I'm the mentally
unstable 1 and they, they may

465
00:25:09,800 --> 00:25:13,280
indeed be.
And I'm going to manipulate

466
00:25:13,280 --> 00:25:18,760
everyone's response around me
because I need something.

467
00:25:20,680 --> 00:25:22,840
A lot of times I just come in
like a bulldozer.

468
00:25:22,840 --> 00:25:27,880
As you know, Holly, I just come
in as a bulldozer.

469
00:25:28,720 --> 00:25:31,160
Well, with a big personality,
right?

470
00:25:31,520 --> 00:25:36,520
So, so that helps manage the
room.

471
00:25:36,720 --> 00:25:42,640
There's not a lot of room for
anyone else to, to seize that

472
00:25:42,960 --> 00:25:45,240
control.
And I do that not because I'm an

473
00:25:45,240 --> 00:25:49,160
egomaniac, although in fact, I
may be an egomaniac, but you

474
00:25:49,160 --> 00:25:52,000
want to give everybody, you want
to protect that space.

475
00:25:52,000 --> 00:25:56,160
I, I go in feeling that I'm
protecting space for people.

476
00:25:56,160 --> 00:25:57,920
Does that make sense?
Totally.

477
00:25:57,920 --> 00:26:02,840
I'm, I'm, I'm hold, I'm
literally holding that space for

478
00:26:02,840 --> 00:26:04,680
people.
And that's a lot of.

479
00:26:04,680 --> 00:26:06,320
Work.
That's a lot of work.

480
00:26:07,280 --> 00:26:09,440
It's a lot of psychic work.
You know, there's something

481
00:26:09,440 --> 00:26:12,600
somebody told me once and I'm
just going to screw this whole

482
00:26:12,600 --> 00:26:14,280
thing up because I know nothing.
I'll.

483
00:26:14,720 --> 00:26:15,920
I'll call you later.
Don't.

484
00:26:15,920 --> 00:26:17,400
Worry.
OK, Call me later.

485
00:26:17,400 --> 00:26:20,680
Yeah, write it down and fucking
quote me later, years later.

486
00:26:20,920 --> 00:26:22,560
But don't call twice.
Bitch, don't.

487
00:26:22,880 --> 00:26:30,680
Don't it twice.
Somebody told me that some in in

488
00:26:31,720 --> 00:26:36,640
Asian medicine, like in
acupuncture or something,

489
00:26:37,040 --> 00:26:41,960
there's a belief that teachers,
teachers die sooner than other

490
00:26:41,960 --> 00:26:47,040
people because they use their
life force energy to hold space

491
00:26:47,040 --> 00:26:48,960
for people.
Anyway, I'm screwing that whole

492
00:26:48,960 --> 00:26:50,480
thing up.
No, no, now I'm going to look it

493
00:26:50,480 --> 00:26:52,800
up because, you know, I'm
obsessed with Asian cultures.

494
00:26:52,840 --> 00:26:55,720
So something neem is how you say
teacher in Korea it sounds like.

495
00:26:56,280 --> 00:26:58,760
Interesting, Interesting.
Well, I think there's some.

496
00:26:58,760 --> 00:27:01,480
Few words I can still say I'm.
So I can't say anything.

497
00:27:01,480 --> 00:27:04,080
I can say NI hao, that's the
only thing.

498
00:27:04,640 --> 00:27:06,040
It's Chinese.
Hello.

499
00:27:06,160 --> 00:27:07,040
Right.
Yeah.

500
00:27:07,840 --> 00:27:11,040
I think his brother I, I watch,
I only watch Asian shows.

501
00:27:11,040 --> 00:27:14,320
It's very I like their
storytelling and I like that it

502
00:27:14,320 --> 00:27:17,400
is not my reality and there is
always something that I can

503
00:27:17,400 --> 00:27:22,320
learn because I don't.
I'm so ignorant about Asia as an

504
00:27:22,320 --> 00:27:25,000
American.
It's not anything we learn about

505
00:27:25,000 --> 00:27:25,960
in school or.
Whatever.

506
00:27:25,960 --> 00:27:27,160
Oh, it isn't?
Yeah.

507
00:27:27,640 --> 00:27:30,440
So from.
History, literature, we know

508
00:27:30,440 --> 00:27:32,800
nothing.
I know so I have all these like

509
00:27:33,040 --> 00:27:35,920
I could also like turn besides
the stack of memoirs that I

510
00:27:35,920 --> 00:27:38,320
pulled out knowing that I was
going to talk to you and like

511
00:27:38,640 --> 00:27:41,880
how they pull up my heartstrings
and why I love them and why I'm

512
00:27:41,880 --> 00:27:43,320
avoiding writing mine right now.
It's.

513
00:27:44,960 --> 00:27:47,480
Hard one.
Is that I have all these books

514
00:27:47,480 --> 00:27:51,000
that are translated as well.
Oh, that's so good.

515
00:27:51,680 --> 00:27:54,280
Storytelling is just so.
I think I like being around

516
00:27:54,280 --> 00:27:56,720
people who are smarter than me.
Me too.

517
00:27:57,920 --> 00:28:01,200
Must be hard for you though.
Oh, what are you on about?

518
00:28:01,200 --> 00:28:02,040
You're just.
Seriously.

519
00:28:02,040 --> 00:28:04,720
Because you're really well read
and you're in a place where you

520
00:28:04,720 --> 00:28:06,760
have access to a lot of things
all.

521
00:28:07,080 --> 00:28:09,440
Right, that's true.
My job does give me a lot of

522
00:28:09,440 --> 00:28:13,360
access, but yours does too.
Look at you, I mean.

523
00:28:13,360 --> 00:28:17,440
Oh, yeah, I'm, I'm, I'm a like.
So if they say no, I think as a

524
00:28:17,440 --> 00:28:21,160
writer, I got so used to being
told no right when I first

525
00:28:21,160 --> 00:28:26,680
started, like especially trying
to get an agent, that I don't

526
00:28:26,680 --> 00:28:29,640
care if you say no.
I love that about you.

527
00:28:30,120 --> 00:28:33,680
Yeah, fearless.
I have a question though.

528
00:28:33,680 --> 00:28:38,000
OK so I know someone who's a
good writer but they keep

529
00:28:38,160 --> 00:28:41,480
selling the same story for years
now A.

530
00:28:42,280 --> 00:28:45,600
Lot of people do.
Why does?

531
00:28:45,960 --> 00:28:49,000
It keep selling.
It's commerce because people

532
00:28:49,000 --> 00:28:52,200
like what's what's comfortable.
People like what's known.

533
00:28:52,200 --> 00:28:57,080
People like the reassurance of
hearing what they already know.

534
00:28:57,960 --> 00:28:59,560
I don't know.
I have no idea.

535
00:28:59,560 --> 00:29:03,200
Listen, there are there are
lots, especially genre writers,

536
00:29:03,600 --> 00:29:06,760
not exclusively because there
are lots of literary writers, I

537
00:29:06,760 --> 00:29:09,840
would argue do the same trick
over and over again as well.

538
00:29:10,360 --> 00:29:12,880
But there are lots of genre
writers who are essentially

539
00:29:12,880 --> 00:29:16,800
writing the same book and God.
Bless him, I know.

540
00:29:16,800 --> 00:29:20,240
No, I know an essayist who sold
the same essay to the same

541
00:29:20,240 --> 00:29:22,480
editor.
They just with a little tweak

542
00:29:22,480 --> 00:29:28,160
like like over and over again.
But it's also true that we all,

543
00:29:28,160 --> 00:29:33,160
as artistic incline beings, have
a certain terrain that we're

544
00:29:33,160 --> 00:29:36,920
always exploring, right?
I will never not explore being

545
00:29:36,920 --> 00:29:41,520
poor in the Southwest.
That's like, that's, that's my

546
00:29:42,400 --> 00:29:44,440
creative font, if you will,
right?

547
00:29:44,880 --> 00:29:46,960
That's that's that's the place.
You.

548
00:29:48,040 --> 00:29:49,280
Got a new quote?
I got a new quote.

549
00:29:49,280 --> 00:29:52,000
You know, don't cease and
desist, girl.

550
00:29:52,000 --> 00:29:54,120
Cease and desist anyway.
But you know what I mean?

551
00:29:54,120 --> 00:30:00,200
There's alcoholism and being a
stranger in a strange land.

552
00:30:00,200 --> 00:30:03,480
Those are those are themes that
will always, no matter what I

553
00:30:03,480 --> 00:30:07,680
do, come up because that's just
that's just part of the broken

554
00:30:07,680 --> 00:30:11,080
places in in me.
And that's what we're always

555
00:30:11,080 --> 00:30:13,120
explore.
I don't think they're broken.

556
00:30:13,120 --> 00:30:14,960
I don't know.
Yeah, they're they're not like

557
00:30:14,960 --> 00:30:17,960
they were for sure.
Because writing does Katsugi.

558
00:30:18,160 --> 00:30:20,520
Is that that?
Well, I'll have to double check

559
00:30:20,520 --> 00:30:22,120
if I'm saying they're at
Katsugi.

560
00:30:23,760 --> 00:30:27,280
It's the Japanese art of taking
broken pottery and adding gold

561
00:30:27,320 --> 00:30:31,000
and putting it back together.
That is, so I'm going to Kasugi.

562
00:30:31,000 --> 00:30:33,640
Is that what it's called?
Because I always say it's

563
00:30:33,640 --> 00:30:36,440
interesting that you that you
have that image, because I

564
00:30:36,440 --> 00:30:39,920
always say that memoir is the
collage art of literature,

565
00:30:40,160 --> 00:30:42,200
right?
We are taking these found

566
00:30:42,200 --> 00:30:45,320
objects and we are arranging
them and creating a narrative

567
00:30:45,320 --> 00:30:49,520
out of these, out of these
concrete objects.

568
00:30:50,080 --> 00:30:53,920
I love that.
So when you're going through

569
00:30:53,920 --> 00:30:56,520
your life and cataloging it or
running into people or having

570
00:30:56,520 --> 00:31:00,680
these moments, right, that then
you end up collaging together or

571
00:31:00,680 --> 00:31:04,080
making this beautiful pottery
because I can tell you what I

572
00:31:04,080 --> 00:31:06,200
see when I look at you
energetically.

573
00:31:06,520 --> 00:31:09,800
It's just I will cry.
So we'll have to wait for the

574
00:31:09,800 --> 00:31:12,480
end, but.
Oh, now there's a cliffhanger.

575
00:31:12,480 --> 00:31:13,560
I want to know.
I want to know.

576
00:31:13,560 --> 00:31:14,800
Anyway, go ahead, please.
Now you.

577
00:31:14,960 --> 00:31:17,200
Are fire, right?
You're Leo anyway, so you're

578
00:31:17,200 --> 00:31:23,520
fire and gold and music and a
little rain and you smell like

579
00:31:23,520 --> 00:31:29,840
the dust after you ride.
But but like in a field, do you

580
00:31:29,840 --> 00:31:31,200
do you know the difference like
I am?

581
00:31:31,240 --> 00:31:34,840
I do OK, OK, because I'm a great
trail rider, which is another

582
00:31:34,840 --> 00:31:37,560
strange thing of mine.
Like I feel so good on a horse,

583
00:31:37,560 --> 00:31:41,040
like on a trail, I'm not a good
enough rider to think I can do

584
00:31:41,040 --> 00:31:44,640
anything else.
But when I spent a week in

585
00:31:45,120 --> 00:31:48,080
Wyoming, I see I'll cry when I
got off the plane because you

586
00:31:48,080 --> 00:31:49,680
end up in a small plane to get
to.

587
00:31:49,680 --> 00:31:53,400
Like we were at a ranch.
I stepped off the plane and I

588
00:31:53,400 --> 00:31:58,600
was facing the.
My God, I'm forgetting the name

589
00:31:58,600 --> 00:31:59,760
of those mountains.
The the.

590
00:31:59,920 --> 00:32:01,520
Tetons.
The Grand Tetons.

591
00:32:01,800 --> 00:32:05,320
Is facing the Grand Tetons and I
heard angels singing and I just

592
00:32:05,320 --> 00:32:11,720
started bawling and my man candy
husband is so used to me being a

593
00:32:11,720 --> 00:32:13,920
woo woo that he's like what do
you hear?

594
00:32:14,040 --> 00:32:16,000
What's going on?
Are you OK?

595
00:32:16,360 --> 00:32:21,520
I was like, I hear angels like
literally I heard I Can't Sing

596
00:32:21,520 --> 00:32:24,120
and I definitely Can't Sing like
an Angel, but it's like an it's

597
00:32:24,120 --> 00:32:26,840
like amazing.
And all I felt was this

598
00:32:26,960 --> 00:32:32,960
overwhelming connection to land,
like really grounded and and

599
00:32:32,960 --> 00:32:35,920
then we ended up at this ranch
and we eat every family gets

600
00:32:35,920 --> 00:32:39,080
like this little cabin.
My daughter was much younger as

601
00:32:39,080 --> 00:32:41,960
I was trying to family vacation
because no one can sit still in

602
00:32:41,960 --> 00:32:45,360
my family.
So the first day on the horse

603
00:32:45,360 --> 00:32:47,480
they're like, hey, we're going
to go up here to see if you

604
00:32:47,480 --> 00:32:48,880
could actually do what you said
you do.

605
00:32:48,880 --> 00:32:50,800
And I said, I didn't say I could
do anything, right?

606
00:32:50,800 --> 00:32:52,720
I just know not to be an asshole
around a horse.

607
00:32:52,720 --> 00:32:55,720
Don't scare it.
I had a horse who liked to puff

608
00:32:55,720 --> 00:32:58,560
up before the saddle was put on.
So that picture would make me

609
00:32:58,560 --> 00:33:02,680
slide all the time.
But he by the end of the week we

610
00:33:02,680 --> 00:33:05,160
were off trail.
By the end of the week, we were

611
00:33:05,160 --> 00:33:06,960
riding up a mountain.
By the end of the week, I

612
00:33:07,240 --> 00:33:09,840
fucking galloped and there's no
bra tied enough to for me to be

613
00:33:09,840 --> 00:33:13,680
comfortable with that through a
like through along a stream.

614
00:33:13,680 --> 00:33:16,880
And I was just all I could
imagine was, Oh my God, what

615
00:33:16,880 --> 00:33:20,920
past life was.
I am a Native American Indian.

616
00:33:20,920 --> 00:33:23,160
Like what?
When did I hump this land?

617
00:33:23,160 --> 00:33:28,520
And then I had like images of
very Mongolian, like being much

618
00:33:28,560 --> 00:33:32,520
like smaller and hunting in
planes that went like forever

619
00:33:33,040 --> 00:33:36,760
and like, so I'm like in this
place of loving all of that and

620
00:33:36,760 --> 00:33:38,000
everyone's like, aren't you
saddle sore?

621
00:33:38,000 --> 00:33:39,400
And like, it doesn't really
bother me.

622
00:33:39,400 --> 00:33:41,040
Why are you talking about it so
much?

623
00:33:41,480 --> 00:33:44,640
Like when can I do this?
Never right?

624
00:33:44,640 --> 00:33:48,000
This is a treat for me.
This is like a magical literally

625
00:33:48,000 --> 00:33:51,240
moment for me.
And so in my journal while I'm

626
00:33:51,240 --> 00:33:53,680
there, I'm writing down
everything, right?

627
00:33:53,760 --> 00:33:57,080
Every sense, memory, everything
that means something to me

628
00:33:57,360 --> 00:33:59,480
because I'm always, my biggest
fear is that I'll have

629
00:33:59,480 --> 00:34:01,040
Alzheimer's and I'll forget it
all.

630
00:34:02,840 --> 00:34:06,240
But then I then I have it also
to pull from right?

631
00:34:06,240 --> 00:34:09,800
Because like, what is it anyway?
That is what you kind of are,

632
00:34:10,199 --> 00:34:13,679
but you're also this like
glorious crown, Like it's just,

633
00:34:14,960 --> 00:34:16,480
I don't know, it's just your
magic.

634
00:34:16,760 --> 00:34:19,040
I love you, Holly.
You're magic too.

635
00:34:19,159 --> 00:34:20,560
Takes magic too.
Do magic.

636
00:34:20,560 --> 00:34:22,960
I'm honored.
I'm honored to be in the magic

637
00:34:22,960 --> 00:34:26,560
category.
And your hair is really long and

638
00:34:26,560 --> 00:34:28,159
you're like other self by the
way.

639
00:34:28,560 --> 00:34:31,600
Oh yeah, I just got it cut.
It's gonna be hard to manage.

640
00:34:31,600 --> 00:34:34,560
It's yeah, it's getting hard to
manage with my.

641
00:34:35,159 --> 00:34:36,920
OK, so you're cataloging your
life.

642
00:34:37,520 --> 00:34:40,560
You have a definition of
femininity and strength from

643
00:34:40,560 --> 00:34:43,400
your mother.
You have definitions of like,

644
00:34:43,400 --> 00:34:47,440
what your life was and your
social standing, which, like,

645
00:34:47,440 --> 00:34:49,600
really like, affected you,
right?

646
00:34:49,920 --> 00:34:54,679
And now you've also started
writing about physical

647
00:34:57,200 --> 00:34:59,880
imperfection.
I'm going to say chronic

648
00:34:59,880 --> 00:35:02,120
illness.
Chronic illness, yeah, When I

649
00:35:02,120 --> 00:35:04,720
was, I was diagnosed with
Parkinson's 2 years ago.

650
00:35:05,360 --> 00:35:07,600
And that really, that was fun.
That was fun.

651
00:35:07,600 --> 00:35:09,480
That's always fun to get that
diagnosis.

652
00:35:09,680 --> 00:35:12,760
Like, yeah, now you have
something completely incurable

653
00:35:13,000 --> 00:35:16,360
that's like a slow train that's
gonna hit you eventually.

654
00:35:17,920 --> 00:35:21,760
And that really made me take
stock of what I needed to say.

655
00:35:21,840 --> 00:35:25,960
What what remains to be said?
That sounds dramatic.

656
00:35:26,000 --> 00:35:29,840
It's like, like my, like my
death is like, my death is

657
00:35:29,840 --> 00:35:30,760
imminent.
It's not.

658
00:35:32,000 --> 00:35:34,040
You don't get to go out that way
with Parkinson's.

659
00:35:34,040 --> 00:35:38,920
You just, you just rust over a
long period of time.

660
00:35:39,560 --> 00:35:43,640
But it did make me, it did make
me feel particularly vulnerable

661
00:35:43,640 --> 00:35:45,920
in the world in a way that I
never had before.

662
00:35:47,440 --> 00:35:50,960
And that made me realize that
many, many other millions of

663
00:35:50,960 --> 00:35:55,160
people also feel vulnerable.
And exploring that vulnerability

664
00:35:55,160 --> 00:36:00,000
together is my current interest
and maybe my my perpetual

665
00:36:00,000 --> 00:36:04,120
interest now, maybe my last
interest, you know, exploring.

666
00:36:04,560 --> 00:36:10,360
Well, I mean, yeah, in some ways
my last, like, in what ways can

667
00:36:10,360 --> 00:36:12,240
we connect through our
vulnerability?

668
00:36:12,240 --> 00:36:14,440
Maybe I was.
Maybe I've always been exploring

669
00:36:14,440 --> 00:36:16,480
this, but not as consciously as
I am now.

670
00:36:17,440 --> 00:36:20,280
I mean, I'm horses treated you
different have you has your like

671
00:36:20,720 --> 00:36:23,920
they're just.
Always no, I don't think they

672
00:36:23,920 --> 00:36:28,960
treat me differently.
I don't I they're so OK.

673
00:36:28,960 --> 00:36:33,160
Couple things to say about that.
As you were saying, people might

674
00:36:33,160 --> 00:36:37,640
not people in podcast land might
not know their horses are a huge

675
00:36:37,640 --> 00:36:39,640
part of my life.
I've ridden since I was five

676
00:36:39,640 --> 00:36:43,360
years old and continue.
I've organized my life around

677
00:36:43,360 --> 00:36:49,520
horses and continue to, and now
I used to, I used to be when I

678
00:36:49,520 --> 00:36:53,320
was a kid, I, I rode, you know,
I did barrel racing, I did

679
00:36:53,840 --> 00:36:57,640
competitive endurance riding.
I I've done, I've done and then

680
00:36:57,640 --> 00:37:02,080
I got into dressage when, you
know, in my midlife, a lot of

681
00:37:02,080 --> 00:37:05,320
love tried everything.
Now I just do trail riding on

682
00:37:05,320 --> 00:37:09,480
these big draft horses.
It's not, you know, particularly

683
00:37:09,560 --> 00:37:17,400
dangerous or fast or anything,
but they're, yeah, I mean, what

684
00:37:17,400 --> 00:37:19,600
can I say?
Have they changed?

685
00:37:19,600 --> 00:37:22,600
Has my relationship to horses
changed or have they changed

686
00:37:22,600 --> 00:37:24,440
toward me?
I don't think so.

687
00:37:24,440 --> 00:37:28,280
It's I've always been my most
vulnerable around horses.

688
00:37:28,280 --> 00:37:31,000
I've always been most truly
myself with a horse.

689
00:37:31,240 --> 00:37:33,040
Does that make sense?
Totally.

690
00:37:33,360 --> 00:37:36,680
Yeah, there's no, there's no
act, there's no persona.

691
00:37:36,680 --> 00:37:39,400
There's no, there's nothing but
self.

692
00:37:40,040 --> 00:37:43,920
Yeah, there's nothing but self
connecting to to this other

693
00:37:43,960 --> 00:37:46,920
soul.
And when you say a draft horse,

694
00:37:47,000 --> 00:37:49,760
all I see is their ginormous
back end.

695
00:37:50,240 --> 00:37:54,400
They are ginormous.
Yeah, they're just ginormous.

696
00:37:54,560 --> 00:37:57,840
It's funny.
I started riding, so I don't

697
00:37:57,840 --> 00:38:00,920
know whether this is at all of
interest to anybody else other

698
00:38:00,920 --> 00:38:03,720
than horse people.
But about five years ago, maybe

699
00:38:03,720 --> 00:38:08,440
six years ago, my gilding died
and we had a Mustang mare who

700
00:38:08,440 --> 00:38:12,840
was older and she was lonely
without him, so we retired her

701
00:38:12,840 --> 00:38:15,920
to pasture.
So for the first time, for the

702
00:38:15,920 --> 00:38:19,360
first time in my life since I
was in college at least, I had

703
00:38:19,360 --> 00:38:24,520
no horse.
And through a amazing series of

704
00:38:24,520 --> 00:38:28,840
events, I meet a neighbor who
becomes one of my closest

705
00:38:28,840 --> 00:38:32,080
friends now.
And she has two draft horses.

706
00:38:32,400 --> 00:38:36,200
She has one butt and two horses.
She has a husband who doesn't

707
00:38:36,200 --> 00:38:37,800
ride.
He loves horses, but he doesn't

708
00:38:37,800 --> 00:38:40,440
ride.
So she said, do you want to ride

709
00:38:40,440 --> 00:38:44,160
these drafts with me?
And I thought draft horses how,

710
00:38:44,520 --> 00:38:46,560
you know, it's like riding a
plow horse, right?

711
00:38:46,560 --> 00:38:49,920
How exciting can it be?
Oh my God, Holly, if you've

712
00:38:49,920 --> 00:38:54,600
never been on a draft horse,
it's like, how can I?

713
00:38:55,840 --> 00:39:00,160
It's like the new trucks, like
they're huge and they've got a

714
00:39:00,160 --> 00:39:03,320
massive engine and they're also
really plush.

715
00:39:03,760 --> 00:39:09,560
They're power steering, you
know, power brakes, lots of lots

716
00:39:09,560 --> 00:39:12,520
of get up and go.
If you just press the gas pedal,

717
00:39:12,520 --> 00:39:16,840
they've got the same
acceleration as any other car,

718
00:39:17,920 --> 00:39:20,320
but just a lot more power.
That's what a draft horse is

719
00:39:20,320 --> 00:39:22,760
like.
They're just, I am just madly in

720
00:39:22,760 --> 00:39:26,560
love with draft horses now.
And they're incredibly patient.

721
00:39:27,960 --> 00:39:32,400
Like, like this is boring for
anybody who's not into horses,

722
00:39:32,400 --> 00:39:37,440
but a quarter horse or a
thoroughbred, a hot horse like a

723
00:39:37,440 --> 00:39:40,720
thoroughbred or an Arabian wall
spook at something, become

724
00:39:40,720 --> 00:39:44,480
scared by something and then
they perseverate on that for the

725
00:39:44,480 --> 00:39:47,400
entire ride.
Oh my God, Oh my God is that is

726
00:39:47,400 --> 00:39:49,440
that is that bird going to come
out again?

727
00:39:49,680 --> 00:39:51,720
Oh my God, Oh my God.
Right.

728
00:39:53,400 --> 00:39:56,320
Draft horse will spook for a
minute and be like, dude, that

729
00:39:56,320 --> 00:39:58,680
was weird.
Anyway, can I eat?

730
00:39:58,680 --> 00:39:59,920
That's a draft horse.
Thanks.

731
00:39:59,960 --> 00:40:02,640
I'm good, Yeah.
Wow, dude.

732
00:40:03,000 --> 00:40:04,480
All right.
Anyway, never mind.

733
00:40:05,320 --> 00:40:07,680
No, I, as we were saying.
Trail ride too.

734
00:40:07,880 --> 00:40:14,720
What was the last one?
I was in Colorado and and we it

735
00:40:14,720 --> 00:40:20,720
was just me and my husband and
it was really narrow.

736
00:40:20,720 --> 00:40:25,200
We were going through a Grove of
aspens and my horse was pretty

737
00:40:25,200 --> 00:40:27,200
chill.
You know, obviously any, any

738
00:40:27,200 --> 00:40:29,680
horse that deals with strangers
all the time, it's it's pretty

739
00:40:29,680 --> 00:40:33,120
chill.
And then suddenly all our horses

740
00:40:33,120 --> 00:40:35,680
kind of stop.
And I forget her name, but the

741
00:40:35,680 --> 00:40:39,160
woman in charge of Mama bear and
her Cubs were in front of us.

742
00:40:39,760 --> 00:40:43,160
Oh wow.
I was like, why the fuck am I on

743
00:40:43,160 --> 00:40:46,480
a horse in the middle of them?
What it's like, like this thing.

744
00:40:47,600 --> 00:40:51,360
And we backed up like I, I
turned around on a horse and the

745
00:40:51,360 --> 00:40:54,000
trail really was not really much
wider than my head.

746
00:40:54,000 --> 00:40:55,640
It was very narrow.
We were.

747
00:40:55,680 --> 00:40:57,480
It did a pivot.
Yeah, Pivot.

748
00:40:57,640 --> 00:40:59,320
I was like, Oh my, I fucking
didn't fall.

749
00:40:59,320 --> 00:41:00,560
I'm like all like, I'm not all
right.

750
00:41:00,560 --> 00:41:02,680
You can't panic.
You can't panic, Collie.

751
00:41:02,680 --> 00:41:06,880
Just turn the fuck and like go,
we both pull around and then

752
00:41:06,880 --> 00:41:09,520
they call someone else to scare
the bear and I'm like, can we

753
00:41:09,520 --> 00:41:12,920
just go where there we know
there's no bear Cubs like what

754
00:41:13,320 --> 00:41:17,680
40 like 40 minutes later they
scare the bear and we we cannot,

755
00:41:17,760 --> 00:41:20,920
I can't believe I did this.
And we ride past her and she's

756
00:41:20,920 --> 00:41:26,680
up in a tree and I'm like, and I
saw how scared she was in her

757
00:41:26,680 --> 00:41:29,320
eyes.
But you can't mess with the I

758
00:41:29,320 --> 00:41:32,600
think it's a black bear, right?
You can't mess with them, but I

759
00:41:32,600 --> 00:41:35,520
remember those eyes and and that
I'm on the horse and I'm like, I

760
00:41:35,640 --> 00:41:39,240
kind of always define myself as
I'm much more of a city girl

761
00:41:39,240 --> 00:41:42,640
than not, right?
Like I grew up pretty rural on

762
00:41:42,640 --> 00:41:45,480
Long Island, rural like way out,
though, like where people don't

763
00:41:45,480 --> 00:41:46,720
ever talk about that.
They live.

764
00:41:46,720 --> 00:41:48,560
It's either the Hamptons or like
Manhattan.

765
00:41:48,760 --> 00:41:51,240
I was like in no man's land
between I, I grew up near a

766
00:41:51,240 --> 00:41:54,840
mental hospital and then so
that's like a whole.

767
00:41:54,840 --> 00:41:57,120
I have never even mined that so
many stories there.

768
00:41:57,600 --> 00:42:01,200
But and then I when I when I got
to LA, for me it was like, Oh my

769
00:42:01,200 --> 00:42:04,320
God, I'm not the weirdo.
I'm so normal here.

770
00:42:04,320 --> 00:42:06,160
Yeah, it is.
It is.

771
00:42:06,400 --> 00:42:10,800
It is the land of weirdos.
It is the Clarion call that

772
00:42:11,040 --> 00:42:13,520
Southern California has for all
weirdos.

773
00:42:15,240 --> 00:42:16,200
Some.
Please go.

774
00:42:16,240 --> 00:42:18,200
Yeah, whatever.
But now I'm in North Carolina

775
00:42:18,200 --> 00:42:22,320
and my husband really likes
space and across like where my

776
00:42:22,320 --> 00:42:27,200
house is used to be the field
where the horses from across the

777
00:42:27,200 --> 00:42:29,160
street used to come and just
meander.

778
00:42:29,240 --> 00:42:31,840
So when I first moved here, a
woman would ride her big old

779
00:42:31,840 --> 00:42:34,080
White Horse down.
I have all these pictures of her

780
00:42:34,080 --> 00:42:37,360
just walking by me and I woke up
to the sound of a donkey because

781
00:42:37,360 --> 00:42:40,480
they they had two horses that
were older and their companion

782
00:42:40,480 --> 00:42:42,600
was a donkey.
Yeah, we have a SO.

783
00:42:42,600 --> 00:42:44,880
See, I think about you all the
time and you just don't even

784
00:42:44,880 --> 00:42:48,120
know it because oh, horse,
right, It's it's the

785
00:42:48,120 --> 00:42:51,960
association.
And you write like your whole

786
00:42:51,960 --> 00:42:53,920
book about wait, let's pull it
back up.

787
00:42:55,360 --> 00:42:57,320
Not by accident.
I mean, you had a massive

788
00:42:57,320 --> 00:42:59,280
accident.
I did.

789
00:42:59,400 --> 00:43:02,600
I did.
It's a long time ago now, but

790
00:43:02,800 --> 00:43:08,400
just just for the folks I was
this is more than 20 years, 25

791
00:43:08,400 --> 00:43:11,840
years ago, 25 years ago, 27
years ago do I a long time ago.

792
00:43:11,840 --> 00:43:13,440
Do you?
Have to go that far, just round.

793
00:43:13,440 --> 00:43:17,520
It's, it's a, it's a long, long
time before I needed Botox.

794
00:43:19,480 --> 00:43:24,760
I was in a Canyon in Malibu on
my beloved horse, who was an off

795
00:43:25,000 --> 00:43:29,280
off the track thoroughbred.
And we came to a stream and he

796
00:43:29,280 --> 00:43:32,600
was freaked out.
And this is a bad move.

797
00:43:32,600 --> 00:43:34,520
You never do this.
But I've been riding all my

798
00:43:34,520 --> 00:43:36,680
life, so I don't think the rules
apply to me.

799
00:43:38,040 --> 00:43:40,720
So I got off my horse to lead
him across the stream.

800
00:43:40,720 --> 00:43:43,080
This is just not what you should
do ever.

801
00:43:44,360 --> 00:43:46,920
It's always safer to stay on
then get off and walk.

802
00:43:46,920 --> 00:43:50,560
And sure enough, halfway through
the little stream, I make a

803
00:43:50,560 --> 00:43:54,840
movement that Spooks him and he
rears back and lunges forward

804
00:43:54,880 --> 00:44:00,160
and he lands on top of me.
And he had been shot, meaning he

805
00:44:00,160 --> 00:44:02,520
has new metal shoes on his
hooves.

806
00:44:02,720 --> 00:44:07,640
He'd been shot the day before
and that rear hoof came straight

807
00:44:07,640 --> 00:44:13,440
through my shin and essentially
severed my leg except for part

808
00:44:13,440 --> 00:44:15,960
of my calf muscle and some other
flesh.

809
00:44:16,560 --> 00:44:19,000
Anyway, Long story short, they
eventually pulled my leg back

810
00:44:19,000 --> 00:44:20,920
on.
I got back on the horse.

811
00:44:20,920 --> 00:44:22,840
Happily ever after.
It's fine.

812
00:44:22,880 --> 00:44:25,440
But yeah, it was it was a life
changing accident.

813
00:44:26,000 --> 00:44:27,880
It was.
Do you have a sexy scar?

814
00:44:28,720 --> 00:44:31,280
Oh, it's so sexy.
Not so sexy.

815
00:44:31,320 --> 00:44:33,240
It's a massive scar.
Yes.

816
00:44:33,320 --> 00:44:35,320
Don't you have?
I never showed you that scar.

817
00:44:36,200 --> 00:44:39,080
It doesn't stick.
Oh yeah, there's a big

818
00:44:39,080 --> 00:44:42,360
indentation in my leg.
I mean, two big indentations.

819
00:44:42,440 --> 00:44:44,520
I would show you, but I can't
get my leg up there.

820
00:44:44,760 --> 00:44:45,920
You're, you're good.
I see.

821
00:44:45,920 --> 00:44:48,440
I don't, I mean, I just don't
seem, I see it as gold.

822
00:44:49,160 --> 00:44:53,120
There you go.
Oh, Molly, you're just magic.

823
00:44:53,880 --> 00:44:57,960
You're just magic.
OK so I have a mug that I also

824
00:44:57,960 --> 00:45:02,720
keep on my desk nowadays and it
says do not annoy the writer,

825
00:45:02,720 --> 00:45:04,320
she may put you in a book and
kill you.

826
00:45:04,760 --> 00:45:07,440
Yeah.
It's one of my favorite.

827
00:45:07,440 --> 00:45:11,160
I also, as an essayist, I have
several essays because

828
00:45:11,160 --> 00:45:14,360
friendships have always been
particularly particular for me

829
00:45:14,360 --> 00:45:20,680
and a lot of betrayal in them.
And I have this one essay about

830
00:45:20,680 --> 00:45:24,480
someone who did that.
And I'm, I'm like, I don't know

831
00:45:24,480 --> 00:45:26,240
where I want to, I don't know
where I want to put it.

832
00:45:26,240 --> 00:45:28,680
So like, it's just kind of there
as work.

833
00:45:29,000 --> 00:45:31,560
But one of the beautiful things
about memoir is you get to

834
00:45:31,560 --> 00:45:35,400
condense time and you can take a
character and make it more than

835
00:45:35,400 --> 00:45:38,280
one person, right?
I don't do that.

836
00:45:39,480 --> 00:45:40,920
Oh, I was going to ask you about
that.

837
00:45:41,280 --> 00:45:45,040
Yeah, I don't do that.
I mean, some people do, but I, I

838
00:45:45,040 --> 00:45:46,640
think that's a move into
fiction.

839
00:45:46,640 --> 00:45:48,440
And I understand why some people
do it.

840
00:45:49,040 --> 00:45:52,640
And I think if you're
transparent about it, that's the

841
00:45:52,720 --> 00:45:55,160
that can work.
There are all sorts of legal

842
00:45:55,160 --> 00:45:56,560
reasons you might want to do
that.

843
00:45:57,080 --> 00:46:05,240
But for me, the, the, it comes
from my journalism background.

844
00:46:05,520 --> 00:46:08,080
Like to to me, that's a move
into fiction.

845
00:46:08,760 --> 00:46:14,200
Let's move into the the question
of what if that is not what a

846
00:46:14,200 --> 00:46:17,400
memoirist does?
It's like, it's not what if it's

847
00:46:18,400 --> 00:46:20,520
what did I make this?
Here are the facts.

848
00:46:20,520 --> 00:46:23,840
What did I make this mean?
Does that make sense?

849
00:46:24,160 --> 00:46:27,440
Totally.
Yeah, that's that's the school

850
00:46:27,440 --> 00:46:31,640
that I adhere to and to say.
It was like in a memoir, like

851
00:46:31,640 --> 00:46:37,120
because, you know, in an essay,
I can, I can get as emotional as

852
00:46:37,120 --> 00:46:38,920
I want and then edit it, you
know, out.

853
00:46:38,920 --> 00:46:41,760
So it's palatable.
But like, that processes can be

854
00:46:41,760 --> 00:46:44,440
quite satisfying.
Like I have a memory of meeting

855
00:46:44,440 --> 00:46:48,960
this person and I have a
distinct image of a tattoo on

856
00:46:48,960 --> 00:46:52,600
them, like this giant floral arm
piece and it doesn't exist.

857
00:46:53,320 --> 00:46:57,480
Isn't that interesting?
Yeah, I mean, that happens all

858
00:46:57,480 --> 00:46:58,360
the time.
Memory.

859
00:46:58,600 --> 00:47:02,160
I mean, I always tell my
students memory memoir is the

860
00:47:02,160 --> 00:47:07,920
story your memory tells you.
And you go with with that, you

861
00:47:07,920 --> 00:47:11,560
do your due diligence to find
out what was true.

862
00:47:11,640 --> 00:47:14,680
And sometimes you find things
that are not true that your

863
00:47:14,680 --> 00:47:19,120
brain, when I say true, I mean
everything is emotionally true

864
00:47:19,120 --> 00:47:22,960
in your writing, but objectively
factual, right?

865
00:47:23,000 --> 00:47:26,000
Sometimes you run into things
that you thought was were

866
00:47:26,000 --> 00:47:30,360
objective facts that your brain
just, it's simple things like

867
00:47:31,160 --> 00:47:33,560
that tattoo you just talked
about.

868
00:47:33,560 --> 00:47:39,040
But where I the trailer park
where I lived as a as a kid, I

869
00:47:39,040 --> 00:47:45,640
have this memory of a deciduous
tree next to the trailer.

870
00:47:45,920 --> 00:47:49,400
That tree doesn't exist, but
that tree exists in my I can I?

871
00:47:49,400 --> 00:47:52,920
Can I actually have memories of
looking out and seeing the tree?

872
00:47:53,880 --> 00:47:56,640
How can that be?
It didn't exist I.

873
00:47:56,640 --> 00:48:00,000
Have memories of climbing a
giant rock in this house that I

874
00:48:00,000 --> 00:48:03,120
grew up in.
And I remember traveling back

875
00:48:03,120 --> 00:48:05,240
home and going by my old
neighborhood because I was like,

876
00:48:05,240 --> 00:48:07,920
what, how, what does this house
actually look like now?

877
00:48:07,920 --> 00:48:10,200
Like what, what are my memories?
Because I can tell you the green

878
00:48:10,200 --> 00:48:12,240
carpet, right?
The shag rug.

879
00:48:12,240 --> 00:48:14,520
And it's like, I can tell you
what the brick look like.

880
00:48:14,520 --> 00:48:17,200
And I like all of those little
things.

881
00:48:17,600 --> 00:48:24,680
And the rock is not big.
Yeah, Right, right, right.

882
00:48:24,680 --> 00:48:27,760
The memory of childhood, another
since you've got me on this

883
00:48:27,760 --> 00:48:29,360
topic.
This is this is just a

884
00:48:29,360 --> 00:48:32,440
fascinating topic that comes up
for everybody when we're writing

885
00:48:32,440 --> 00:48:35,520
about our own life.
So I have this, this, this

886
00:48:35,520 --> 00:48:37,960
foundational memory from my
childhood.

887
00:48:38,640 --> 00:48:42,120
I was like 3.
My cousin, my my mom's cousin

888
00:48:42,120 --> 00:48:45,360
comes home from Vietnam.
He's in his uniform.

889
00:48:45,360 --> 00:48:48,120
He's incredibly handsome.
His name's Johnny.

890
00:48:48,680 --> 00:48:54,080
He he brings me a green dress.
I look terrible in green, by the

891
00:48:54,080 --> 00:48:59,760
way, but he brings me a green
dress and, and to be nice, they

892
00:48:59,760 --> 00:49:03,760
dress me up in the dress.
And then Johnny takes me in his

893
00:49:03,760 --> 00:49:07,840
Mustang, blue Mustang
convertible over to my uncle's

894
00:49:07,840 --> 00:49:12,360
house, his father's house.
And in that ride, I see Johnny

895
00:49:12,360 --> 00:49:16,360
driving this Mustang
convertible, the radio.

896
00:49:16,360 --> 00:49:20,240
You remember the old time radios
where you had the knobs and he's

897
00:49:20,280 --> 00:49:25,000
tuning the radio.
Creedence Creedence Clearwater

898
00:49:25,000 --> 00:49:28,000
Revival.
Creedence Clearwater Revival

899
00:49:28,000 --> 00:49:29,920
comes on, is run through the
jungle.

900
00:49:30,040 --> 00:49:34,480
Of course it is.
And I this memory, Holly

901
00:49:35,520 --> 00:49:38,960
explains everything about my
aesthetic, about the men that I

902
00:49:38,960 --> 00:49:41,360
chose, about the music that I
like.

903
00:49:41,560 --> 00:49:47,400
This is a foundational memory,
so this may be 15 years ago or

904
00:49:47,400 --> 00:49:49,200
something.
This is, I've gone my whole life

905
00:49:49,200 --> 00:49:51,760
with this memory, most of my
adult life with this memory.

906
00:49:53,360 --> 00:49:56,960
I'm talking to another cousin of
mine and I, I tell him about

907
00:49:56,960 --> 00:49:59,240
this memory.
He goes, oh, yeah, no, that that

908
00:49:59,240 --> 00:50:05,640
never happened.
Yeah, that, that that Mustang

909
00:50:05,640 --> 00:50:07,360
was your cousin Sheila's
Mustang.

910
00:50:07,360 --> 00:50:10,560
And she didn't get that until
19, seven or whatever.

911
00:50:11,080 --> 00:50:15,080
And yeah, John, you know, John
did come home from Vietnam and

912
00:50:16,120 --> 00:50:18,480
whatever.
Anyway, he took the pieces

913
00:50:18,480 --> 00:50:20,720
apart.
Somehow I had conflated them

914
00:50:20,720 --> 00:50:24,600
into one memory.
And that one memory was so vivid

915
00:50:24,600 --> 00:50:28,120
and so true.
So the question is, do you write

916
00:50:28,120 --> 00:50:29,840
the memory the way you remember
it?

917
00:50:30,480 --> 00:50:32,840
Which I had, which I have
before.

918
00:50:32,840 --> 00:50:36,960
But now, now for me, now that I
know that I had done that is why

919
00:50:36,960 --> 00:50:39,720
did I do that?
What are the elements of that

920
00:50:39,720 --> 00:50:42,440
memory?
Why did I, why did I need?

921
00:50:42,560 --> 00:50:45,440
I guess the question is why did
I need that story?

922
00:50:45,920 --> 00:50:48,040
And that's a more interesting
question for me to.

923
00:50:48,040 --> 00:50:49,680
Explore.
You're pulling the threads of it

924
00:50:49,680 --> 00:50:51,840
now.
You're telling the story of the

925
00:50:51,880 --> 00:50:55,760
story exactly I.
Love, that is.

926
00:50:55,760 --> 00:50:59,200
There a story that you've been
avoiding writing that you know

927
00:50:59,200 --> 00:51:04,120
you'll write.
That is that I've been

928
00:51:04,120 --> 00:51:10,040
consciously avoiding writing.
No, because, you know, I try to

929
00:51:10,040 --> 00:51:13,000
write into everything as I'm
experiencing it.

930
00:51:13,000 --> 00:51:16,680
So I understand it for myself.
That's that's the hat trick of

931
00:51:16,680 --> 00:51:19,360
writing for me.
I'd never say I I can't tell the

932
00:51:19,360 --> 00:51:22,760
story now because I don't have
enough perspective on it.

933
00:51:22,760 --> 00:51:24,880
I will eventually have
perspective on it.

934
00:51:24,960 --> 00:51:26,720
That will that will be another
story.

935
00:51:26,720 --> 00:51:28,040
That will be something
different.

936
00:51:28,280 --> 00:51:30,680
But for right now, I'm writing
into the moment.

937
00:51:31,240 --> 00:51:36,280
I mean, I guess I don't, you
know, I haven't written about my

938
00:51:36,280 --> 00:51:37,960
marriage.
I won't.

939
00:51:39,440 --> 00:51:42,000
I mean, part of that is I.
Don't I don't have my family on

940
00:51:42,000 --> 00:51:46,360
social media I won't like that
is the one I have like

941
00:51:47,120 --> 00:51:49,720
privacies.
Privacy, well, that's the thing.

942
00:51:49,720 --> 00:51:53,480
It's like the the privacy and
the intimacy of your of your

943
00:51:53,480 --> 00:51:57,720
current I.
Don't want to monetize my love.

944
00:51:59,160 --> 00:52:02,200
Yeah, it's.
Like that, right, like you know,

945
00:52:02,240 --> 00:52:06,440
I had like for me, I'm I have
many essays that I published.

946
00:52:06,440 --> 00:52:09,400
I've gotten some crazy comments
on them too, but some essays

947
00:52:09,400 --> 00:52:12,000
like about we'll just call them
daddy issues, right.

948
00:52:12,000 --> 00:52:16,600
So alcoholic father, what do you
deal gets his his sobriety?

949
00:52:16,600 --> 00:52:20,760
Is he really sober living like
having the life of a dry drunk?

950
00:52:20,920 --> 00:52:23,880
All of the things right, like
all of the millions of stories

951
00:52:24,160 --> 00:52:27,400
how his fingerprints have
smudged shit in my life, right,

952
00:52:27,960 --> 00:52:31,360
and I don't I don't know my
thread yet.

953
00:52:31,800 --> 00:52:35,280
I don't know how I want to tell
that story or why I want to tell

954
00:52:35,280 --> 00:52:38,280
it so much.
It's it and it's not.

955
00:52:38,400 --> 00:52:40,480
I know it's not about
forgiveness.

956
00:52:40,680 --> 00:52:43,920
I think it's going to ultimately
end up being about like I love

957
00:52:43,920 --> 00:52:47,280
do despite it.
And you were still a mean

958
00:52:47,280 --> 00:52:50,240
motherfucker, right?
Like something is there but it's

959
00:52:50,240 --> 00:52:54,080
not quite like I have all these
little bits I have like I'm

960
00:52:54,080 --> 00:52:56,720
looking behind the screen
because I literally have a green

961
00:52:56,720 --> 00:53:02,040
folder with like 10 chapters
just all in disarray of like, I

962
00:53:02,040 --> 00:53:07,200
don't know how to organize that
yet 'cause it's still annoying.

963
00:53:07,840 --> 00:53:09,240
It's.
Annoying.

964
00:53:09,240 --> 00:53:12,800
Yeah, yeah, I know that very
well.

965
00:53:14,000 --> 00:53:16,200
And you won't know.
I mean, I, I don't think you

966
00:53:16,200 --> 00:53:19,760
can.
You, you, you can't.

967
00:53:19,760 --> 00:53:22,760
And you wouldn't want to try to
plot that out.

968
00:53:23,360 --> 00:53:26,240
The only way you're going to
have any resolution is to keep

969
00:53:26,240 --> 00:53:29,680
writing into it and it's going
to change its shape.

970
00:53:29,680 --> 00:53:32,040
Yeah, I mean, sorry, the
solution is just.

971
00:53:32,040 --> 00:53:33,920
In the writing, it's going to
rejoin your group.

972
00:53:33,920 --> 00:53:36,480
You have like an online group.
I was like, well, maybe if I

973
00:53:36,520 --> 00:53:41,840
answer to you I would actually.
It's for, that's what it's for.

974
00:53:41,840 --> 00:53:46,080
And I try, as you might remember
in my workshops, I try not to

975
00:53:46,080 --> 00:53:50,320
prescribe solutions.
And that works for some.

976
00:53:50,360 --> 00:53:53,200
Listen, some writing teachers
are really fantastic.

977
00:53:53,200 --> 00:53:59,720
And they're, you know, able to
prescribe action for writers,

978
00:53:59,800 --> 00:54:02,920
you know, put a car chase in Act
2.

979
00:54:02,920 --> 00:54:04,160
And that will.
Yeah.

980
00:54:04,400 --> 00:54:06,800
But but for some people, that
does work.

981
00:54:06,800 --> 00:54:10,760
It's never worked for me as
either a writer or a teacher.

982
00:54:11,680 --> 00:54:16,720
I believe that we can't know
what's inside other people with

983
00:54:16,760 --> 00:54:20,440
what possibilities exist inside
each writer for their own story.

984
00:54:21,080 --> 00:54:24,040
What we can do that is most
helpful is reflect to them

985
00:54:24,040 --> 00:54:27,440
what's what's catching our
attention and where we have

986
00:54:27,440 --> 00:54:30,640
questions.
What is pulling us out of the

987
00:54:30,640 --> 00:54:34,680
experience?
And then it's on the writer to

988
00:54:34,680 --> 00:54:37,760
figure out what they want to say
given that, given that

989
00:54:37,760 --> 00:54:41,520
information.
And sometimes, often times, that

990
00:54:41,520 --> 00:54:44,200
information is quite a surprise
because we think we're writing

991
00:54:44,200 --> 00:54:46,600
one thing and then what's
actually appearing on the page

992
00:54:46,600 --> 00:54:48,880
is something else entirely.
I love that.

993
00:54:48,920 --> 00:54:53,520
I think when I did my TE DX
talk, I wrote it and I was so

994
00:54:53,520 --> 00:54:56,000
proud of what I had written
because it wasn't what I

995
00:54:56,000 --> 00:54:59,240
pitched.
And I wrote this other thing I

996
00:54:59,240 --> 00:55:01,120
sent in my critique partner.
I'm like, what do you think?

997
00:55:01,120 --> 00:55:03,120
She's like, Oh my God.
And she's been reading my work

998
00:55:03,120 --> 00:55:06,520
for over 10 years, right?
So she's seen all sorts of

999
00:55:06,520 --> 00:55:08,680
whatever she's like literally
the best thing you've ever

1000
00:55:08,680 --> 00:55:11,520
written, submitted it to TEDx
and she's like, this is a great

1001
00:55:11,520 --> 00:55:13,680
book, but this is a big zero as
a talk.

1002
00:55:13,680 --> 00:55:15,320
Basically.
That's what she told me.

1003
00:55:15,520 --> 00:55:20,840
I was like, I I, I pouted for
days, days.

1004
00:55:21,120 --> 00:55:23,120
I was like it really I did.
I felt it was like the best

1005
00:55:23,120 --> 00:55:25,480
thing I've ever written.
I was like, well, maybe that's

1006
00:55:25,720 --> 00:55:29,960
what my memoir will be like that
my daddy issues memoir that I

1007
00:55:30,440 --> 00:55:31,880
still think I'm going to
eventually write.

1008
00:55:31,880 --> 00:55:36,120
Not quite yet, but you had
mentioned before we started

1009
00:55:36,120 --> 00:55:39,840
recording and when we were just
chatting on e-mail about the

1010
00:55:39,840 --> 00:55:41,760
concept of when do you walk away
from a?

1011
00:55:41,760 --> 00:55:43,360
Piece.
Yeah.

1012
00:55:43,880 --> 00:55:45,920
What's that?
Yeah, well, why?

1013
00:55:46,000 --> 00:55:51,080
Would you do that?
Well, I don't think about it as

1014
00:55:51,080 --> 00:55:55,560
walking away from it as much as
allowing it to be in a different

1015
00:55:55,560 --> 00:55:58,320
form.
Like, OK, for I'll, I'll give

1016
00:55:58,320 --> 00:56:00,640
you the concrete thing we were
talking about.

1017
00:56:00,640 --> 00:56:04,240
I have been working on a memoir
literally for 20 years.

1018
00:56:04,520 --> 00:56:07,440
The same material, which is the
foundational material of how I

1019
00:56:07,440 --> 00:56:10,600
grew up.
Two women, well, three women, my

1020
00:56:10,600 --> 00:56:14,680
mother, my grandmother, myself,
right in a trailer in rural New

1021
00:56:14,680 --> 00:56:17,600
Mexico.
And what happens?

1022
00:56:17,600 --> 00:56:19,360
Like, how did they get there?
What happens?

1023
00:56:19,360 --> 00:56:27,320
It, it began as a, as a book of
reportage about the unmobile

1024
00:56:27,320 --> 00:56:30,960
class of people who live in
mobile homes and the stigma of

1025
00:56:30,960 --> 00:56:32,840
trailer trash and where that
comes from.

1026
00:56:32,840 --> 00:56:36,760
So I did a ton of research.
I can tell you about all HUD

1027
00:56:36,760 --> 00:56:39,240
regulations on, you know, mobile
homes.

1028
00:56:39,240 --> 00:56:42,080
I can tell, I can tell you a lot
of information.

1029
00:56:43,520 --> 00:56:48,040
So it was, it was going to be
weaving that, that nonfiction

1030
00:56:48,040 --> 00:56:53,240
narrative about America's mobile
home situation in with my own

1031
00:56:53,240 --> 00:56:58,200
personal experience.
And I Long story short, it's

1032
00:56:58,200 --> 00:57:00,680
been many different things.
People didn't like that.

1033
00:57:00,680 --> 00:57:03,040
They wanted the personal story
and then the personal story was

1034
00:57:03,040 --> 00:57:04,600
too personal.
They wanted more.

1035
00:57:06,040 --> 00:57:10,840
Anyway, it's, it's been out I
think 5 different times in

1036
00:57:10,840 --> 00:57:13,760
various forms.
I've written on this subject.

1037
00:57:13,760 --> 00:57:17,040
It's, it's been my obsession for
most of my life to write on this

1038
00:57:17,040 --> 00:57:20,080
subject, but it just doesn't
work as a book.

1039
00:57:20,080 --> 00:57:23,000
I haven't, I haven't, let me
just say I haven't been able to

1040
00:57:23,000 --> 00:57:27,440
make it work as a book in my in
its current form.

1041
00:57:28,000 --> 00:57:31,960
So what I did was I decided time
is ticking.

1042
00:57:33,160 --> 00:57:36,920
I want to get this stuff out.
So I'm going to essentially

1043
00:57:36,920 --> 00:57:42,040
eviscerate the material and and
form essays from the material so

1044
00:57:42,080 --> 00:57:43,920
I've actually stack.
It or.

1045
00:57:44,600 --> 00:57:46,480
That's an interesting quote.
I don't think so.

1046
00:57:46,480 --> 00:57:52,640
I'm, I think there are lots of
maybe too many voices on sub

1047
00:57:52,640 --> 00:57:55,240
stack that lots of really great
voices on sub stack.

1048
00:57:56,640 --> 00:57:59,720
I don't know that I need to join
them.

1049
00:58:01,080 --> 00:58:05,200
I don't, I don't know that I
have the wherewithal to manage

1050
00:58:05,200 --> 00:58:12,400
and my be my own media producer.
So I've been publishing a

1051
00:58:12,400 --> 00:58:15,880
different but, but that said, I
used to have a column in Medium

1052
00:58:15,880 --> 00:58:18,680
that I, if I had an idea for
something, I'd just throw it up

1053
00:58:18,680 --> 00:58:20,600
on Medium.
And I, that was satisfying.

1054
00:58:20,960 --> 00:58:24,600
I I enjoyed that.
Recently I wrote something that

1055
00:58:24,600 --> 00:58:28,000
I I really loved, so I wrote a
lot of the stuff about being a

1056
00:58:28,000 --> 00:58:29,960
mom when my daughter was
younger.

1057
00:58:29,960 --> 00:58:32,640
I don't write about her because
she's almost in the.

1058
00:58:32,640 --> 00:58:37,280
World a teenager.
Yeah, it's a privacy thing, but

1059
00:58:37,280 --> 00:58:40,520
I also had many miscarriages.
I end up having a hysterectomy

1060
00:58:40,520 --> 00:58:45,200
that I had a lot of like
medical, like whatever my life,

1061
00:58:45,200 --> 00:58:46,720
I had some life happening,
right.

1062
00:58:46,720 --> 00:58:49,600
So I would write about all of
that and what I thought my life

1063
00:58:49,600 --> 00:58:51,560
would be versus what it was and
whatever.

1064
00:58:52,120 --> 00:58:56,600
And then you have the teenager
as well and there's they do that

1065
00:58:56,600 --> 00:59:00,640
push you thing right now, which
is what they should be doing.

1066
00:59:00,960 --> 00:59:04,320
But there was a moment in the
past year where she called for

1067
00:59:04,320 --> 00:59:09,160
me like I, I, I heard her like 3
year old lispy tone of voice,

1068
00:59:09,160 --> 00:59:11,080
right?
Like that little that lisp was

1069
00:59:11,080 --> 00:59:13,960
so cute.
And and I came running and it

1070
00:59:13,960 --> 00:59:19,320
was because a field cricket had
gotten by her shoes and scared

1071
00:59:19,320 --> 00:59:21,560
the shit out of her and she
needed me to get it out of the

1072
00:59:21,560 --> 00:59:24,040
house.
And it was like this moment of

1073
00:59:24,040 --> 00:59:26,520
her being so young and my
daughter is like your height.

1074
00:59:26,520 --> 00:59:30,840
She's much taller than me.
And you know, it's just funny

1075
00:59:30,840 --> 00:59:34,160
that she needed her mommy then.
So I wrote an essay about that

1076
00:59:34,160 --> 00:59:35,920
and I was like, Oh my God, I
loved it.

1077
00:59:35,920 --> 00:59:38,880
And I'm so hard.
I'm so hard on myself.

1078
00:59:38,880 --> 00:59:42,600
I don't whatever, whatever.
And I got a beautiful rejections

1079
00:59:42,600 --> 00:59:47,320
and the whole the same theme was
it was too happy, It was too

1080
00:59:47,320 --> 00:59:51,280
sweet and I couldn't find a home
because people are still looking

1081
00:59:51,280 --> 00:59:55,040
for more click baity headline
kind of moment.

1082
00:59:55,280 --> 00:59:56,720
So I don't know where that one's
going to end up.

1083
00:59:56,720 --> 01:00:02,160
But I still love it because it's
such a sweet thing to have that

1084
01:00:02,160 --> 01:00:05,600
moment of memory going back and
forth, which is again why I love

1085
01:00:06,000 --> 01:00:08,560
memoir.
And I've started to devour it

1086
01:00:08,560 --> 01:00:11,200
again.
That beautiful play on exactly

1087
01:00:11,200 --> 01:00:15,000
what you said of how you
remember something.

1088
01:00:15,440 --> 01:00:18,800
Versus the maybe truth or
reality for other people.

1089
01:00:18,800 --> 01:00:22,280
And like right in it's in that
beautiful like light.

1090
01:00:22,280 --> 01:00:25,520
Like I won't drive and like when
it first starts getting dark, my

1091
01:00:25,520 --> 01:00:27,280
vision's not that good at this
point.

1092
01:00:27,600 --> 01:00:31,760
But something about morning
light right is illuminating and

1093
01:00:31,760 --> 01:00:35,080
it's soft and warm even no
matter what the topic is.

1094
01:00:35,080 --> 01:00:40,120
Because like again, to my right,
I have things like a three dog

1095
01:00:40,120 --> 01:00:44,360
life next to me, of course, the
classic glass Castle or all the

1096
01:00:44,360 --> 01:00:47,800
call the midwives or a good dog.
And this man writes about his

1097
01:00:47,800 --> 01:00:52,080
pet in such a way that like my
heart was breaking 10,000 ways

1098
01:00:52,360 --> 01:00:55,600
and I loved every second of it.
It's interesting you just

1099
01:00:55,600 --> 01:00:57,720
mentioned, Sorry, did I were you
going to say more?

1100
01:00:58,160 --> 01:01:01,000
You just mentioned Three Dog
Life by Abigail Thomas.

1101
01:01:01,000 --> 01:01:04,400
I had the incredible pleasure of
interviewing her last year.

1102
01:01:04,800 --> 01:01:10,160
She's a a goddess and an icon
and she has a sub stack and she

1103
01:01:10,240 --> 01:01:11,920
puts things up on a regular
basis.

1104
01:01:11,920 --> 01:01:16,640
So even though I'm not doing sub
stack, I think that's a very

1105
01:01:16,640 --> 01:01:20,160
viable form for people's bell
lettres.

1106
01:01:20,680 --> 01:01:25,240
You know, let's let's call it a
bell letra rather than a essay,

1107
01:01:25,720 --> 01:01:29,920
you know, just those those
ephemeral moments of insight

1108
01:01:29,920 --> 01:01:31,800
and.
They're so pretty.

1109
01:01:31,880 --> 01:01:34,320
I haven't.
Yeah, I met someone.

1110
01:01:34,720 --> 01:01:37,080
We were mine.
We are on a white water trip and

1111
01:01:37,080 --> 01:01:40,840
we were mining for gems as you
do in North Carolina after you

1112
01:01:40,840 --> 01:01:41,680
go white.
Water.

1113
01:01:41,680 --> 01:01:43,920
I did not know that.
Yeah, it's a thing.

1114
01:01:44,200 --> 01:01:47,520
I mean, you were in the
Appalachians and there is this

1115
01:01:47,520 --> 01:01:49,320
person's name.
I hope I can say his name.

1116
01:01:49,320 --> 01:01:52,520
I guess, Andy, you'll have to
tell me, but I wrote it down.

1117
01:01:53,080 --> 01:01:57,560
His name was Enoch Frederick.
And if that wasn't the most

1118
01:01:57,560 --> 01:02:00,720
perfect name I ever heard in my
life, I was like, I don't know

1119
01:02:01,240 --> 01:02:04,000
is going to have that name or
how that character is going to

1120
01:02:04,000 --> 01:02:07,920
show up somewhere.
You know, right now, Barbara

1121
01:02:07,920 --> 01:02:11,520
Kingsolver is, is kicking
herself that she didn't have

1122
01:02:11,520 --> 01:02:14,440
that name.
And Demon Copperhead, that is a

1123
01:02:14,440 --> 01:02:16,040
total, Yeah.
That's an.

1124
01:02:16,240 --> 01:02:18,360
That is an incredible name,
Yeah.

1125
01:02:18,760 --> 01:02:23,760
He was cowboy mountain got boy
like he was maybe 20.

1126
01:02:23,760 --> 01:02:29,680
He was very young and sweet as
pie and with the mam's butt good

1127
01:02:29,680 --> 01:02:33,760
church, like all all the things
that are that part of the world

1128
01:02:33,760 --> 01:02:38,200
that I think a lot of people
have opinions of or might judge.

1129
01:02:38,200 --> 01:02:40,960
But until you're around it and
actually know how salted the

1130
01:02:40,960 --> 01:02:44,200
earth and amazing they are,
you're missing out.

1131
01:02:44,560 --> 01:02:46,400
Right.
Like go out.

1132
01:02:46,400 --> 01:02:48,520
I think that's part of why I
like being a stranger in a

1133
01:02:48,520 --> 01:02:50,600
strange land.
I like being places I probably

1134
01:02:50,600 --> 01:02:55,400
have no business being and I
I'm, I like, I eat that up.

1135
01:02:55,920 --> 01:02:59,880
I eat that up.
So anyway, OK, So what are you

1136
01:02:59,880 --> 01:03:03,440
working on now?
And then and then we'll have to

1137
01:03:03,640 --> 01:03:05,880
give you my final question, but
I want to know what you're

1138
01:03:05,880 --> 01:03:09,680
working on now so that I can
e-mail you and be like, yeah,

1139
01:03:09,720 --> 01:03:11,360
what about?
That What about that?

1140
01:03:12,240 --> 01:03:17,680
Actually, I'm working on another
essay from that material about

1141
01:03:18,800 --> 01:03:20,720
about having a shotgun pulled on
me.

1142
01:03:22,080 --> 01:03:25,480
Yeah, that's what happens in the
West.

1143
01:03:25,480 --> 01:03:29,600
Things like that happen.
Everything, everything turned

1144
01:03:29,600 --> 01:03:33,160
out OK, but that that's that's
the I can hear the.

1145
01:03:33,200 --> 01:03:34,920
Click.
That's the crazy thing.

1146
01:03:34,960 --> 01:03:36,920
Yeah, it's so funny that you say
that.

1147
01:03:36,920 --> 01:03:40,040
I was telling, I was just
telling Ben, my son about that

1148
01:03:40,040 --> 01:03:42,720
incident.
And that's what I the click of

1149
01:03:42,720 --> 01:03:44,680
the of the shotgun.
Was it 1 of?

1150
01:03:44,880 --> 01:03:50,120
These was it like yes, it's one
of these and I felt, you know,

1151
01:03:50,120 --> 01:03:53,800
all the blood leave my body at
that sound and it's.

1152
01:03:53,800 --> 01:03:55,680
Even the sound when you grab a
shotgun.

1153
01:03:55,720 --> 01:03:59,600
It was just, well, he was, it's
a long story.

1154
01:04:00,160 --> 01:04:03,240
And then and then he was like,
then he was like, oh, sorry,

1155
01:04:03,240 --> 01:04:04,560
Sam, I thought you were somebody
else.

1156
01:04:04,560 --> 01:04:06,280
I'm like, who the fuck do you
think I was?

1157
01:04:08,520 --> 01:04:10,840
It's a, there's an anyway,
there's a story on that.

1158
01:04:10,840 --> 01:04:14,840
So that's the, that's the form,
That's the incident.

1159
01:04:14,840 --> 01:04:18,720
That is the spying of an essay
because even like.

1160
01:04:19,040 --> 01:04:23,360
The the the the the sound it
would take even to take it out

1161
01:04:23,360 --> 01:04:26,320
like there's a sound.
I don't know if anyone else has

1162
01:04:26,600 --> 01:04:28,120
any.
Out of a gun rack.

1163
01:04:28,480 --> 01:04:31,000
Out of the gun.
Rack the shooting is I know

1164
01:04:31,000 --> 01:04:33,640
again, you might not believe
this, but going to range is

1165
01:04:33,640 --> 01:04:35,400
fine.
But yeah, it is.

1166
01:04:36,080 --> 01:04:38,680
I love shooting metal, but
anyway, but there's like

1167
01:04:38,680 --> 01:04:42,320
something to the weight and heft
and the smell of it, like it's

1168
01:04:42,320 --> 01:04:44,840
got all of the things.
It's got all of your.

1169
01:04:45,480 --> 01:04:50,240
The itch of lead.
Yeah, yeah, I grew up, you know,

1170
01:04:50,240 --> 01:04:54,800
I grew up shooting, shooting
rifles with my, with my uncle,

1171
01:04:54,800 --> 01:04:55,920
my great uncle.
Oh, yeah.

1172
01:04:55,920 --> 01:04:57,600
You know, if you grew up in the
West, you have a different

1173
01:04:57,600 --> 01:05:03,760
relationship to guns and yeah,
hunting and everything else.

1174
01:05:04,000 --> 01:05:06,160
Anyway, anyway.
And So what else am I?

1175
01:05:06,160 --> 01:05:08,440
That's so that's my personal
thing.

1176
01:05:08,800 --> 01:05:13,720
And then I have a metric ton of
of work that I'm doing at any

1177
01:05:13,720 --> 01:05:15,480
given moment.
I love that.

1178
01:05:15,560 --> 01:05:18,920
I love that.
Yeah, there is a a way to make a

1179
01:05:18,920 --> 01:05:21,920
life, you know, like all I keep
thinking about, and I'm going to

1180
01:05:21,920 --> 01:05:24,560
throw this out there and you can
just tell me to stuff rocks if

1181
01:05:24,560 --> 01:05:28,120
you don't like it.
I want to like I want to put

1182
01:05:28,120 --> 01:05:30,840
like a little Princess crown on
top of that trailer.

1183
01:05:30,840 --> 01:05:33,280
You grow up in your memory.
Oh.

1184
01:05:34,680 --> 01:05:38,440
Right, because how you see it
and how I see it as like this

1185
01:05:38,480 --> 01:05:43,400
root integral part of who you
are in in defining woman, right.

1186
01:05:43,400 --> 01:05:48,520
Your mom was strong, yes.
Iron.

1187
01:05:48,520 --> 01:05:51,240
So like my grandmother too.
In a different way.

1188
01:05:51,840 --> 01:05:54,640
Yeah.
You're strong too.

1189
01:05:54,960 --> 01:05:55,440
Yeah.
We.

1190
01:05:55,800 --> 01:05:57,440
Yeah.
Yeah, I am.

1191
01:05:59,040 --> 01:06:01,920
Yeah.
Now see, I want to like unpack

1192
01:06:01,920 --> 01:06:03,920
all of that, but that would be
like another hour and a half.

1193
01:06:03,920 --> 01:06:07,160
So, but, but I want like, so I
want to put a crown on it

1194
01:06:07,160 --> 01:06:10,320
because I like, I wondered like
you wouldn't be you right if you

1195
01:06:10,320 --> 01:06:12,640
didn't have all that.
Oh, a dumb.

1196
01:06:12,680 --> 01:06:15,480
Thing to say but like I'm so
like if if we stuck you in a

1197
01:06:15,480 --> 01:06:18,520
middle class like suburban,
you'd be so bored.

1198
01:06:18,920 --> 01:06:22,040
You know, yeah, completely,
completely.

1199
01:06:22,040 --> 01:06:26,240
And frankly, a trailer is where
I'll end up.

1200
01:06:26,760 --> 01:06:30,720
I mean, that's the affordability
option for retirees with my

1201
01:06:30,720 --> 01:06:34,120
level of savings.
And you know what, people,

1202
01:06:34,680 --> 01:06:37,400
people think that I'm being
defeatist when I say that I'm

1203
01:06:37,400 --> 01:06:40,560
actually.
They're really nice by they're.

1204
01:06:40,680 --> 01:06:43,000
Really nice.
What are what are people talking

1205
01:06:43,000 --> 01:06:45,640
about?
It's like I can't wait for our

1206
01:06:45,640 --> 01:06:49,480
trailer, our mobile, our
manufactured housing.

1207
01:06:49,680 --> 01:06:51,120
Look, there's a lot of them
here.

1208
01:06:51,200 --> 01:06:53,200
And there's a lot of our
manufactured, I can't wait.

1209
01:06:53,320 --> 01:06:55,720
I'm looking forward to.
It when that the part of the

1210
01:06:55,720 --> 01:06:59,440
horror of the hurricane that
came through last year, it's

1211
01:06:59,440 --> 01:07:03,120
like communities gone and those
are the homes and they've been

1212
01:07:03,120 --> 01:07:04,760
there forever.
Yeah.

1213
01:07:05,400 --> 01:07:08,600
So heartbreaking.
Well.

1214
01:07:08,840 --> 01:07:11,480
My cousin lived one in Arkansas
and I stepped inside.

1215
01:07:11,480 --> 01:07:13,040
I was like, this thing is so
huge.

1216
01:07:13,560 --> 01:07:15,960
Like it was huge.
My mom it did.

1217
01:07:15,960 --> 01:07:19,680
Matt, it's yeah, People, people
who've never been in

1218
01:07:19,680 --> 01:07:22,840
manufactured housing, have no
idea what it's like.

1219
01:07:22,920 --> 01:07:24,720
Anyway.
I can go on and on about that,

1220
01:07:24,720 --> 01:07:26,240
but your audience doesn't want
to hear that.

1221
01:07:26,600 --> 01:07:28,320
No, we can.
But OK, so that'll be Part 2.

1222
01:07:28,320 --> 01:07:33,360
So I like to end every session
with the one question, which is

1223
01:07:33,520 --> 01:07:36,080
if you came with a warning
label, what would it be?

1224
01:07:40,960 --> 01:07:46,120
Caution makes frequent stops.
All right.

1225
01:07:46,120 --> 01:07:48,880
Back in the day, it would have
been caution.

1226
01:07:48,960 --> 01:07:53,560
Dangerous curves ahead.
Not so much anymore.

1227
01:07:54,080 --> 01:07:55,040
Yes, you.
I have no.

1228
01:07:56,040 --> 01:07:57,680
You are.
You're curvy.

1229
01:07:57,720 --> 01:07:59,720
It's all you own it.
It's just who you are.

1230
01:07:59,840 --> 01:08:01,640
I'm curvy.
I'm taking.

1231
01:08:01,640 --> 01:08:04,640
That back you're so spicy and
curvy and fiery.

1232
01:08:05,640 --> 01:08:06,480
Thank you.
Delicious.

1233
01:08:07,200 --> 01:08:08,440
Thank you, darling.
I like that.

1234
01:08:08,440 --> 01:08:10,240
Like what?
Someone would call me delicious.

1235
01:08:10,320 --> 01:08:11,720
I was like, what'd you just say?
What?

1236
01:08:11,720 --> 01:08:14,400
Oh yes, you are delicious
actually.

1237
01:08:14,840 --> 01:08:18,680
And you, unlike myself, you look
great in green.

1238
01:08:19,359 --> 01:08:21,200
It's.
Your heart chakra.

1239
01:08:21,200 --> 01:08:23,760
I was wearing a black T-shirt
that said you matter on it.

1240
01:08:23,760 --> 01:08:26,920
And like before I started like
my people, my woo woo energy,

1241
01:08:26,920 --> 01:08:28,520
people were like, why are you
wearing black?

1242
01:08:28,520 --> 01:08:30,000
Take that shit.
And I was like, oh, OK.

1243
01:08:30,880 --> 01:08:32,479
Interesting.
Thank you.

1244
01:08:32,840 --> 01:08:34,240
Interesting.
Someone once told me to wear

1245
01:08:34,240 --> 01:08:37,040
green.
I spent like $4000 on the class.

1246
01:08:37,279 --> 01:08:39,600
I thought she was going to teach
me something that I didn't know

1247
01:08:39,600 --> 01:08:40,920
and she's like green looks good
on you.

1248
01:08:40,920 --> 01:08:46,240
I was like. 4000 wait.
That's a whole other episode.

1249
01:08:46,240 --> 01:08:48,760
We'll do that some other time.
I was going to say I just gave

1250
01:08:48,760 --> 01:08:51,479
you that for free.
I just gave you that validation

1251
01:08:51,479 --> 01:08:53,640
for free.
My God.

1252
01:08:53,640 --> 01:08:55,840
Anyway.
See, when you're looking at

1253
01:08:55,840 --> 01:08:57,359
something, you'll sometimes find
it.

1254
01:08:57,880 --> 01:08:59,640
You'll find it, but not with the
right people.

1255
01:08:59,640 --> 01:09:02,640
Which is why I think messages
for like people who work with

1256
01:09:02,640 --> 01:09:04,800
healers of any kind.
Some people are great, some

1257
01:09:04,800 --> 01:09:08,080
people are full of shit.
But even in storytelling, right,

1258
01:09:08,080 --> 01:09:11,319
there is a time and a place for
how certain people tell story.

1259
01:09:11,319 --> 01:09:14,920
And you might not always love it
or whatever, but explore, go be

1260
01:09:14,920 --> 01:09:17,640
around smart people, read Sam's
work.

1261
01:09:17,640 --> 01:09:19,319
Go be around.
I want to work with you.

1262
01:09:19,359 --> 01:09:21,040
I want to tell tell everyone
like.

1263
01:09:21,560 --> 01:09:26,240
Oh wait, let me just say, not
only smart be around people,

1264
01:09:26,640 --> 01:09:33,200
people that you might not
consider smart, and watch them

1265
01:09:33,200 --> 01:09:35,960
open up.
Watch them open your heart, you

1266
01:09:35,960 --> 01:09:38,680
know, just be around people,
they'll surprise you and.

1267
01:09:39,040 --> 01:09:41,359
Not people who agree with you.
Please be around people who

1268
01:09:41,359 --> 01:09:43,160
maybe be a stranger in a strange
land.

1269
01:09:43,200 --> 01:09:45,840
Be a stranger in a strange land,
always.

1270
01:09:45,960 --> 01:09:48,520
Yeah.
And anyway, so honey, what was

1271
01:09:48,520 --> 01:09:50,720
the other question?
I, I want to know like what do

1272
01:09:50,720 --> 01:09:53,359
you have?
So this will be coming out in

1273
01:09:53,359 --> 01:09:55,920
probably September, October.
Is there anything you want them

1274
01:09:55,920 --> 01:09:59,960
to tune into then?
I always want people to tune

1275
01:09:59,960 --> 01:10:02,560
into our monthly bookish
program.

1276
01:10:02,560 --> 01:10:05,080
It's on the third Friday of
every month.

1277
01:10:05,080 --> 01:10:09,240
It's free, it's for everybody.
Conversations with great authors

1278
01:10:09,600 --> 01:10:13,920
about interesting books.
And then, you know, I've got my

1279
01:10:13,920 --> 01:10:17,760
own private workshop and then
you can always find me through

1280
01:10:18,480 --> 01:10:23,080
you can always find me.
I'm through the interwebs for

1281
01:10:23,080 --> 01:10:25,280
that private workshop.
If you've got, if you just need

1282
01:10:25,280 --> 01:10:29,600
some structure for your own
ongoing process, and you can

1283
01:10:29,600 --> 01:10:34,160
also find me through Pam
Houston's literary nonprofit

1284
01:10:34,600 --> 01:10:39,960
Writing by Writers, where I'd
also teach, Yeah, you get you

1285
01:10:39,960 --> 01:10:43,680
got to get Pam a.
Message from your old friend

1286
01:10:43,680 --> 01:10:47,480
here is that you now need to do
spoken word or an essay doing

1287
01:10:47,480 --> 01:10:51,160
dressage like how?
How do I make AI anyone who's

1288
01:10:51,160 --> 01:10:54,240
listening who could do AII want?
I want someone to make that and

1289
01:10:54,240 --> 01:10:56,520
put it in the comments.
Yeah, exactly.

1290
01:10:56,520 --> 01:10:58,080
Exactly.
Yeah, I think.

1291
01:10:58,080 --> 01:11:01,640
That would be so cool.
Exactly, AI.

1292
01:11:01,640 --> 01:11:03,080
That's a whole other
conversation.

1293
01:11:03,080 --> 01:11:04,920
Anyway, I gotta get to work.
I gotta have to.

1294
01:11:04,920 --> 01:11:07,280
Go, you have to work.
So everyone love you listening

1295
01:11:07,720 --> 01:11:11,120
to the Holly Hughes podcast.
I will see you soon and until

1296
01:11:11,120 --> 01:11:13,440
then we'll be free.
Yay.